"San Francisco" tag

Akram Khan – Kaash – San Francisco

In Khan’s choreography, kathak’s warp-speed spins and fierce gestures are immediately recognizable yet subverted and sculpted by contemporary weightedness and extended lines.

Fog Beast in CHANGE.© Jessica Swanson. (Click image for larger version)

Fog Beast – CHANGE – San Francisco

If you’re ever within earshot when a member of Fog Beast yells out, “Hey, kids, let’s put on a show!” – fasten your seatbelt. Because a performance by this underground San Francisco dance-theater duo is guaranteed to be a wild night.

Jeffrey Van Sciver and Courtney Henry perform with singer Lisa Fischer in The Propelled Heart.© Quinn B. Wharton. (Click image for larger version)

Alonzo King LINES Ballet – The Propelled Heart – San Francisco

The Propelled Heart is a full-immersion experience, a wading into the waters of dance as a spiritual practice.

Sankai Juku in Umusuna.© Laurent Phillipe. (Click image for larger version)

Sankai Juku – Umusuna – San Francisco

There was much talk of spiritual awakening as the audience filed out of the YBCA Theater on Friday evening, after the opening performance of Sankai Juku’s Umusuna.

Diana Vishneva in Alexei Ratmansky's Cinderella.© Valentin Baranovsky. (Click image for larger version)

Mariinksy Ballet – Cinderella – San Francisco

It’s not your granddaughter’s Cinderella. Alexei Ratmansky’s version dispenses with tutus and glass carriages in favor of a deco-cum?post-Soviet point of view.

James Gilmer and Sarah Cecilia Griffin in Seiwert's Traveling Alone.© David DeSilva. (Click image for larger version)

Amy Seiwert’s Imagery – SKETCH 5: Stirred Program – San Francisco

In the end, SKETCH is about the artists and their learning process, and it’s our good fortune that they share it with us in performance.

Vivian Aragon, Michael Galloway and Tegan Schwab in promotional shot for The Luminous Edge.© RJ Muna. (Click image for larger version)

Garrett + Moulton Dance – The Luminous Edge – San Francisco

I’ve seen Garrett + Moulton’s The Luminous Edge three times now, and I’ve yet to plumb its deepest currents…

Carly Johnson in Robert Moses' SILT.© RJ Muna. (Click image for larger version)

Robert Moses’ KIN – SILT – San Francisco

The issue Moses explored most successfully in SILT was how to engage audiences more deeply, a topical subject at a time when many people have lost interest in the traditional theatre environment.

San Francisco Ballet in Tomasson's Romeo & Juliet.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Romeo & Juliet – San Francisco

Choreographed by artistic director Helgi Tomasson in 1994, the ballet is popular with audiences here and makes a satisfying coda to his thirtieth-anniversary season…

Taras Domitro in Possokhov’s Swimmer.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Caprice, The Four Temperaments, Swimmer – San Francisco

Swimmer is one man’s journey from being the stereotypical breadwinner… to his own self-realisation in a kind of isolated freedom.

Alvin Ailey American Dance Theater in Revelations.© Christopher Duggan. (Click image for larger version)

Alvin Ailey American Dance Theater – Odetta, Bad Blood, Caught, Revelations – San Francisco

The company has performed here annually since 1968 and considers Berkeley its home away from home, both for the synergy it feels with the Cal Performances staff and the receptive local audience.

Frances Chung in Ratmansky's Piano Concerto #1 from Shostakovich Trilogy.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Program 6: Shostakovich Trilogy – San Francisco

It’s a disconcerting feeling when you don’t respond to a piece that nearly everyone else agrees is revelatory. That’s the situation I find myself in with Alexei Ratmansky’s Shostakovich Trilogy.

Robb Beresford, Babatunji and Michael Montgomery in Biophony.© Quinn B. Wharton. (Click image for larger version)

Alonzo King LINES Ballet – Biophony, Concerto for Two Violins – San Francisco

…for the world premiere of Biophony, King collaborated with the entire natural world….

Derrick Agnoletti and Aaron Rogers in Alexander Ekman's Episode 31.© Cheryl Mann. (Click image for larger version)

Joffrey Ballet – Incantations, Son of Chamber Symphony, Bells, Episode 31 – San Francisco

As always, it’s a pleasure to see the Joffrey Ballet, especially since 2007 when artistic director Ashley Wheater assumed his post and began a terrific revival of the company…

Josie G. Sadan in The Invention of Wings by Brenda Way and KT Nelson.© Andrew Weeks photography. (Click image for larger version)

ODC/Dance – Dead Reckoning, The Invention of Wings – San Francisco

ODC boasts world-class contemporary dancers, and they moved with weight, intention and a compelling tenderness…

Mathilde Froustey and Carlos Quenedit in Tomasson/Possokhov's Don Quixote.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Don Quixote – San Francisco

Principal dancers Mathilde Froustey and Carlos Quenedit were exactly what the audience wanted on opening night.

Wrecking Dissolver: Courtney Moreno, Peiling Kao, Erin Mei-Ling Stuart and Aura Fischbeck.© Christy Funsch. (Click image for larger version)

Wrecking and Deconstructing Dance – Christy Funsch with Rowena Richie, Megan Nicely and Keith Hennessy in San Francisco

Developed in 1995 by New York choreographer Susan Rethorst, Dance Wrecking entails inviting colleagues to view your in-progress work, then granting them freedom to “wreck” it…

Mathilde Froustey In Robbins' Dances at a Gathering.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Dances at a Gathering, Hummingbird – San Francisco

San Francisco Ballet’s Program 4 is a double bill coupling a welcome return of Robbins’ Dances at a Gathering with a Liam Scarlett’s Hummingbird.

Norika Matsuyama and Steven Morse in Thatcher's Manifesto.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Program 3 including Myles Thatcher premiere – San Francisco

Program 3 features Hans van Manen’s Variations for Two Couples, William Forsythe’s The Vertiginous Thrill of Exactitude, Manifesto by Myles Thatcher and “The Kingdom of the Shades” from La Bayadère.

Maria Kochetkova in Tomasson's Giselle.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Giselle – San Francisco

…Kochetkova and Luiz told the tale beautifully…

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