"Satie" tag
Unity Phelan and Zachary Catazaro in Christopher Wheeldon’s Polyphonia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Liturgy, Polyphonia, Odessa, The Times are Racing – New York

★★★★✰   The oldest piece on the program is Wheeldon’s Polyphonia. Made in 2001, it has stood the test of time. Just last week it was performed at the Fall for Dance festival…

Tommy Franzen and Dickson Mbi in The Wall.© Foteini Christofilopoulou. (Click image for larger version)

Russell Maliphant Company – maliphantworks: Wall, One part II, Two, Afterlight (Part One) – London

★★★★★   The hour-long evening is a magical experience, a testament to the decades-long collaboration between Maliphant and Hulls…

Simone Messmer and Miami City Ballet dancers in The Fairy’s Kiss. Choreography by Alexei Ratmansky.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami

★★★★✰   The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.

Harry Alexander and Benjamin Warbis in the Satie Studs, Ogive 4, section of to a simple, rock ‘n’ roll… song.© Hugo Glendinning. (Click image for larger version)

Michael Clark Company – to a simple, rock ‘n’ roll… song – London

★★★★✰   Whenever I see Michael Clark’s company I usually come away energised and uplifted. Nobody fuses ballet to a youthful modern world like Clark does or reminds you that it’s a tough technique that’s been around a long time.

Marianna Krempeniou, Liam Riddick, Oihana Vesga Bujan, Nancy Nerantzi and Elly Braund in Richard Alston's Rejoice in the Lamb.© Chris Nash. (Click image for larger version)

Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York

★★★✰✰   One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.

Mark Morris Dance Group in The.© Mat Hayward. (Click image for larger version)

Mark Morris Dance Group – Cargo, A Forest, Foursome, The – New York

★★★✰✰   Every few years the Mark Morris Dance Group presents an evening of dances at the company’s Brooklyn headquarters, a nondescript brick building across from BAM…

Xin Ying in Martha Graham’s Chronicle.© Brigid Pierce. (Click image for larger version)

Martha Graham Dance Company – Gala + Cave of the Heart, Inner Resources, Rust and Chronicle bills – New York

★★★✰✰   The gala was a well-put-together, briskly-paced affair, a sampler of Graham excerpts dating back to her very first recital, in 1926.

Tamisha Guy, Penda N'Diaye and Jeremy Jae Neal in Absent Matter.© Sharon Bradford. (Click image for larger version)

Kyle Abraham / Abraham.In.Motion – The Quiet Dance, Absent Matter, The Gettin’ – New York

If there was an award for the most likely New York dance troupe to be compared to a sportscar, I’d give it to Abraham.In.Motion. The choreography is, like the best supercars, all torque and velocity…

Gillian Murphy and Sterling Baca in After You by Mark Morris.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – After You, Monotones I & II, Brahms-Haydn Variations – New York

ABT galas are more laid-back than City Ballet’s; they’re less “produced,” with fewer speeches or slick video presentations. For the most part, the company just gets on with the show, with minimum fuss.

Kana Kimura, Kirk Henning and Laura Mead in Jessica Lang's The Wanderer.© Julieta Cervantes. (Click image for larger version)

Jessica Lang Dance – The Wanderer – New York

When music, words and movement are combined, our minds are pulled in different directions.

Lesile Rivera and James Cricket Colter, of Rennie Harris Puremovement, in Students Of The Asphalt Jungle.© Bob Emott. (Click image for larger version)

Fall For Dance Festival – Program 4: Brian Brooks Moving Dance Company, Australian Ballet, Les Ballets Jazz de Montreal, Rennie Harris Puremovement – New York

Refreshingly unpretentious, Students is nothing but the purest proof that hip-hop choreography is just as polished an art form as any other,..

Lyubov Andreyeva and Oleg Gabyshev in Eifman's Rodin.© Souheil Michael Khoury. (Click image for larger version)

Eifman Ballet – Rodin – St. Petersburg

Boris Eifman can never be accused of shying away from the obvious… His representation of the life and times of Auguste Rodin creates spectacular and absorbing dance theatre…

John Heginbotham.© Amber Star Merkens. (Click image for larger version)

John Heginbotham – choreographer, performer and director of Dance Heginbotham

Dance Heginbotham premieres a new full evening work, Dark Theater, later this month at the Brooklyn Academy of Music – Marina Harss talks to choreographer John Heginbotham about his latest work…

Mark Morris Dance Group perfoms Excursions at Libbey Bowl on June 7, 2013 in Ojai, California.© Timothy Norris. (Click image for larger version)

Mark Morris Dance Group at the Ojai Music Festival – California

The festival elects a guest director each year; Morris is the first choreographer to get the job. The seemingly ubiquitous Morris has now taken to calling the current season “my festival”; he’s only half kidding…

Eifman Ballet in Rodin.© Gene Schiavone and courtesy of Eifman Ballet. (Click image for larger version)

Eifman Ballet – Rodin – San Francisco

The choreography looks like a steroid-fueled hybrid of Graham-based agony and the precision and fluidity of classical ballet. …nothing succeeds like excess…

Peng Yu-Chen and Brandon Freeman in Gina Patteron's The Inconstant.© David deSilva. (Click image for larger version)

Amy Seiwert’s SKETCH 2, The Women Choreographers & ODC/Dance Summer Sampler – San Francisco

The idea behind Amy Seiwert’s SKETCH 2 is to promote women ballet choreographers. Included in the press kit was an informal survey of twenty-four ballet companies with income over $5 million in the United States. Of the 302 works to be performed this upcoming season only 27 were by seventeen women.

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