"Serenade" tag
San Francisco Ballet School students in Balanchine’s Serenade.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet and School – Student Showcase, Promotions and Company Joiners

San Francisco exists in its own world, out here on the distant West Coast. The San Francisco Ballet, though, just became more global than ever, with new 2017-18 members joining from around the world. The company school, which presented its annual Student Showcase 31 May through 2 June at YBCA Theater, draws international students as well…

Sarah Steele in Ethan Stiefel's Frontier.© Theo Kossenas Media 4 Artists. (Click image for larger version)

Washington Ballet – Lilac Garden, The Dream, Frontier (premiere) – Washington

★★★✰✰   Ethan Stiefel’s Frontier, his first significant commission, had all the right ingredients… Yet the ballet, with its space travel theme, didn’t leave much of an impression…

Atlanta Ballet in 2014 feted its artistic director emeritus with a gala ball. Kelsey Ebersold, an apprentice with Atlanta Ballet at the time, is pictured along with Robert Barnett in costume for Barnett's Fascinatin' Rhythm.© Charlie McCullers, courtesy of Atlanta Ballet. (Click image for larger version)

Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet

Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…

Simone Messmer and Miami City Ballet dancers in The Fairy’s Kiss. Choreography by Alexei Ratmansky.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami

★★★★✰   The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.

Kerala Kalamandalam in Dussasana Vadhom.© Kevin Yatarola. (Click image for larger version)

Sounds of India Festival – Mark Morris Dance Group & Kerala Kalamandalam – New York

★★★★✰   This year’s White Light Festival, at Lincoln Center, has spawned a mini-festival of its own, Sounds of India, curated by the modern-dance choreographer Mark Morris. Why Morris? Because he has been going to India since the eighties…

New York City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Hallelujah Junction, Duo Concertant, Western Symphony – New York

★★★★✰   Balanchine himself once said that Serenade is “many things to many people.” If it is one thing to City Ballet, it is the single ballet which they are expected to do perfectly every time.

Nathalia Arja in Ratmansky's Symphonic Dances.© Sasha Iziliaev. (Click image for larger version)

Miami City Ballet – Opening Night Gala: Serenade, Symphonic Dances – New York

★★★★✰   This is dancing that makes one hungry for more.

Lawrence Rines.© Vikki Sloviter Portrait Photography. (Click image for larger version)

Lawrence Rines – Boston Ballet, Corps de Ballet

“I feel as though now that I’m older, working smart is the best thing as a dancer and artist. It’s not about NOT trying as hard as when I was younger, but really thinking about things.”

James Whiteside in Marcelo Gomes’ AfterEffect.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – AfterEffect, (Company B, The Green Table) – New York

…mostly the ballet (AfterEffect) is an enthusiastic love letter from Gomes to his company, and was received as such by the enthusiastic audience at the Koch…

Tura Gomez Coll as Ariel in The Tempest.© K. Mystkowski. (Click image for larger version)

Baltic Dance Theatre – The Tempest – Gdansk

Weiss is taking Baltic Dance Theatre on a journey that needs to be seen outside as well as inside Poland.

Ashley Bouder and NYCB in George Balanchine's Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Agon and Symphony in C – Washington

Oksana Khadarina reviews the Serenade, Agon and Symphony in C bill – prepare for many happy adjectives and lots of history…

Liam Riddick (Richard Alston Dance Company) in Robert Cohan's Sigh.© Camilla Greenwell. (Click image for larger version)

Robert Cohan at 90 – Gala evening at The Place – London

The opening and closing pieces showed how skilfully Cohan responds to dancers whose training and experience are very different from the Graham-based technique on which he drew for many decades.

David Bintley in rehearsal with Jenna Roberts and William Bracewell.© Andrew Ross. (Click image for larger version)

David Bintley – Director, Birmingham Royal Ballet – in his own words

David Bintley is celebrating 20 years as director of Birmingham Royal Ballet. Time for a good long natter…

Jaimie Bond and Elisha Willis with Maureya Libowitz, Angela Paul and Laura Purkiss in Carmina burana.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Serenade, Carmina burana – London

To celebrate his 20th year as artistic director of Birmingham Royal Ballet, David Bintley has revived the first work he created in the post – Carmina burana…

Yuan Yuan Tan and Pascal Molat in Possokhov's RAkU.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Prog 1: Serenade, RAkU, Lambarena – San Francisco

America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson…

Ashley Bouder in Donizetti Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Agon, Symphony in C, Donizetti Variations, La Valse, Chaconne – New York

In recent seasons New York City Ballet has gotten into the habit of starting things off with a week or two of Balanchine. It’s an excellent idea.

Natalia Osipova and Ivan Vasiliev in Don Quixote.© Stas Levshin, courtesy the Mikhailovsky Ballet. (Click image for larger version)

The Mikhailovsky Ballet’s American Debut at the Lincoln Center

Having wowed London with three acclaimed seasons over the last six years, at last the Mikhailovsky Ballet make their American debut in NY. Lisa Snyder introduces the company and its repertoire…

Septime Webre.© Dean Alexander, courtesy The Washington Ballet. (Click image for larger version)

Septime Webre – Artistic Director, Washington Ballet

We catch up with Septime Webre, choreographer and artistic director of Washington Ballet. So what makes him get up in the morning? Oksana Khadarina finds out…

Tiler Peck in Theme and Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Tchaikovsky & Balanchine, Stravinsky & Balanchine bills – New York

One cannot help but be amazed by the number of exceptional women in the company, and by how differently they approach the steps, the music and the temperament of each ballet.

Jacqueline Clark, Yuhui Choe, Leticia Stock and Francesca Hayward in Liam Scarlett's Sweet Violets.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Serenade, Sweet Violets, DGV: Danse à grande vitesse – London

It’s always good to get back to mixed programmes after one of the Royal Ballet’s long runs of blockbusters, and better still when the first item on the bill is Balanchine’s timeless Serenade.

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