"Serge Lifar" tag
Alexandre Riabko in Nijinsky.© Jeff Busby. (Click image for larger version)

Australian Ballet – Nijinsky – Melbourne

★★★✰✰   Even after his death, Vaslav Nijinsky suffered from the power and control of others…

Ballet Nice Mediterranee in Pas de Dieux.© Dominique Jaussein. (Click image for larger version)

Ballet Nice Mediterranee – Soir de Fête, Pas de Dieux – Nice

Vu-An writes in the programme that he has chosen the two ballets Soir de Fete and Pas de Dieux to make up an entertaining and enjoyable programme for the festive season. However, he has chosen two very contrasting and rather curious works…

The Making of Markova: Diaghilev’s Baby Ballerina to Groundbreaking Icon, book cover.© Pegasus Books. (Click image for larger version)

Book – The Making of Markova – by Tina Sutton

Sutton was originally asked to write a brief account of Markova’s career for the Gotlieb Centre but soon realised that her subject’s life, personal and public, was so fascinating that she undertook a substantial biography

San Francisco Ballet in Wheeldon's Ghosts.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Trio, Ghosts and Borderlands – New York

San Francisco Ballet is in town for two weeks, and on the evidence of opening night, this should be an invigorating visit. The company looks to be in top form.

Serge Lifar auction flyer.© Arts Talents Enchères. (Click image for larger version)

Serge Lifar – Paris Auction 22 April 2013

Auction: Last memories of Serge Lifar. Russian ballet at the Opéra de Paris….

San Francisco Ballet in McGregor's Borderlands.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Borderland (premiere), Suite en Blanc, In the Night – San Francisco

The highly anticipated world premiere of Wayne McGregor’s Borderlands, commissioned by SF Ballet, meets with a standing ovation.

Yuan Yuan Tan and Damian Smith in Wheeldon's After The Rain.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – 80th Season Gala Opening – San Francisco

Perhaps the best pas de deux of the evening, judging by the audience reaction, is one from Christopher Wheeldon’s After the Rain.

Poster image for the 2012 festival. © Festival Internacional de Ballet de La Habana 2012. (Click image for larger version)

23rd International Ballet Festival of Havana, 2012

The festival was as intensive as ever, with three performances running on seven days, four on one day, some concurrently. The range and quality of dance overall was impressive.

Natalia Makarova Honoured at The 35th Annual Kennedy Center Honours

The Honors are America’s highest award for those whose creative triumphs influenced and enhanced American culture. This is a celebration of their outstanding careers and extraordinary talents and appreciation of their unyielding commitment and contribution to the arts.

Elisabeth Holowchuk, Michael Cook and company in Slaughter On Tenth Avenue.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Autumn 2012 Program B – Washington

The company premiere of The Prodigal Son was the centerpiece and highlight of the Suzanne Farrell Ballet’s second all-Balanchine program at the Kennedy Center Eisenhower Theater – a program that also included Divertimento No. 15 and Slaughter on Tenth Avenue.

Nicolas Le Riche and Paris Opera Ballet in Maurice Bejart's Bolero.© Stephanie Berger. (Click image for larger version)

Paris Opera Ballet – Suite en Blanc, L’Arlesienne, Bolero – New York

Nicolas Le Riche was fabulously predatory in Bolero, a raging furnace of self-love and sex appeal. One imagines that after the show he must have ravaged a hundred virgins, but maybe he simply went home and soaked his feet in the tub, but in any case, he was magnificent, good taste (and choreography) be damned.

Paris Opera Ballet in Giselle.© Sebastien Mathé. (Click image for larger version)

Paris Opera Ballet – Giselle – Washington

With its exquisite staging, and most importantly with its understanding and respect of the Romantic ballet style, and whole-hearted dedication of the dancers to their roles, the Paris Opera Ballet demonstrated just how Giselle should be produced and performed.

Begona Cao, Daria Klimentova and Anais Chalendard in Apollo. © Dave Morgan. (Click image for larger version)

English National Ballet – Beyond Ballets Russes, Programme 2 – London

In format Suite en Blanc reminds me a little of Harald Lander’s Etudes, and it certainly fulfils the same purpose in providing the company with a spectacular programme-closer. ENB may be going through a difficult period but they don’t let it show on stage.

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