Tag - Sergei Diaghilev

Reviews

New York City Ballet – Apollo, Orpheus, Agon – New York

What is there to say about Orpheus, except that it seems to slip deeper into the recesses of time? I’ve read that at the première, the critic and poet Edwin Denby was so moved by it that he sat dumbfounded during intermission, unable to stand. It is difficult to imagine such a reaction today.

Reviews

English National Ballet – Beyond Ballet Russes, Programme 1 – London

Firebird: To Williamson’s credit, the action, though baffling, never palls. He knows how to deploy a diverse cast, using an interesting vocabulary of classical ballet steps and partnering. He’s obviously fired up his dancers to commit themselves to their roles, flaunting their glitzy costumes with panache. But it’s a muddled piece, overpowered by Stravinsky’s myth-making music.

Reviews

Ivan Putrov – Men in Motion – London

After all the fuss about Sergei Polunin abruptly leaving the Royal Ballet, guess who stole the Men in Motion show? Daniel Proietto, in the AfterLight solo Russell Maliphant made for him in 2010. Admittedly, you could read the 15-minute solo as a warning of the fate awaiting a troubled dancer deprived of the support of a company of colleagues