★★★✰✰ The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.
★★✰✰✰ The trouble with Program 2 is its centerpiece, choreographer-in-residence Yuri Possokhov’s new work ‘Optimistic Tragedy’.
Celebrate Forsythe – Pas/Parts 2016, The Vertiginous Thrill of Exactitude, Artifact Suite – Los Angeles
★★★★✰ San Francisco Ballet, Pacific Northwest Ballet and Houston Ballet have come together in LA to celebrate William Forsythe probably the most influential ballet choreographer of his generation. Claudia Bauer reports on a fine night…
San Francisco Ballet – Continuum, In the Countenance of Kings (premiere), Theme and Variations – San Francisco
★★★★✰ San Francisco Ballet (SFB) saved the best for its last mixed bill of the 2016 season.
★★★★✰ It’s a treat to be in the theater when a dancer achieves a triumphant performance…
San Francisco Ballet – Fearful Symmetries (premiere), Rubies, Drink to Me Only with Thine Eyes – San Francisco
★★★✰✰ “But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work…”
If it was up to me, I would pay more [salary] to the corps than to the principals. Half the ballet depends on them, and it is very hard to be in a good mood and trying your hardest every day when you are not getting the attention and the development that we get as principals and soloists.
Swimmer is one man’s journey from being the stereotypical breadwinner… to his own self-realisation in a kind of isolated freedom.
It’s a disconcerting feeling when you don’t respond to a piece that nearly everyone else agrees is revelatory. That’s the situation I find myself in with Alexei Ratmansky’s Shostakovich Trilogy.
Principal dancers Mathilde Froustey and Carlos Quenedit were exactly what the audience wanted on opening night.
Program 3 features Hans van Manen’s Variations for Two Couples, William Forsythe’s The Vertiginous Thrill of Exactitude, Manifesto by Myles Thatcher and “The Kingdom of the Shades” from La Bayadère.
…Kochetkova and Luiz told the tale beautifully…
Fall For Dance Festival – Program 1: Black Grace, SF Ballet, Russell Maliphant, Mark Morris – New York
New York City Center’s Fall For Dance Festival opened its 11th season with a very fresh program…
Great to see so many of San Francisco Ballet’s dancers enjoying themselves and enthusing their audience in a steamy summer evening in Paris.
Though Tan dances with a wonderful lightness and an elegance not quite suited to a naïve peasant girl, she never really emotionally engages with the ardent Karapetyan, who possesses nuanced acting and strong technique, and deserves to have a partner who can match his level of commitment to crafting a role.
The best all-round piece of the evening is Hans van Manen’s Variations for Two Couples, from the exquisitely concise choreography by this still-relevant master…