"SouthBank Centre" tag
Erna Ómarsdóttir.© Saga Sigurðardóttir. (Click image for larger version)

5 Questions to Erna Ómarsdóttir, Iceland Dance Company director, about the company and their latest touring bill – Sacrifice

Iceland Dance Company are about to present the UK premiere of Sacrifice at London’s Royal Festival Hall – so an excellent time to catch up with Erna Ómarsdóttir, their choreographing director…

Viviana Durante.© David Scheinmann, courtesy Viviana Durante. (Click image for larger version)

Interview – Viviana Durante: Ballerina, mother, teacher and coach of MacMillan’s Anastasia

One of the leading interpreters of Kenneth MacMillan’s dramatic ballets Viviana Durante’s leaving of the Royal Ballet at the height of her powers was a sad loss to London, if the gain of those who saw her perform elsewhere all around the world. Well now she’s back at the Royal Opera House, this time to coach MacMillan’s Anastasia, which is where Jann Parry caught up with her…

Alexander Whitley in Collapse - a period drama.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – New Movement Collective in Collapse – a period drama

Gallery by Foteini Christofilopoulou…

Emio Greco.© Alwin Poiana. (Click image for larger version)

Emio Greco – Choreographer and Director on Ballet National de Marseille’s Body.Dance.Nation.City and more

5 Questions to Emio Greco, choreographer and director of Ballet National de Marseille (with Pieter C. Scholten) on their “Body.Dance.Nation.City” which is being presented at London’s Southbank Centre later this week – 5-6 August 2016

Clemmie Sveaas.© Vicki Manderson. (Click image for larger version)

Clemmie Sveaas – Dancer and New Movement Collective collaborator on their new ‘Collapse – a period drama’

5 questions interview with Clemmie Sveaas, the very-much-in-demand freelance dancer who is also a member of the highly respected New Movement Collective. The Collective are about to premiere their latest site-specific work and we wanted to know more…

Sylvie Guillem. © Gilles Tapie. (Click image for larger version)

2015 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Anne Plamondon and Peter Chu in Crystal Pite's A Picture of You Falling.© Foteini Christofilopoulou. (Click image for larger version)

The Associates of Sadler’s Wells: Crystal Pite, Kate Prince, Hofesh Shechter – London

If the brand new works were something of a disappointment then Crystal Pite’s A Picture of You Falling, created on her own company dancers in 2008, was the outstanding hit.

Sylvie Guillem and Russell Maliphant in Push, taken in 2005. From a John Ross Gallery of 6 images.© John Ross.

2014 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

David Ledger in Please Be Seated.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – New Movement Collective in Please Be Seated

Gallery by Foteini Christofilopoulou…

© English National Ballet logo

English National Ballet 2014/2015 Season

Full Details of the 2014 / 15 Season…

Jonathan Goddard.© Marcus Renner. (Click image for larger version)

Jonathan Goddard – Freelance Dancer, Mover and Shaker

5 Questions to Jonathan Goddard on Dracula and more…

Claire Cunningham in Guide Gods with Derek Nisbet behind.© Dave Morgan. (Click image for larger version)

Claire Cunningham – Guide Gods – London

What do the major faiths and religions have to say about disability and how do they treat the differently abled? Claire Cunningham’s ‘Guide Gods’ shines a light…

Claire Cunningham in Guide Gods.© Dave Morgan. (Click image for larger version)

Gallery – Claire Cunningham’s Guide Gods

Gallery by Dave Morgan… Claire Cunningham’s Guide Gods is part of Umlimited, the Southbank Centre’s festival that celebrates the artistic vision and originality of disabled artists.

Katherine Araniello in The Dinner Party Revisited.© Dave Morgan. (Click image for larger version)

Gallery – Katherine Araniello’s The Dinner Party Revisited

The show that opened Umlimited, the Southbank Centre’s festival that celebrates the artistic vision and originality of disabled artists. Gallery by Dave Morgan…

© ZooNation

ZooNation Youth Company – Groove On Down The Road – London

…this show’s greatest sleight of hand is to have constructed a truly professional, West End-worthy production from the performances of young, amateur dancers, under the age of 19.

Paul White in the studio preparing Anatomy of an Afternoon.© Paul Hyde. (Click image for larger version)

Paul White – Anatomy of an Afternoon – London

It’s a really demanding work, and the intimate setting of the Purcell Room brings you up close to every drop of sweat.

Paul White in the studio preparing Anatomy of an Afternoon.© Paul Hyde. (Click image for larger version)

Paul White – Dancer, Collaborator, Lecturer and Choreographer

5 Questions to Paul White. Last year Australian Paul White danced at the Southbank Centre in Meryl Tankard’s ‘The Oracle’ and won a UK National Dance Award for Outstanding Performance. This week he dances in a new piece at the Southbank – another winner? We catch up with him…

Avatara Ayuso in Strange Blooms.© Foteini Christofilopoulou. (Click image for larger version)

Shobana Jeyasingh Dance – Configurations, Strange Blooms – London

Shobana Jeyasingh has been celebrating her 25 years in dance during 2013 and this special anniversary is here marked by a double bill that presents works from the opposite ends of her dance company’s timeline.

oora Kela, Avatara Ayuso, Sunbee Han, Lee-Yuan Tu, Richard Causer and Teerachai Thobumrung in Strange Blooms.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Shobana Jeyasingh Dance in Strange Blooms

Gallery by Foteini Christofilopoulou…

Ultima Vez in Wim Vandekeybus's booty Looting.© Danny Willems. (Click image for larger version)

Wim Vandekeybus / Ultima Vez – booty Looting – London

Booty Looting isn’t afraid of opening a rabbit-hole or two in its exposition of performance and visual art; almost everything in the show refers to itself in a never-ending loop that will either delight or madden its audiences.

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