Iceland Dance Company are about to present the UK premiere of Sacrifice at London's Royal Festival Hall - so an excellent time to catch up with Erna Ómarsdóttir, their choreographing director...
Tag - SouthBank Centre
One of the leading interpreters of Kenneth MacMillan’s dramatic ballets Viviana Durante's leaving of the Royal Ballet at the height of her powers was a sad loss to London, if the gain of those who saw her perform elsewhere all around the world. Well now she's back at the Royal Opera House, this time to coach MacMillan's Anastasia, which is where Jann Parry caught up with her...
Gallery by Foteini Christofilopoulou...
5 Questions to Emio Greco, choreographer and director of Ballet National de Marseille (with Pieter C. Scholten) on their "Body.Dance.Nation.City" which is being presented at London's Southbank Centre later this week - 5-6 August 2016
5 questions interview with Clemmie Sveaas, the very-much-in-demand freelance dancer who is also a member of the highly respected New Movement Collective. The Collective are about to premiere their latest site-specific work and we wanted to know more...
Lynette Halewood with her personal selection of London dance memories this last year…
If the brand new works were something of a disappointment then Crystal Pite's A Picture of You Falling, created on her own company dancers in 2008, was the outstanding hit.
Lynette Halewood with her personal selection of London dance memories this last year…
Gallery by Foteini Christofilopoulou...
Full Details of the 2014 / 15 Season...
5 Questions to Jonathan Goddard on Dracula and more...
What do the major faiths and religions have to say about disability and how do they treat the differently abled? Claire Cunningham's 'Guide Gods' shines a light...
Gallery by Dave Morgan... Claire Cunningham's Guide Gods is part of Umlimited, the Southbank Centre’s festival that celebrates the artistic vision and originality of disabled artists.
The show that opened Umlimited, the Southbank Centre’s festival that celebrates the artistic vision and originality of disabled artists. Gallery by Dave Morgan...
...this show’s greatest sleight of hand is to have constructed a truly professional, West End-worthy production from the performances of young, amateur dancers, under the age of 19.
It’s a really demanding work, and the intimate setting of the Purcell Room brings you up close to every drop of sweat.
5 Questions to Paul White. Last year Australian Paul White danced at the Southbank Centre in Meryl Tankard's 'The Oracle' and won a UK National Dance Award for Outstanding Performance. This week he dances in a new piece at the Southbank - another winner? We catch up with him...
Shobana Jeyasingh has been celebrating her 25 years in dance during 2013 and this special anniversary is here marked by a double bill that presents works from the opposite ends of her dance company’s timeline.
Gallery by Foteini Christofilopoulou...
Booty Looting isn't afraid of opening a rabbit-hole or two in its exposition of performance and visual art; almost everything in the show refers to itself in a never-ending loop that will either delight or madden its audiences.