"Stravinsky" tag
Tzu-Chao Chou in ‘Still Life’ at the Penguin Café.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Arcadia, Le Baiser de la fée, ‘Still Life’ at the Penguin Café – London

★★✰✰✰   Bintley’s ‘Still Life’ at the Penguin Café saves a dispiriting evening by providing nimble demi-character dancing with a timely message, first delivered nearly 20 years ago.

Constance Devernay and Sophie Martin in Le Baiser de la fee (The Fairy's Kiss).© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

MacMillan Celebrations – Le Baiser de la fee (SB), Concerto (BRB), Jeux (RB) – London

  In the first of the mixed bills celebrating Kenneth MacMillan’s ballets, 25 years after his death, “Le Baiser de la fée” intrigued me because the questions it posed about his development as a choreographer…

Constance Devernay and Andrew Peasgood in Kenneth MacMillan's The Fairy's Kiss.© Andy Ross. (Click image for larger version)

Scottish Ballet – The Fairy’s Kiss, The Rite of Spring – Glasgow

★★★★✰   Absolutely fascinating… Scottish Ballet should feel very proud of celebrating MacMillan in such a thoughtful way…

Gary Harris' costume sketches for The Fairy's Kiss.© Gary Harris. (Click image for larger version)

Bringing back Kenneth MacMillan’s Le Baiser de la fée – The Fairy’s Kiss

Scottish Ballet will be performing Kenneth MacMillan’s “Le Baiser de la fée” as part of the celebrations marking the 25th anniversary of his death. It will be the first revival of the ballet in 30 years – Jann Parry on the return of an important work.

Sara Mearns and Jared Angle in Justin Peck's Pulcinella Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala: new work by Schumacher, Reisen, Lovette, Peck – New York

★★★✰✰   At New York City Ballet, the fall fashion gala has become a showcase for work by young choreographers. Each one is paired up with a fashion designer and voilà, it’s an event.

Paris Opera Ballet in Emeralds.© Agathe Poupeney. (Click image for larger version)Jewels, choreography by George Balanchine, ©The George Balanchine Trust.

Paris Opera Ballet, New York City Ballet, Bolshoi Ballet – Jewels – New York, Lincoln Center Festival

★★★★✰   It’s not often that one gets to see three such companies side by side, or to experience a work as familiar as Jewels with new eyes…

Maureya Lebowitz as Swanilda in Coppélia.© Roy Smiljanic. (Click image for larger version)

Birmingham Royal Ballet – Coppelia and Three Short Story Ballets – Bristol and Birmingham

★★★✰✰   I went to Bristol to catch Coppelia and the specific lead casting of Celine Gittens and Tyrone Singleton – who have now totally transitioned from being rising stars to fully risen Principals.

Sterling Hyltin and Joaquin de Luz in Ratmansky's Odessa.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Square Dance, Tarantella, Odessa, Rodeo: Four Dance Episodes – Washington

★★★★★   Alexei Ratmansky’s Odessa left me breathless. The dancing (I saw both casts) was phenomenal on all levels: assured, expressive, and thoroughly dramatic.

Gabriella Domini, supported by Maxwell Read and Jackson Fort, in Scotch Symphony. Choreography by George Balanchine © The George Balanchine Trust.© Paul Kolnik. (Click image for larger version)

School of American Ballet – Workshop Performance: Scènes de Ballet, Hallelujah Junction, Scotch Symphony – New York

★★★★✰   New York City Ballet’s seemingly endless stream of new talent has a source, and that source is the School of American Ballet…

Tyler Angle and the corps in Namouna, a Grand Divertissement.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Russian Seasons and Namouna, a Grand Divertissement – New York

★★★★✰   I still remember my feelings during the premiere of Alexei Ratmansky’s Russian Seasons at NYCB in 2006. There was a shock of recognition: this was the thing I had been looking for…

Beatriz Stix-Brunell and Valeri Hristov in Emeralds.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Jewels: Emeralds, Rubies, Diamonds – London

★★★★✰   The first Emeralds ballerina, Beatriz Stix-Brunell, could be a water nymph, touching the hands of her suitor, Valeri Hristov, in the opening pas de deux before drifting out of reach.

English National Ballet in Pina Bausch's The Rite of Spring.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Pina Bausch, William Forsythe, Hans van Manen bill – London

★★★★★   One cannot help but observe that while the programmes of other companies both hit and miss, in terms of their critical appreciation and popular appeal, ENB is continually raising the bar…

Simone Messmer and Miami City Ballet dancers in The Fairy’s Kiss. Choreography by Alexei Ratmansky.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami

★★★★✰   The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.

Sara Mearns and Jared Angle in Swan Lake.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sonnambula, Prodigal Son, Firebird, Allegro Brillante, Swan Lake, Four Temperaments – New York

★★★★✰   Sara Mearns, who made her name as Swan Queen at the age of nineteen, is still the most thrilling Odette around.

Yi-Wei Tien and Chen-Chih Liao in Tschüss!! Bunny.© Julie Lemberger. (Click image for larger version)

Japan Society – 17th Contemporary Dance Showcase: Japan + East Asia – New York

★★★✰✰   Hosted by the Japan Society on the east side of midtown Manhattan, this year’s showcase concentrated on the theme of two: the dynamics of duos. Featuring works from Japan, Korea and Taiwan…

Marianna Krempeniou, Liam Riddick, Oihana Vesga Bujan, Nancy Nerantzi and Elly Braund in Richard Alston's Rejoice in the Lamb.© Chris Nash. (Click image for larger version)

Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York

★★★✰✰   One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.

Sterling Hyltin and Amar Ramasar in Symphony in Three Movements.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, The Four Temperaments, Duo Concertant, Symphony in Three Movements – Paris

★★★★✰   The pleasure, above all, in watching this company is their fearless super-charge of energy and their commitment as the inheritors of Balanchine’s ballets.

Gary Avis and Francesca Hayward in The Invitation.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Obsidian Tear (premiere), The Invitation, Within the Golden Hour – London

★★★★✰   The range of roles shows the Royal Ballet dancers, up-and-coming soloist, established principals and character artists, at their very best.

New York City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Hallelujah Junction, Duo Concertant, Western Symphony – New York

★★★★✰   Balanchine himself once said that Serenade is “many things to many people.” If it is one thing to City Ballet, it is the single ballet which they are expected to do perfectly every time.

Philharmonia Orchestra & Armitage Gone! Dance performing Agon.© Camilla Greenwell Photography. (Click image for larger version)

Philharmonia Orchestra & Armitage Gone! Dance – Agon, Rite of Spring, Symphonies of Wind Instruments – London

★★★✰✰   Esa-Pekka Salonen is conducting London’s Philharmonia Orchestra in a Stravinsky festival, the first concert of which included a collaboration with Karole Armitage’s company on “Agon” – famously originally choreographed by Balanchine…

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