"Suzanne Farrell Ballet" tag
Natalia Magnicaballi in Tzigane.© Paul Kolnik. (Click image for larger version)

Suzanne Farrell Ballet’s Final Performances in Washington

This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a selection of George Balanchine’s choreographic gems…

Students of ABT’s Jacqueline Kennedy Onassis School in Garden of Dreams.© Teresa Wood. (Click image for larger version)

Ballet Across America – Opening Night Celebration 2017 – Washington

★★★★✰   Ballet Across America – a festival that showcases the stylistic, creative and geographical diversity of American ballet – returned to the Kennedy Center this month…

Suzanne Farrell Ballet in Danses Concertantes.© Paul Kolnik. (Click image for larger version)

Suzanne Farrell Ballet – Danses Concertantes, Gounod Symphony, Stars and Stripes – Washington

★★★★✰   Watching this immensely entertaining program one realizes that even a minor Balanchine ballet is still a great ballet.

Brooklyn Mack and Venus Villa in Hamlet.© Theo Kossenas. (Click image for larger version)

Washington Ballet – Hamlet – Washington

★★✰✰✰   There is, however, one undeniably compelling personage in this somewhat flat production of Hamlet – the quiet and fragile Ophelia, as portrayed by Venus Villa…

Mirò Magloire.© Jacqueline Lopez. (Click image for larger version)

Dance Like an Egyptian – Mirò Magloire and choreographing for Aida

In the world of opera, dance has a rather low place on the totem pole. Music critics (and opera audiences) can be pretty dismissive…

Violeta Angelova and Kirk Henning in the Scene d’amour from Romeo and Juliet, choreography by Maurice Bejart.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Walpurgisnacht Ballet, Midsummer Night’s Dream, Romeo and Juliet, Emeralds – Washington

Suzanne Farrell Ballet’s new program, “Balanchine, Béjart, and the Bard,” presented at the Kennedy Center Opera House at the end of October, was dedicated to the 400th anniversary of Shakespeare’s death. It offered an appealing mix of four ballets

Suzanne Farrell.© Paul Kolnik. (Click image for larger version)

Interview: Suzanne Farrell – Artistic Director

We talk to Farrell about her summer program, her approach to teaching aspiring ballet dancers, her studies and work with George Balanchine and also about her her company and its new season at the Kennedy Center, which runs 30 Oct – 1 Nov 2015.

Natalia Magnicballi and Michael Cook in Balanchine's Swan Lake.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Swan Lake, Monumentum Pro Gesualdo, Movements for Piano and Orchestra, Allegro Brillante, The Concert – Washington

It’s hard to imagine a better program to showcase the power of ballet as an expressive art than Suzanne Farrell Ballet’s impressive offering for its annual season at the Kennedy Center.

Laura Mead and Kirk Henning of Jessica Lang Dance performing Scape with the National Symphony Orchestra.© Kyle Manfredi. (Click image for larger version)

Jessica Lang Dance – Program 3, National Symphony Orchestra: NEW MOVES: symphony + dance season – Washington

JLD is a relatively young troupe, but it consists of nine experienced and established dancers, some of them well-known and admired in Washington. Take for example, Clifton Brown…

Michael Cook and Natalia Magnicaballi in Duo Concertant.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Pas de Dix, Duo Concertant, Tempo di Valse, Agon – Washington

…offered a perfect Balanchine sampler, bringing together an assortment of ballets, full of unexpected juxtapositions, from very different periods of the choreographer’s long career.

Heather Ogden and Michael Cook in Mozartiana.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Mozartiana, Episodes – Washington

The much admired Suzanne Farrell Ballet have just been performing at their Kennedy Center home in Washington – Oksana Khadarina reviews the Balanchine works (Mozartiana and Episodes) on Programme A…

Elisabeth Holowchuk, Michael Cook and company in Slaughter On Tenth Avenue.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Autumn 2012 Program B – Washington

The company premiere of The Prodigal Son was the centerpiece and highlight of the Suzanne Farrell Ballet’s second all-Balanchine program at the Kennedy Center Eisenhower Theater – a program that also included Divertimento No. 15 and Slaughter on Tenth Avenue.

Suzanne Farrell Ballet in Danses Concertantes.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Autumn 2012 Program A – Washington

When watching them perform one understands what dance critic Joan Acocella meant when she said: “Every single time Suzanne Farrell sets a Balanchine ballet – it rises from the dead.”

Suzanne Farrell.© Paul Kolnik. (Click image for larger version)

Interview: Suzanne Farrell – Artistic Director

“It’s very special to dance. And it’s even more special to dance a Balanchine ballet” – Suzanne Farrell

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