"Suzanne Farrell" tag
Carmen de Lavallade immediately after receiving her Honors medallion.© John P. Filo/CBS. (Click image for larger version)

Carmen de Lavallade Honoured at The 40th Annual Kennedy Center Honours

Dancer, choreographer, actress, teacher, director, writer, and mentor, Carmen de Lavallade is a true artist in every sense of the word – and a true legend.

Natalia Magnicaballi in Tzigane.© Paul Kolnik. (Click image for larger version)

Suzanne Farrell Ballet’s Final Performances in Washington

This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a selection of George Balanchine’s choreographic gems…

Rebecca Krohn and Amar Ramasar in Stravinsky Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – 20th Century Violin Concertos bill – New York

New York City Ballet 20th Century Violin Concertos: The Red Violin, In Memory Of…, Stravinsky Violin Concerto ★★★✰✰ New York, David H. Koch Theater 7 October 2017 www.nycballet.com davidhkochtheater.com It goes without saying…

Sarah Van Patten and Luke Ingham in Balanchine's Stravinsky Violin Concerto.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Stravinsky Violin Concerto, Prodigal Son, Diamonds – San Francisco

★★★✰✰   The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.

Isabella Boylston and Calvin Royal III in Wheeldon's This Bitter Earth.© Erin Baiano. (Click image for larger version)

Vail Dance Festival – ReMix NYC – New York

★★★★✰   After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.

Suzanne Farrell Ballet in Danses Concertantes.© Paul Kolnik. (Click image for larger version)

Suzanne Farrell Ballet – Danses Concertantes, Gounod Symphony, Stars and Stripes – Washington

★★★★✰   Watching this immensely entertaining program one realizes that even a minor Balanchine ballet is still a great ballet.

Miriam Miller and Anthony Huxley in Midsummer Night’s Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Midsummer Night’s Dream – New York

★★★★✰   But the kids are just one element of what makes Midsummer tick. Another is the intelligence and efficiency with which the ballet tells its story.

Teresa Reichlen and Russell Janzen in Diamonds.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels: Emeralds, Rubies, Diamonds – New York

★★★✰✰   What do you do with a problem like Jewels? This 1967 blockbuster by George Balanchine is a hard one to pull off…

Violeta Angelova and Kirk Henning in the Scene d’amour from Romeo and Juliet, choreography by Maurice Bejart.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Walpurgisnacht Ballet, Midsummer Night’s Dream, Romeo and Juliet, Emeralds – Washington

Suzanne Farrell Ballet’s new program, “Balanchine, Béjart, and the Bard,” presented at the Kennedy Center Opera House at the end of October, was dedicated to the 400th anniversary of Shakespeare’s death. It offered an appealing mix of four ballets

Suzanne Farrell.© Paul Kolnik. (Click image for larger version)

Interview: Suzanne Farrell – Artistic Director

We talk to Farrell about her summer program, her approach to teaching aspiring ballet dancers, her studies and work with George Balanchine and also about her her company and its new season at the Kennedy Center, which runs 30 Oct – 1 Nov 2015.

Natalia Magnicballi and Michael Cook in Balanchine's Swan Lake.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Swan Lake, Monumentum Pro Gesualdo, Movements for Piano and Orchestra, Allegro Brillante, The Concert – Washington

It’s hard to imagine a better program to showcase the power of ballet as an expressive art than Suzanne Farrell Ballet’s impressive offering for its annual season at the Kennedy Center.

New York City Ballet in George Balanchine's Chaconne.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Chaconne, Interplay, After the Rain, Everywhere We Go – New York

“…it’s hard not to get the impression that New York City Ballet is on a roll.”

Andrew Veyette, Sterling Hyltin and Company in Justin Peck's Everywhere We Go.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala and Justin Peck premiere, Everywhere We Go – New York

Justin Peck has gone from unknown corps-member to choreographer-of-the-moment in a blink of an eye. (He created his first piece for the company in 2012; this is his sixth.)

Danielle Brown and Ricardo Rhodes in Frederick Ashton's Birthday Offering.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Sir Frederick Ashton Festival, Programmes 1-4 – Sarasota

Both as a tribute to Ashton and as a coming-out party, it’s hard to imagine how the festival could have gone better. The ballets are in good hands.

Michael Cook and Natalia Magnicaballi in Duo Concertant.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Pas de Dix, Duo Concertant, Tempo di Valse, Agon – Washington

…offered a perfect Balanchine sampler, bringing together an assortment of ballets, full of unexpected juxtapositions, from very different periods of the choreographer’s long career.

Heather Ogden and Michael Cook in Mozartiana.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Mozartiana, Episodes – Washington

The much admired Suzanne Farrell Ballet have just been performing at their Kennedy Center home in Washington – Oksana Khadarina reviews the Balanchine works (Mozartiana and Episodes) on Programme A…

Edward Villella.© Gio Alma, courtesy Edward Villella. (Click image for larger version)

Edward Villella – Founding Artistic Director of Miami City Ballet

After twenty-six years in Miami, Edward Villella is back in New York, just across the East River from his old stomping grounds in Bayside Queens. He was an unlikely danseur, a scrappy kid…

Seth Orza, Carla Körbes, Maria Chapman, Lesley Rausch (front-back) in Apollo.© Lindsay Thomas. (Click image for larger version)

Pacific Northwest Ballet – Concerto Barocco, Apollo, Agon – New York

In New York one can begin to feel proprietary about Balanchine, to form the illusion that his choreography is a local specialty, the province of a select group of dancers, all of them employees of New York City Ballet. But this is mere local pride.

Carla Körbes and Karel Cruz in Giselle.© Angela Sterling. (Click image for larger version)

Carla Korbes – Pacific Northwest Ballet – Principal

Now thirty-one Carla Korbes has grown up to become one of America’s most remarkable ballerinas. Her recent performance of Terpsichore’s duet with Apollo at the Guggenheim was one of the most touchingly natural and innately musical interpretations I’ve seen.

Elisabeth Holowchuk, Michael Cook and company in Slaughter On Tenth Avenue.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Autumn 2012 Program B – Washington

The company premiere of The Prodigal Son was the centerpiece and highlight of the Suzanne Farrell Ballet’s second all-Balanchine program at the Kennedy Center Eisenhower Theater – a program that also included Divertimento No. 15 and Slaughter on Tenth Avenue.

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