"Taras Domitro" tag
San Francisco Ballet School students in Balanchine’s Serenade.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet and School – Student Showcase, Promotions and Company Joiners

San Francisco exists in its own world, out here on the distant West Coast. The San Francisco Ballet, though, just became more global than ever, with new 2017-18 members joining from around the world. The company school, which presented its annual Student Showcase 31 May through 2 June at YBCA Theater, draws international students as well…

Maria Kochetkova and Joseph Walsh in Cinderella.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Cinderella – Washington

★★★✰✰   Yet for all its narrative surprises and witty designs, this Cinderella is a curiously underwhelming work when it comes to the choreography.

Maria Kochetkova and Francisco Mungamba in Forsythe's Pas/Parts.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – 7 for Eight, Magrittomania, Pas/Parts – San Francisco

★★★★✰ “….that is what is marvelous about Forsythe’s Pas/Parts. Would that more choreographers would offer that kind of brisk and bracing slap in the face.”

San Francisco Ballet School students in the Waltz of the Hours from Balanchine's Coppélia.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Opening Night Gala – San Francisco

★★★✰✰ By way of a défilé, the evening opened with the “Waltz of the Hours” from Balanchine and Danilova’s Coppélia …Soloist Jennifer Stahl led two dozen girls from the SFB School, adorable in cotton-candy tutus.

José Manuel Carreño.© Chris Hardy. (Click image for larger version)

José Manuel Carreño – Artistic director of Silicon Valley Ballet

José Manuel Carreño on being a great Cuban dancer, now director of Silicon Valley Ballet, and the strong relations developing between the USA and Cuba and what that means for ballet.

Norika Matsuyama and Steven Morse in Thatcher's Manifesto.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Program 3 including Myles Thatcher premiere – San Francisco

Program 3 features Hans van Manen’s Variations for Two Couples, William Forsythe’s The Vertiginous Thrill of Exactitude, Manifesto by Myles Thatcher and “The Kingdom of the Shades” from La Bayadère.

Maria Kochetkova and Davit Karapetyan in Possokhov's Bells.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Infinite Romance: 2015 Season Opening Night Gala – San Francisco

The SF Ballet premiere of choreographer-in-residence Yuri Possokhov’s pas de deux from Bells is my all-round favorite of the evening. Sublime dancing from Maria Kochetkova and Davit Karapetyan…

Sarah Van Patten and Anthony Spaulding in Hans van Manen's Variations for Two Couples.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – 2014 Opening Night Gala – San Francisco

The best all-round piece of the evening is Hans van Manen’s Variations for Two Couples, from the exquisitely concise choreography by this still-relevant master…

Ballet San Jose flyer for the 2013 Benefit Gala.© Ballet San Jose. (Click image for larger version)

Ballet San Jose – 2013 Benefit Gala – San Jose

This was an evening not to be missed. Newly appointed Artistic Director, José Manuel Carreño, made sure that the quality of the eighteen guest artists for Ballet San Jose’s Gala Performance would tantalise even the most skeptical dance fan.

San Francisco Ballet in Wheeldon's Cinderella.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Cinderella (another look with different casts) – San Francisco

Christopher Wheeldon’s new Cinderella for San Francisco Ballet is spied in 2 more casts by Aimée Tsao. Some nice dancing but still rather an OTT Broadway-style extravaganza.

Maria Kochetkova in Wheeldon's Cinderella.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Cinderella – San Francisco

If extravagant productions are the way to bring in new audiences and fill the till then they are justified for those reasons alone. However, they don’t necessarily leave a rich legacy for future generations.

Maria Kochetkova and Joan Boada in Possokhov's Francesca da Rimini.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Criss-Cross, Francesca da Rimini, Symphony in Three Movements – San Francisco

Program 7 made me think a lot about this tricky issue of programming because this bill is a weird sandwich made with a delectable gourmet filling between slices of bland Wonder bread.

Lorena Feijoo and Vitor Luiz in Caniparoli's Ibsen's House.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Raymonda Act III, Ibsen’s House, Symphonic Dances – San Francisco

The highlight of the program is Lorena Feijóo’s return to the stage in more than one ballet during the evening. After being out on maternity leave for a year …is dancing better than ever.

Yuan Yuan Tan and Damian Smith in Wheeldon's After The Rain.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – 80th Season Gala Opening – San Francisco

Perhaps the best pas de deux of the evening, judging by the audience reaction, is one from Christopher Wheeldon’s After the Rain.

San Francisco Ballet in Tomasson/Possokhov's Don Quixote. © Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Don Quixote – San Francisco

Kochetkova and Domitro, together and separately, dance extraordinarily well. They don’t have the elusive chemistry that she has with Boada, but they still are very much in tune with each other, both musically and artistically, and make a very satisfying partnership.

San Francisco Ballet in Balanchine's The Four Temperaments. © Erik Tomasson. (Click image for larger version)

San Francisco Ballet – All Balanchine Bill (Program 7) – San Francisco

The sixty-five-year-old The Four Temperaments is now a senior citizen, but not even close to retiring…

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