"Tchaikovsky" tag
Sergei Polunin.© Bryan Adams. (Click image for larger version)

The 13th International Ballet Festival DANCE OPEN – 23-28 April 2014, St. Petersburg

The Festival is held from April 23 to April 28, 2014 on stage of the Alexandrinsky Theater, St. Petersburg. The main focus of the 13th International Ballet Festival DANCE OPEN, which performances will be held on stage of the Alexandrinsky Theater, is on original contemporary choreography.

Maria Kowroski in George Balanchine's Diamonds from Jewels.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels: Emeralds, Rubies, Diamonds – Washington

In many ways, Jewels is Balanchine’s choreographic résumé – a retrospective and a vivid showcase of his aesthetics and creative genius…

Boris Eifman.© Eifman Ballet. (Click image for larger version)

Boris Eifman – Artistic Director, Eifman Ballet

Graham Watts met up with the choreographer on a recent visit to St Petersburg to discuss his career and to ask what London audiences might expect from Rodin…

Isabela Coracy in A Dream Within a Midsummer Night's Dream.© Dave Morgan. (Click image for larger version)

Ballet Black – A Dream Within a Midsummer Night’s Dream, Limbo, Two of a Kind – London

Now in its thirteenth year, Ballet Black’s specialness is not the colour of its performers’ skin but the quality and quantity of the works its director, Cassa Pancho, commissions: over 30 new ballets to date. Where else could ballet dancers experience such a cornucopia of creativity?

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Alina Somova and Vladimir Shklyarov in Swan Lake.© V Baranovsky. (Click image for larger version)

Mariinsky Ballet – Swan Lake – Washington

The formula for the success of the Mariinsky’s Swan Lake is simple. The love story between a beautiful young woman turned into a swan and a prince is told in a direct, traditional manner. There is no symbolism or hidden meaning here, no exaggeration or melodrama.

The Snowflakes in George Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

The Nutcracker – from New York City Ballet, American Ballet Theatre and Gelsey Kirkland Ballet – New York

So far this season I’ve seen three “traditional” Nutcrackers: Ratmansky’s version for American Ballet Theatre, Gelsey Kirkland’s, and the familiar and much-loved 1954 staging by George Balanchine for New York City Ballet. All three have their charms…

The hunter (Derrick Arthur) and his prey (Daniel Pettrow) in Peter and the Wolf.© Jacklyn Meduga. (Click image for larger version)

John Heginbotham and Isaac Mizrahi – Peter and the Wolf – New York

What made this Peter so right-feeling was that all elements of the show — storytelling, music, stage action — were so well integrated.

© Company XIV

Company XIV – Nutcracker Rouge – New York

If you think about it, Nutcracker lends itself quite naturally to an erotic treatment. Coming of age story, voyage of discovery, fantasy playground filled with tantalizing delights

Ballet San Jose flyer for the 2013 Benefit Gala.© Ballet San Jose. (Click image for larger version)

Ballet San Jose – 2013 Benefit Gala – San Jose

This was an evening not to be missed. Newly appointed Artistic Director, José Manuel Carreño, made sure that the quality of the eighteen guest artists for Ballet San Jose’s Gala Performance would tantalise even the most skeptical dance fan.

Poster image for Matthew Bourne’s Sleeping Beauty.© Image by Hugo Glendinning. (Click image for larger version)

Matthew Bourne / New Adventures – Sleeping Beauty – Washington

Throughout the piece, Bourne’s choreography is highly theatrical and vigorous but only intermittently compelling …the chief pleasure of the evening was the highly-spirited and convincing performance of the entire cast.

Michael Cook and Natalia Magnicaballi in Duo Concertant.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Pas de Dix, Duo Concertant, Tempo di Valse, Agon – Washington

…offered a perfect Balanchine sampler, bringing together an assortment of ballets, full of unexpected juxtapositions, from very different periods of the choreographer’s long career.

Heather Ogden and Michael Cook in Mozartiana.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Mozartiana, Episodes – Washington

The much admired Suzanne Farrell Ballet have just been performing at their Kennedy Center home in Washington – Oksana Khadarina reviews the Balanchine works (Mozartiana and Episodes) on Programme A…

Staatsballett Berlin in The Nutcracker.© Bettina Stoess. (Click image for larger version)

Staatsballett Berlin – The Nutcracker (premiere) – Berlin

Christmas is nearly here and Staatsballett Berlin are celebrating early with a brand new Nutcracker. Margaret Willis visits Berlin for us…

American Ballet Theatre in The Tempest.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Opening Night Gala: The Tempest (premiere), Theme and Variations, Aftereffect – New York

Fashioning a ballet out of The Tempest is no small endeavor. How does one distill Shakespeare’s rather complex play into forty-six wordless minutes….

Hannah Vassallo as Princess Aurora in Sleeping Beauty.© Simon Annand. (Click image for larger version)

Matthew Bourne / New Adventures – Sleeping Beauty – New York

For all Bourne’s imagination, his version makes even less sense than the original.

San Francisco Ballet in Wheeldon's Ghosts.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Trio, Ghosts and Borderlands – New York

San Francisco Ballet is in town for two weeks, and on the evidence of opening night, this should be an invigorating visit. The company looks to be in top form.

Olga Smirnova in Diamonds, from Jewels.© Marc Haegeman.

Bolshoi Ballet – Jewels: Emeralds, Rubies, Diamonds – London

The Bolshoi’s glorious rising star, Olga Smirnova, was imperious…

Anna Tikhomirova (Fairy Audacity) in The Sleeping Beauty.© Foteini Christofilopoulou. (Click image for larger version)

Bolshoi Ballet – The Sleeping Beauty – London

…but the production isn’t so interested in motivation, more in grand effects, and those were delivered. It was a glittering, ostentatious performance, though not one to catch the heart.

Carlos Acosta in Scheherazade.© Dave Morgan. (Click image for larger version)

Carlos Acosta – Classical Selection – London

his diverse selection of 17 works (including musical interludes) is a gala in all but name and this one could have been sub-titled “Gems of The Royal Ballet” for all nine dancers hail from that company…

DanceTabs © 2014 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.