"The Moor’s Pavane" tag
Brandon Lawrence in Arcadia poster image.© Richard Battye, BRB. (Click image for larger version)

Birmingham Royal Ballet – Arcadia (premiere), Wink – Cheltenham

★★★✰✰   The South tour is particularly interesting this year because it features a new piece by Ruth Brill, a first artist within the company, and this is her first major commission.

Yijing Zhang, Céline Gittens, Matthias Dingman and Tyrone Singleton in Jessica Lang’s Wink.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Wink, The Moor’s Pavane, The Shakespeare Suite – London

★★★★✰   Wink, best seen from above, is a valuable addition to BRB’s repertoire. So is José Limon’s The Moor’s Pavane, created in 1949.

David Bintley in the studio rehearsing The Tempest.© Andy Ross. (Click image for larger version)

David Bintley, choreographer and director of Birmingham Royal Ballet, on his latest work – The Tempest

David Bintley, director of Birmingham Royal Ballet, is a prolific choreographer and just about to unveil his latest full evening work – The Tempest. Graham Watts went to talk to him about a work, that after 30 years of consideration, has found its time and proper custom score…

Brandon Lawrence in Wink.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Wink, The Moor’s Pavane, The Shakespeare Suite – Birmingham

★★★✰✰   Jessica Lang’s Wink is an attractive piece, well designed and well made with a clear structure.

BRB in Jessica Lang's Wink.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Shakespeare midscale tour: Wink, Three pas de deux, The Moor’s Pavane – Durham

★★★✰✰   “… Wink is a 4 star piece. We need to see more of Jessica Lang’s work…”

Birmingham Royal Ballet in The Dream.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Ashton bill: The Dream, A Month in the Country – Birmingham

★★★✰✰ When I think of Birmingham Royal Ballet (BRB) under David Bintley I think of tradition with a capital T and the latest double bill underlines that in spades.

Veronika Part and Cory Stearns in The Moor's Pavane.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Theme and Variations, The Moor’s Pavane, A Month in the Country, Piano Concerto #1 – New York

On Sunday, American Ballet Theatre’s two-week fall season draws to a close. By most measures, it’s been a success…

Veronika Part and Roberto Bolle in Symphony #9.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Symphony in C, Moor’s Pavane, Symphony #9 – Washington

…with choreographic masterpieces by George Balanchine and José Limón and a Washington D.C. premiere of Alexei Ratmansky’s new work, this ABT program was in every way a balletomane’s dream come true.

Polina Semionova in Romeo and Juliet.© and provided by HK Leisure & Cultural Services Department(Click image for larger version)

American Ballet Theatre – Hong Kong Arts Festival Season – Hong Kong

The season began with a high-energy mixed bill which showed the company on sparkling form.

Valerie and Clive Barnes with foundation logo.© Valerie Taylor-Barnes.

Valerie Taylor-Barnes – former Royal Ballet dancer & Director of the Clive Barnes Foundation

On the eve of the Clive Barnes Foundation announcing its annual awards we interview Valerie Taylor-Barnes, the great critics widow, about her life in dance (including the Royal Ballet) and the work of the Foundation…

Kristi Boone in In the Upper Room.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Drink, Cruel World, Stars/Stripes, Rodeo, Pavane, Upper Room – New York

The highlight of the gala was the seventieth-anniversary performance of Agnes De Mille’s Rodeo, preceded by a short film describing its creation, with archival footage of the hilariously histrionic, diminutive choreographer.

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