"The Royal Ballet" tag
Leo Dixon and Georgina Connolly in Valentino Zucchetti's Orbital Motion.© Foteini Christofilopoulou. (Click image for larger version)

New English Ballet Theatre and Guests – Dancing for Nepal – London

The overall standard of dancing of both NEBT and guests was very good – if the choreography was rather more mixed.

Jonathan Watkins.© Johan Persson. (Click image for larger version)

Jonathan Watkins – Choreographer, on his new 1984 for Northern Ballet

5 Questions to Jonathan Watkins about his new 1984 for Northern Ballet – premiering 5 September in Leeds…

Abigail Mattox and Gyrogy Baan in Daniela Cardim Fonteyne's Tangents.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – New English Ballet Theatre and Special Guests – Dancing for Nepal

Gallery by Foteini Christofilopoulou…

Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Simple and Wise, a Q&A about Ratmansky’s Sleeping Beauty for ABT

Q: What have you learned about Petipa from the notations? Ans: Looking at the notations changed my taste. Honestly, I just can’t stand seeing productions of the classics any more, because I know how far it is from Petipa’s intentions…

Natalia Osipova and Ivan Vasiliev in Facada.© Souheil Michael Khoury. (Click image for larger version)

Natalia Osipova and Ivan Vasiliev – Solo for Two: Zeitgeist, Mozart & Salieri, Facada – New York

Dancers should be allowed to have fun, especially when they’ve worked as hard as Ivan Vasiliev and Natalia Osipova…

Joshua Beamish.© David Cooper. (Click image for larger version)

Joshua Beamish and MOVE: the company – Pierced, burrow, Stay, Surface Properties – New York

Dancing alone, Beamish introduces his movement: silky smooth shifts, surprising twitches, lines of energy rolling through the body…

Sylvie Guillem in Mats Ek's Bye. © Lesley Leslie-Spinks. (Click image for larger version)

Sylvie Guillem – A Life in Progress – London

Sylvie Guillem’s farewell programme at the Coliseum (following its modest Sadler’s Wells presentation in May) is a glorious spectacle in the largest theatre in London.

Sarah Thompson in Schaufuss' La Sylphide.© David Kelly. (Click image for larger version)

A Heads-Up on Queensland Ballet, La Sylphide and company director Li Cunxin

Jann Parry on the award winning Peter Schaufuss “La Sylphide”, not seen in the UK in decades, and Li Cunxin’s Queensland Ballet who are bringing it to London this summer. Includes an interview with Cunxin…

Natalia Osipova in Alastair Marriott's Zeitgeist.© Dave Morgan. (Click image for larger version)

Ardani 25 Dance Gala – Zeitgeist, Tristesse, Facada – London

…it certainly showed that Osipova is a lightning bolt which can illuminate and energise everything she appears in.

Royal Ballet School in Jiri Kylian's Sechs Tanze.© Johan Persson. (Click image for larger version)

Royal Ballet School – Annual Main Stage Performance 2015 – London

I thought this year’s Royal Ballet School (RBS) performance on the main Royal Opera House stage was pretty damn’ good.

Zenaida Yanowsky.© Rob Moore, ROH. (Click image for larger version)

Interview – Zenaida Yanowsky – Principal, The Royal Ballet

The Royal Ballet’s Zenaida Yanowsky talks about her long career and also about the joys of working with Carlos Acosta – part of which is appearing with him in ‘Cubania’ this summer…

Wendy Whelan and Edward Watson in Danièle Desnoyers' The Song We Share, part of Other Stories.© Foteini Christofilopoulou. (Click image for larger version)

Whelan/Watson – Other Stories – London

The long awaited collaboration between Wendy Whelan and Edward Watson has just been premiered at the Royal Opera House. Jann Parry on an interesting night…

Inala.© Tristram Kenton. (Click image for larger version)

Mark Baldwin & Ladysmith Black Mambazo – Inala – London

Enthusiasm alone doesn’t make a show a success, though, and Inala doesn’t quite succeed in melding all that goodwill into a coherent exploration of dance and music from markedly different traditions.

Marianela Nuñez and James Whiteside in Cinderella.© MIRA. (Click image for larger version)

American Ballet Theatre – Cinderella – New York

Two 2 casts reeviewed – led out by Stella Abrera and a guesting Marianela Nunez. But the star of Cinderella is the ballet itself – Ashton’s tribute to Petipa, to silliness, and to the power of childlike wonder…

Tristan Dyer in Liam Scarlett’s The Age of Anxiety.© ROH, 2014. Photographed by Bill Cooper. (Click image for larger version)

The Royal Ballet – Infra, Divertissements, The Age of Anxiety, The Dream, Song of the Earth – New York

These are dancers worth following in a wide repertory of works; it’s a shame to see them go while feeling we’ve barely gotten to know them better.

Marianela Nuñez and Nehemiah Kish in Song of the Earth.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

The Royal Ballet – The Dream, Song of the Earth – New York

After an absence of eleven years, the Royal Ballet has finally returned to New York; they’re currently presenting two programs at the Koch Theatre,..

Tiffany Hedman and Daniel Kraus in Morgann Runacre-Temple's Give My Love to The Sunrise.© Dave Morgan. (Click image for larger version)

English National Ballet – Choreographics 2015 – London

Of the three Choreographics evenings to date I thought this was the best, with all the pieces feeling buffed-up, thought about and nobody making a huge wrong turn.

Marianela Nunez and Carlos Acosta in Don Quixote.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

The Royal Ballet – Don Quixote – Washington

At 42, Acosta is still a powerful presence. A much-loved artist around the world, he is undoubtedly one of the greatest male dancers of his generation.

DNB Junior Company in Blink by Juanjo Arques.© Michel Schnater. (Click image for larger version)

Dutch National Ballet, Junior Company – 2015 Tour – London

The programme stretches and shows off the young graduates to good advantage in a well-chosen assortment.

Ivan Putrov.© Elliott Franks. (Click image for larger version)

Ivan Putrov – Men in Motion – Lodz Ballet Festival

The most impressive (if not, incredible) thing is that his scratch company exudes the professionalism that one would expect from a tight-knit group that has lived, trained, rehearsed and performed together for seasons.

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