"The Royal Ballet" tag
Natalia Osipova and Ivan Vasiliev in Don Quixote.© Stas Levshin, courtesy the Mikhailovsky Ballet. (Click image for larger version)

The Mikhailovsky Ballet’s American Debut at the Lincoln Center

Having wowed London with three acclaimed seasons over the last six years, at last the Mikhailovsky Ballet make their American debut in NY. Lisa Snyder introduces the company and its repertoire…

Mara Galeazzi and Ludovic Ondiviela in the studio rehearsing Cassandra.© ROH / Andrej Uspenski, 2014. (Click image for larger version)

Ludovic Ondiviela and Mara Galeazzi on making Cassandra

Ludovic Ondiviela is making his first full-length work, Cassandra, for the Royal Ballet. And Mara Galeazzi is back from retirement to help him. We catch up with them…

Ballet Spectacular book cover.© Carlton Kids, The Royal Ballet and respective photographers. (Click image for larger version)

Book – Ballet Spectacular: A children’s guide to ballet and an insight into a magical world.

A key to the book’s success is that it’s based on talking about one company – the Royal Ballet – and that makes all the information so much more real and immediate.

Rupert Pennefather and Emma Maguire in A Month in the Country.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Ashton quad bill – London

Jann Parry reviews Scènes de ballet, Five Brahms Waltzes, Symphonic Variations and A Month in the Country…

Lauren Cuthbertson, Yasmine Naghdi and Marcelino Sambe at the Waterstones Ballet Spectacular book Q&A.© Dave Morgan. (Click image for larger version)

Gallery – Royal Ballet ‘Ballet Spectacular’ book launch with Lauren Cuthbertson, Yasmine Naghdi and Marcelino Sambe

Gallery by Dave Morgan…

Delia Mathews (The Suicide) and Cesar Morales (The Stranger) in Miracle in the Gorbals.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet – La Fin du jour, Miracle in the Gorbals, Flowers of the Forest – London

Gillian Lynne has made Helpmann and Benthall’s wartime collaboration into a gutsy dramatic ballet, probably with more choreography than Helpmann attempted.

Helen Crawford in Five Brahms Waltzes in the Manner of Isadora Duncan.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet Ashton quad bill

Royal Ballet Ashton Bill featuring Scènes de ballet, Five Brahms Waltzes in the Manner of Isadora Duncan, Symphonic Variations and A Month in the Country. Gallery by Dave Morgan…

Natalia Osipova in rehearsals at the ROH for A Month in the Country.© ROH, 2014. Photographed by Tristram Kenton. (Click image for larger version)

Frederick Ashton Remembered – Ashton Foundation Masterclasses & In Step with Fred film screenings

As The Royal Ballet prepares to celebrate Frederick Ashton with an all Ashton quad bill, two other events have also been celebrating the work of the Royal Ballet’s founder choreographer…

Alessandra Ferri in Martha Clarke’s Cheri.© Joan Marcus. (Click image for larger version)

Martha Clarke – Chéri – Washington

But the true revelation – and the main reason to see this production – is Alessandra Ferri.

Cesar Morales as the Stranger in Miracle in the Gorbals.© Roy Smiljanic. (Click image for larger version)

Birmingham Royal Ballet – La Fin du jour, Miracle in the Gorbals, Flowers of the Forest – Birmingham

See these thoughts as a heads up and, ultimately, encouragement to Londoners to go and see an interesting bill…

Septime Webre.© Dean Alexander, courtesy The Washington Ballet. (Click image for larger version)

Septime Webre – Artistic Director, Washington Ballet

We catch up with Septime Webre, choreographer and artistic director of Washington Ballet. So what makes him get up in the morning? Oksana Khadarina finds out…

Christpher Saunders, Ricardo Cervera and Marianela Nunez in Manon.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Manon – London

The advantage of a big company accustomed to performing narrative ballets (something we can take for granted with the Royal Ballet) is that it is able to portray a whole society on stage.

Christopher Saunders (Monsieur GM) and Marianela Nunez in Manon.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Manon (Nunez / Bonelli)

Gallery by Dave Morgan…

Mbulelo Ndabeni in INALA.© Giulietta Verdon-Roe. (Click image for larger version)

Mark Baldwin & Ladysmith Black Mambazo – INALA – London

Inala is set to be a runaway success

The Making of Markova: Diaghilev’s Baby Ballerina to Groundbreaking Icon, book cover.© Pegasus Books. (Click image for larger version)

Book – The Making of Markova – by Tina Sutton

Sutton was originally asked to write a brief account of Markova’s career for the Gotlieb Centre but soon realised that her subject’s life, personal and public, was so fascinating that she undertook a substantial biography

Kevin O'Hare (Director The Royal Ballet) receives the QEII Award from Darcey Bussell (President Royal Academy of Dance) and Luke Rittner (CEO of the Royal Academy of Dance).© Elliott Franks, Royal Academy of Dance . (Click image for larger version)

Royal Ballet receives the Royal Academy of Dance’s highest award during fundraising gala

The Royal Academy of Dance (RAD) marked the 60th anniversary of its highest honour – the Queen Elizabeth II Coronation Award (QEII Award) – by giving it to The Royal Ballet. A good time for DanceTabs to catch up with director Kevin O’Hare and some of his dancers at the awards reception…

Hannah Grennell in Unearthed.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Deloitte Ignite 2014, Royal Ballet and others – Sampling the Myth bill – London

The best of the videos and best piece of the night was Kim Brandstrup’s Leda and the Swan using the much-loved Zenaida Yanowsky and Tommy Franzen

© San Francisco Ballet

World Ballet Day – Global First: Five World-Class Ballet Companies, One Day of Live Streaming on Wednesday 1 October

Starting at the beginning of the dancers’ day, each of the five ballet companies – Australian Ballet, Bolshoi Ballet, The Royal Ballet, The National Ballet of Canada and San Francisco Ballet – will take the lead for a four hour period streaming live from their headquarters…

Sarah Lamb and Eric Underwood in the pas de deux from Wayne McGregor's Raven Girl.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Sampling the Myth bill – Deloitte Ignite Festival 2014

Gallery by Dave Morgan. ‘Sampling the Myth’ is part of Deloitte Ignite 2014, The Royal Opera House’s annual contemporary arts festival which runs from 5 – 28 September, this year based on the theme of myth….

Detail from the book cover of Constant Lambert - Beyond The Rio Grande.© Boydell & Brewer. (Click image for full version of cover)

Book – Constant Lambert, Beyond The Rio Grande – by Stephen Lloyd

Lloyd has written widely on English composers and is meticulous in combing together many fragmentary impressions of Lambert. The book weighs over 1.5 kilos, 419 pages of small print, most heavily annotated in smaller print still, with a further 150 pages of appendices.

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