Inala is set to be a runaway success
Sutton was originally asked to write a brief account of Markova’s career for the Gotlieb Centre but soon realised that her subject’s life, personal and public, was so fascinating that she undertook a substantial biography
The Royal Academy of Dance (RAD) marked the 60th anniversary of its highest honour – the Queen Elizabeth II Coronation Award (QEII Award) – by giving it to The Royal Ballet. A good time for DanceTabs to catch up with director Kevin O’Hare and some of his dancers at the awards reception…
World Ballet Day – Global First: Five World-Class Ballet Companies, One Day of Live Streaming on Wednesday 1 October
Starting at the beginning of the dancers’ day, each of the five ballet companies – Australian Ballet, Bolshoi Ballet, The Royal Ballet, The National Ballet of Canada and San Francisco Ballet – will take the lead for a four hour period streaming live from their headquarters…
Gallery by Dave Morgan. ‘Sampling the Myth’ is part of Deloitte Ignite 2014, The Royal Opera House’s annual contemporary arts festival which runs from 5 – 28 September, this year based on the theme of myth….
Lloyd has written widely on English composers and is meticulous in combing together many fragmentary impressions of Lambert. The book weighs over 1.5 kilos, 419 pages of small print, most heavily annotated in smaller print still, with a further 150 pages of appendices.
“This is how ecstasy is danced.” Kimin Kim in Concerto DSCH.
Xander Parish, making his British debut at Saturday’s matinee, proved that he has been transformed into a true Mariinsky prince. His achievement is a reproach to the Royal Ballet, who failed to value him as a danseur noble.
…, the first-night Juliet, Diana Vishneva, brought her understanding of MacMillan’s ballet …to Lavrovsky’s older version.
5 Questions to Shiori Kase. ENB soloist Shiori Kase is on a roll – only yesterday promoted to First Soloist (as of September), she’s just won a Gold Medal at the prestigious Jackson International Ballet Competition in the USA and is about to make her debut in Coppelia…
If you are keen on seeing new work, this is an attractive package of five varied pieces which is very well presented.
I was suitably sent home happy.
Since becoming artistic director at Alvin Ailey American Dance Theater in 2011, Robert Battle has been steadily mixing up the company’s repertory, adding works by choreographers beyond its usual range: Paul Taylor, Ohad Naharin, and Wayne McGregor, to name just three.
At the outset I have to say I thought this year was one of the better years and we should all feel encouraged at the creativity on show.
…in the autumn of their dancing careers Acosta and Rojo put on a stunning display that brought many in the audience to their feet come the end.
In the Royal Ballet’s last programme for this season two old favourites frame the first performances of Alastair Marriott’s latest work, Connectome. It’s a well-balanced evening and gives the new piece every chance to shine.
It’s always nice to be in at the start of a new company especially one associated with a class troupe like Dutch National Ballet (DNB). Their 13-strong Junior Company, newly minted this season, is for dancers aged 18-20…