"The Tempest" tag
Beniamin Citkowski surrounded by “The Brides of Dracula” in Eros Thanatos.© Krzysztof Mystkowski. (Click image for larger version)

Bialy Teatr Tanca Izadory Weiss – Eros Thanatos – Warsaw

★★★★✰   Biały Teatr Tańca (it means White Dance Theatre), is a new vehicle for the work of the uber-talented choreographer, Izadora Weiss, a protégé of the great Jiri Kylian…

Tamara Rojo in Annabelle Lopez Ochoa’s Broken Wings.© Dave Morgan. (Click image for larger version)

Memorable Performances of 2016 – London

Lynette Halewood with her personal selection of London dance memories from the past year…

Yijing Zhang, Céline Gittens, Matthias Dingman and Tyrone Singleton in Jessica Lang’s Wink.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Wink, The Moor’s Pavane, The Shakespeare Suite – London

★★★★✰   Wink, best seen from above, is a valuable addition to BRB’s repertoire. So is José Limon’s The Moor’s Pavane, created in 1949.

Iain Mackay (Prospero) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – The Tempest – London

★★★✰✰   Bintley has treated Shakespeare’s drama as a masque, full of spectacle, music and dancing, with elusive characters that are more allegorical than realistic. It doesn’t work as a narrative ballet because the sub-plots are too complicated…

Tyrone Singleton (Caliban) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – The Tempest (premiere) – Birmingham

★★★✰✰   In a nutshell Bintley’s Tempest is a visual triumph but feels slight choreographically and you’d be well advised to mug up on the story before seeing it.

Joseph Caley (Ferdinand) and Jenna Roberts (Miranda) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Gallery – Birmingham Royal Ballet in The Tempest

Gallery by Dave Morgan…

David Bintley in the studio rehearsing The Tempest.© Andy Ross. (Click image for larger version)

David Bintley, choreographer and director of Birmingham Royal Ballet, on his latest work – The Tempest

David Bintley, director of Birmingham Royal Ballet, is a prolific choreographer and just about to unveil his latest full evening work – The Tempest. Graham Watts went to talk to him about a work, that after 30 years of consideration, has found its time and proper custom score…

Baltic Dance Theatre in Tristan and Izolde.© K Mystkowski. (Click image for larger version)

Baltic Dance Theatre – Tristan and Izolde, Death and the Maiden – Gdansk

★★★✰✰   What is different is the profound impact of Weiss’s choreography over this sixty-minute piece. Her movement is always busy and intensely musical but generally it is a means to an end…

Brandon Lawrence in Wink.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Wink, The Moor’s Pavane, The Shakespeare Suite – Birmingham

★★★✰✰   Jessica Lang’s Wink is an attractive piece, well designed and well made with a clear structure.

Birmingham Royal Ballet in The Dream.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Ashton bill: The Dream, A Month in the Country – Birmingham

★★★✰✰ When I think of Birmingham Royal Ballet (BRB) under David Bintley I think of tradition with a capital T and the latest double bill underlines that in spades.

Beata Giza and Beniamin Citkowski in Phaedra.© K Mystkowski. (Click image for larger version)

Baltic Dance Theatre – Phaedra, The Tempest – Gdansk

It seems now to be a given that any new work by Izadora Weiss will combine dramatic, narrative-based dance theatre with a profound visual impact, danced to challenging, powerful music.

Tura Gomez Coll as Ariel in The Tempest.© K. Mystkowski. (Click image for larger version)

Baltic Dance Theatre – The Tempest – Gdansk

Weiss is taking Baltic Dance Theatre on a journey that needs to be seen outside as well as inside Poland.

Gillian Murphy in The Dream.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – The Dream, The Tempest – New York

Who but Frederick Ashton could turn a marital spat into one of the most delightful, touching works in the ballet repertoire? His 1964 The Dream is precisely that…

Veronika Part and Cory Stearns in The Moor's Pavane.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Theme and Variations, The Moor’s Pavane, A Month in the Country, Piano Concerto #1 – New York

On Sunday, American Ballet Theatre’s two-week fall season draws to a close. By most measures, it’s been a success…

Polina Semionova and James Whiteside in Bach Partita.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Bach Partita, Gong, The Tempest – New York

Throughout the Bach Partita, Tharp’s movement is technical, precise, and highly articulated. As with Balanchine, the bodies are always distinct, framed in space.

American Ballet Theatre in The Tempest.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Opening Night Gala: The Tempest (premiere), Theme and Variations, Aftereffect – New York

Fashioning a ballet out of The Tempest is no small endeavor. How does one distill Shakespeare’s rather complex play into forty-six wordless minutes….

Susan Jones.© Sarah Sterner. (Click image for larger version)

Susan Jones – Ballet Mistress, American Ballet Theatre

My father asked my original teacher in Rockville, Ms. Hood, whether it was viable for me to become a dancer, and she said she thought I could, even though I wasn’t blessed with beautiful legs and feet. But I had a lot of other assets…

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