"The Vertiginous Thrill of Exactitude" tag
Zenaida Yanowsky in Symphonic Dances.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Symphonic Dances (premiere), The Vertiginous Thrill of Exactitude, Tarantella, Strapless – London

★★★★✰   Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.

Zenaida Yanowsky and Reece Clarke in Symphonic Dances.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Liam Scarlett’s new Symphonic Dances + Forsythe, Balanchine, Wheeldon

The Royal Ballet perform a mixed bill of four works – William Forsythe’s ‘The Vertiginous Thrill of Exactitude’, George Balanchine’s ‘Taranatella’, Christopher Wheeldon’s ‘Strapless’ and Liam Scarlett’s world premiere of ‘Symphonic Dances’…

Madeline Skelly and Connor Walsh of Houston Ballet in Forsythe's Artifact Suite.© Amitava Sarkar. (Click image for larger version)

Celebrate Forsythe – Pas/Parts 2016, The Vertiginous Thrill of Exactitude, Artifact Suite – Los Angeles

★★★★✰   San Francisco Ballet, Pacific Northwest Ballet and Houston Ballet have come together in LA to celebrate William Forsythe probably the most influential ballet choreographer of his generation. Claudia Bauer reports on a fine night…

Pacific Northwest Ballet in David Dawson's A Million Kisses to my Skin.© Angela Sterling. (Click image for larger version)

Pacific Northwest Ballet – A Million Kisses to my Skin, The Vertiginous Thrill of Exactitude, Emergence – New York

★★★✰✰ Overall, the impression was of a company in top form, at ease in a variety of styles. The dancers have an easy-going, open demeanor that makes even the knottiest works look more appealing.

Dores André.© Chris Hardy. (Click image for larger version)

Dores André – Principal, San Francisco Ballet

If it was up to me, I would pay more [salary] to the corps than to the principals. Half the ballet depends on them, and it is very hard to be in a good mood and trying your hardest every day when you are not getting the attention and the development that we get as principals and soloists.

Bradley Schlagheck and Emily Mistretta in Jeffrey Cirio's fremd.© Gene Schiavone. (Click image for larger version)

Boston Ballet – Thrill of Contact: Theme and Variations, The Concert, The Vertiginous Thrill of Exactitude, fremd – Boston

Boston Ballet closed its season with a generous offering of four ballets spanning almost 70 years… and including a world premiere and two company premieres…

Norika Matsuyama and Steven Morse in Thatcher's Manifesto.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Program 3 including Myles Thatcher premiere – San Francisco

Program 3 features Hans van Manen’s Variations for Two Couples, William Forsythe’s The Vertiginous Thrill of Exactitude, Manifesto by Myles Thatcher and “The Kingdom of the Shades” from La Bayadère.

Maria Kochetkova and Davit Karapetyan in Possokhov's Bells.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Infinite Romance: 2015 Season Opening Night Gala – San Francisco

The SF Ballet premiere of choreographer-in-residence Yuri Possokhov’s pas de deux from Bells is my all-round favorite of the evening. Sublime dancing from Maria Kochetkova and Davit Karapetyan…

Sebastien Ramirez and Honji Wang in AP15.© Nika Kramer. (Click image for larger version)

Fall For Dance Festival – Program 2: Lucinda Childs, Semperoper Ballett, Wang Ramirez, Alvin Ailey – New York

“AP15, an award-winning work choreographed and danced by urban dance collaborators Sebastien Ramirez and Honji Wang, brought the other “wow” factor to Program 2.”

San Francisco Ballet in Morris' Beaux.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – From Foreign Lands, Beaux, Classical Symphony and Symphonic Dances – New York

In its second mixed bill here in New York, San Francisco Ballet once again impressed with its vitality and the depth of its bench, as well as with its pleasantly unified look.

Riolama Lorenzo ('Rio') in Matthew Neenan’s Keep. © Alexander Iziliaev.

Pennsylvania Ballet – Pushing Boundaries bill, Riolama Lorenzo’s final performances – Philadelphia

Philadelphia’s dance community and a legion of dance fans have been filling the Merriam Theater this week to catch the final performances of Pennsylvania Ballet Principal Riolama Lorenzo. Pushing Boundaries is great programming to mark the occasion and to show the future of this company, going into its 50th season next year. Rio, as she is affectionately known, started out as a member of NYCB, but chose to move to Pennsylvania Ballet. Her final bows came on February 12.

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