"Tiler Peck" tag
Tiler Peck in Little Dancer.© Paul Kolnik. (Click image for larger version)

Susan Stroman/Kennedy Center – Little Dancer – Washington

This is a musical that will certainly delight all dance lovers: the theme of ballet permeates the show from start to finish.

Hee Seo and Marcelo Gomes in Liam Scarlett's With a Chance of Rain.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala: Rondo Capriccioso, With a Chance of Rain, Thirteen Diversions – New York

Liam Scarlett’s “With a Chance of Rain” premiere – It seemed Marcelo Gomes and Hee Seo might never detach from each other in the final pas de deux…

New York City Ballet in George Balanchine's Chaconne.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Chaconne, Interplay, After the Rain, Everywhere We Go – New York

“…it’s hard not to get the impression that New York City Ballet is on a roll.”

Tiler Peck in Theme and Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Tchaikovsky & Balanchine, Stravinsky & Balanchine bills – New York

One cannot help but be amazed by the number of exceptional women in the company, and by how differently they approach the steps, the music and the temperament of each ballet.

Tiler Peck and Robert Fairchild in Liam Scarlett's Funérailles.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala – New York

It’s as pointless to complain about ballet galas as it is to grumble about the weather. They serve a purpose…

Hubbard Street Dance Chicago in Nacho Duato's Gnawa.© Todd Rosenberg. (Click image for larger version)

Fall for Dance at the Delacorte Theatre – New York

For the second year in a row, the Fall for Dance Festival began with a pair of performances at the outdoor Delacorte Theatre in Central Park, one of the most enchanting spots in the city.

Ashley Laracey in the studio (with Troy Schumacher).© Ani Collier, provided by Troy Schumacher. (Click image for larger version)

Two Young NYCB Choreographers on the Move: Justin Peck and Troy Schumacher

Two young NYCB choreographers have been out talking and showing what they do: Justin Peck at the Guggenheim and Troy Schumacher at the 92nd Street Y. Marina Harss on why they are so worth tracking…

Tiler Peck and Robert Fairchild at the Carolina Chocolate Drops/Twyla Tharp show.© Rahav Segev. (Click image for larger version)

Twyla Tharp Countrified – working with Carolina Chocolate Drops, Tiler Peck and Robert Fairchild

Twyla Tharp loves Americana. She’s made dances to Shaker hymns and to the crooning voice of Frank Sinatra, and whipped up steps to the super-sophisticated piano tunes of Willie “The Lion” Smith. So it’s no surprise…

Justin Peck and Teresa Reichlen in George Balanchine's Concerto Barocco.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Kammermusik No. 2, Who Cares? – New York

There is perhaps no better way to start off a season at New York City Ballet than with a performance of Balanchine’s Concerto Barocco.

The Snowflakes in George Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

The Nutcracker – from New York City Ballet, American Ballet Theatre and Gelsey Kirkland Ballet – New York

So far this season I’ve seen three “traditional” Nutcrackers: Ratmansky’s version for American Ballet Theatre, Gelsey Kirkland’s, and the familiar and much-loved 1954 staging by George Balanchine for New York City Ballet. All three have their charms…

Rocking Tyler Angle to sleep in Namouna.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spectral Evidence, Soirée Musicale, Namouna – New York

One feels as Débussy did when he wrote, at the end of the nineteenth century, that “amid too many silly ballets, Lalo’s Namouna is something of a masterpiece.”

Megan Fairchild and Taylor Stanley in Peter Martins' Jeu de Cartes.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Tradition and Innovation & Just for Fun bills – New York

Jeu de Cartes, by Peter Martins, is jaunty and busy, a cross between the pas de deux in Balanchine’s Rubies, the trios in Danses Concertantes, and the non-stop action of Martins’ Fearful Symmetries….

Tiler Peck and Robert Fairchild in Spectral Evidence by Angelin Preljocaj.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala – New York

Amid all the fuss about the costumes, the choreogaphy paled… What a joy, then, to see a section of Western Symphony, with those marvelous frou-frou tutus by Karinska and that euphoric outpouring of Balanchine’s’ crisp, witty steps.

The Company in Justin Peck's In Creases.© Paul Kolnik. (Click image for larger version)

New York City Ballet – In Creases (new Peck) quad bill – New York

Creases revealed, once again, Just Peck’s ability to create strikingly imaginative patterns and formations onstage.

Julie Kent and Roberto Bolle in Marcelo Gomes' Apothéose.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

Symphony in C, a luminous outpouring of legs and arms, crisp geometries, bobbing rhythms, and articulate patter-like conversations for the feet, is a vivid reminder of why one goes to the ballet at all. Luminosity and classical logic, laced with wit and intelligence.

Tiler Peck and Robert Fairchild in Christopher Wheeldon's A Place for Us.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala with Wheeldon premiere – New York

But ‘A Place for Us’ (new Wheeldon) feels like a bauble, not quite a jewel.

Janie Taylor and Anthony Huxley in George Balanchine's Ivesiana.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Who Cares?, Ivesiana, Tarantella, Stars & Stripes – New York

But stuck in the middle of all this brightness was Ivesiana, like a ghost at a birthday party. It is a most unsettling ballet.

NYCB in George Balanchine's Tschaikovsky Suite No. 3.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Swan Lake, Allegro Brillante, Tsch Suite No. 3 – Washington

The revitalizing impact of Balanchine’s choreography on Tchaikovsky’s music was particularly evident in the all-Tchaikovsky, all-Balanchine program presented by New York City Ballet at the Kennedy Center Opera House during the last week of March.

Teresa Reichlen.© Paul Kolnik. (Click image for larger version)

Teresa Reichlen – New York City Ballet – Principal

Teresa Reichlen – known as Tess by friends and colleagues – is an immediately striking dancer: tall, pale, preternaturally serene. She could be a Madonna in a painting by Botticelli.

Justin Peck in N.Y. Export: Opus Jazz by Jerome Robbins.© Paul Kolnik. (Click image for larger version)

New York City Ballet – N.Y. Export: Opus Jazz, Waltz Project – New York

N.Y. Export: Opus Jazz is certainly not Robbins’ finest or most original work but perhaps because of its relative straightforwardness, it reveals much about what is so remarkable about this choreographer.

DanceTabs © 2014 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.