"Trisha Brown" tag
Vicky Shick's Let it Linger.© Paula Court. (Click image for larger version)

Vicky Shick at the Lumberyard in the City festival – Let it Linger – New York

★★★✰✰   Vicky Shick’s dances are a little bit like silent family movies, a series of scenes from a life, edited together in no apparent order.

Nicholas Sciscione and Joshua Tuason in Untitled Touch.© Julie Lemberger. (Click image for larger version)

Stephen Petronio Company – Bloodlines: works by Rainer, Paxton, Halprin, Petronio – New York

★★★✰✰   Two interesting impulses have been evident in the modern and post-modern dance scene in New York of late….
(Works danced: Diagonal, Trio A With Flags, Chair-Pillow, Excerpt from Goldberg Variations, The Courtesan and the Crone, Untitled Touch)

Trisha Brown.© Marc Ginot and courtesy Trisha Brown Company. (Click image for larger version)

Obituary: Trisha Brown, 1936-2017

Trisha Brown leaves the most enormous legacy of repertoire and ideas, such that it is impossible to imagine the development of modern dance without her…

Wendy Whelan and Brian Brooks in Some of a Thousand Words.© Nir Arieli. (Click image for larger version)

Wendy Whelan & Brian Brooks – Some of a Thousand Words – New York

★★★✰✰   Over two years after her retirement from New York City Ballet, Wendy Whelan remains a sight to behold.

Hagit Yakira.© Camilla Greenwell. (Click image for larger version)

5 Questions to Hagit Yakira about her latest tour and approach to creating dance

Founded eight years ago Hagit Yakira Dance are steadily becoming more widely known as they tour increasingly – which is what they are currently doing. We have a word with the boss about this particular tour and her approach to creating accessible and entertaining work…

Robert Rauschenberg and Susan Weil: Untitled (ca. 1950).Monoprint: exposed blueprint paper.209.6 x 92.1 cm, Private collection.© Robert Rauschenberg. (Click image for larger version)

Exhibition – Robert Rauschenberg, Tate Modern – London

Though Rauschenberg’s designs have no apparent connection with the dances they accompany, and even compete for the audience’s attention, they have become inescapably part of the experience of each work.

Ryan Smith and Wendy Rein in duet by Ann Carlson for Double Exposure.© Andrew Weeks. (Click image for larger version)

RAWdance – Double Exposure – San Francisco

★★★★✰   Sixteen choreographers, 13 new works, 2 dancers, 70 minutes, 4 years in the making. That’s the equation for Double Exposure, premiered by the San Francisco contemporary-dance duo RAWdance on Thursday, July 28. It’s an epic production that is greater than the sum of its parts.

Wiley Naman Strasser in Manifesting.© Margo Moritz. (Click image for larger version)

Hope Mohr Dance – Manifesting (premiere) – San Francisco

★★★✰✰   What is the purpose of an artist’s manifesto? When does a defined creative vision ossify into a rigid, limiting doctrine?

Janine Antoni in collaboration with Anna Halprin, Paper Dance, 2013. Photographed by Pak Han at the Halprin Dance Deck. Courtesy of the artists and The Fabric Workshop and Museum, Philadelphia. (Click image for larger version)

Ally: Janine Antoni, Anna Halprin and Stephen Petronio at The Fabric Workshop and Museum, Philadelphia

Instigated by visual artist Janine Antoni in collaboration with choreographer, theatre, and community artist Anna Halprin and choreographer Stephen Petronio, Ally is a series of works combining sculpture, installation, film and performance.

Jaqlin Medlock, Joshua Tuason, Davalois Fearon and Nicholas Sciscione in MiddleSexGorge.© Yi-Chun Wu. (Click image for larger version)

Stephen Petronio Company – Glacial Decoy, Big Daddy (Deluxe), MiddleSexGorge – New York

★★★★✰ A former member of Trisha Brown’s troupe, Petronio staged Glacial as the second effort in his “Bloodlines” project, a series honouring his key influences…

Jamie Scott and Cecily Campbell in Newark (Niweweorce).© Stephanie Berger. (Click image for larger version)

Trisha Brown Dance Company – Set and Reset, Present Tense, Newark (Niweweorce) – New York

★★★★✰ “One of the things I admire most about these works is the degree to which men and women are interchangeable. Brown’s movement has no maleness or femaleness attached to it…”

GERALDCASELDANCE in Splinters in Our Ankles.© Robbie Sweeny. (Click image for larger version)

GERALDCASELDANCE – Splinters in Our Ankles – San Francisco

Choreographer Gerald Casel describes his new work, Splinters in Our Ankles, as an exploration of the tinikling, a lively folk dance of the Philippines.

Cannes Dance Festival – Ballet du Capitole de Toulouse: The Beast and Beauty, Lyon Opera Ballet: Kylian bill – Cannes

For the festival Brigitte Lefèvre chose an eclectic mixture of popular and audacious programmes from twelve different companies – mainly regional French companies… some smaller independent groups and international companies from Korea, Argentina and Spain.

Claire Westby in Glacier.© Johanna Austin. (Click image for larger version)

Liz Gerring Dance Company – Glacier – New York

There are dances that grip you from the first moment, and others that get under your skin, little by little, drop by drop. Liz Gerring’s Glacier is the latter…

Candoco Dance Company in Jerome Bel’s The Show Must Go On.© Foteini Christofilopoulou. (Click image for larger version)

Candoco Dance Company – The Show Must Go On – London

The Sadler’s audience loved this and gave the performers a standing ovation. It was fascinating to see the mix of people that Candoco had recruited…

Theo Clinkard dancers in Ordinary Courage.© Pari Naderi. (Click image for larger version)

Theo Clinkard – Accumulation, Ordinary Courage – London

Theo Clinkard Accumulation, Ordinary Courage London, Laban Theatre 28 January 2014 www.theoclinkard.com www.trinitylaban.ac.uk At just a few minutes long, the first piece of this double bill – Trisha Brown’s wonderfully wry Accumulation –…

Dance at Latitude 2014 – Spotlight on Candoco and Sonia Sabri

Latitude Festival opens next week (17th July) and features lots of interesting dance – Lise Smith catches up with 2 companies preparing their open air shows…

Trisha Brown Company in Set and Reset.© Julieta Cervantes. (Click image for larger version)

Dance at the Hong Kong Arts Festival 2014: Trisha Brown, Akram Khan, Pina Bausch, Jockey Club Series

The 2014 Arts Festival offered contemporary dance from established international masters along with new wave work from Asia, Scandinavia and Hong Kong itself.

Theo Clinkard dancers in Ordinary Courage.© Pari Naderi. (Click image for larger version)

Theo Clinkard – Accumulation, Ordinary Courage – London

Clinkard’s ability to draw together an integrated theatrical experience that engages bespoke live music and a clever lighting design shows a sure touch of class.

Darrin M. Wright, Luke Miller, Ching-I Chang, Christopher Adams and Kristin Clotfelter in Play/Pause.© Stephanie Berger. (Click image for larger version)

Susan Marshall & Company – Play/Pause – New York

The gulf between commercial dance – the kind one sees in TV ads, music videos, and on shows like So You Think You Can Dance – and theatrical dance is disconcerting….

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