"Valeri Hristov" tag

News – Royal Ballet Promotions, Joiners and Leavers, 2017/18 Season

Hightlight – Yasmine Nagdhi promoted to Principal dancer. Full press release with all Promotions, Joiners and Leavers

Beatriz Stix-Brunell and Valeri Hristov in Emeralds.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Jewels: Emeralds, Rubies, Diamonds – London

★★★★✰   The first Emeralds ballerina, Beatriz Stix-Brunell, could be a water nymph, touching the hands of her suitor, Valeri Hristov, in the opening pas de deux before drifting out of reach.

Elizabeth McGorian, Natalia Osipova and Romany Pajdak in Anastasia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Anastasia (Osipova)

Gallery by Foteini Christofilopoulou…

Valeri Hristov, Marianela Nunez and Edward Watson in Monotones II.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version

Royal Ballet – Monotones I & II, The Two Pigeons – London

Monotones II: Audiences are now accustomed to the manic acrobatic contortions of modern choreography, so it is rewarding to see the rigour with which the three performers (Marianela Nunez, Valeri Hristov and Edward Watson) control their elasticity.

Benjamin Ella, Tomas Mock, Kristen McNally, James Hay and Solomon Golding in Hofesh Shechter's Untouchable.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Four Temperaments, Untouchable (Shechter premiere), Song of the Earth – London

It’s a truism that any startlingly new dance-maker without an early elite training will have based his (or her) choreography on their own physique…

Hannah Grennell in Unearthed.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Deloitte Ignite 2014, Royal Ballet and others – Sampling the Myth bill – London

The best of the videos and best piece of the night was Kim Brandstrup’s Leda and the Swan using the much-loved Zenaida Yanowsky and Tommy Franzen

Edward Watson in Alexei Ratmansky's 24 Preludes.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – Apollo, 24 Preludes, Aeternum – London

This triple bill, with two world premieres, shows how ably choreographers 85 years apart can refresh the language of classical ballet without distorting it beyond recognition.

Sergei Polunin and Tamara Rojo in Marguerite & Armand.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – Ashton Bill including Marguerite & Armand with Rojo and Polunin – London

But it was Rojo who really surprised me, with the most emotionally open performance I’ve ever seen from her. …a swansong, indeed: what a way to go!

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