"Vaslav Nijinsky" tag
Ivan Vassiliev and Kristina Kretova in Sceherazade.© Marc Haegeman. (Click image for larger version)

Russian Ballet Icons Gala – In the steps of the Ballets Russes – London

★★★★✰   The long gala (three and a half hours with one interval) was well organised, with no speeches and no protracted curtain calls.

Seated nude folding forward. Auguste Rodin, 1910/11. Pencil with stump on paper.© Musée Rodin, Paris, France. (Click image for larger version)

Exhibition – Rodin and Dance: The Essence of Movement – London

★★✰✰✰   …of more interest to Rodin scholars than dance-lovers.

Alexandre Riabko in Nijinsky.© Jeff Busby. (Click image for larger version)

Australian Ballet – Nijinsky – Melbourne

★★★✰✰   Even after his death, Vaslav Nijinsky suffered from the power and control of others…

David Rodriguez (as Diaghilev) in NIJINSKI.© Regina Brocke. (Click image for larger version)

Gauthier Dance – NIJINSKI – Stuttgart

★★★✰✰   NIJINSKI neatly lassos this altogether using Goecke’s avant garde movement style …to give the Stuttgart audience an abstract impression of Nijinsky’s life and contribution to Diaghilev’s Ballets Russes.

Paul Taylor's American Modern Dance in Taylor's Dilly Dilly.© Paul B. Goode. (Click image for larger version)

Paul Taylor’s American Modern Dance – David H. Koch season – New York

★★★✰✰   The past few years have seen the beginning of a transformation of the Paul Taylor Dance Company – or, rather, as it’s now known, of Paul Taylor’s American Modern Dance. The company is looking to the future…

Uliana Lopatkina in The Dying Swan.© Jack Vartoogian. (Click image for larger version)

Mariinsky Ballet – A Tribute to Maya Plisetskaya, Program B – New York

★★✰✰✰ What’s going on in the head office at the Mariinsky Ballet?

Kim Brandstrup.© Johan Persson. (Click image for larger version)

Kim Brandstrup – Choreographer

It’s a busy time for Kim Brandstrup with premieres at Rambert, New York City Ballet and, later in spring, a full-evening work for Royal Danish Ballet. Jann Parry interviews one of the most thoughtful and reflective of choreographers…

Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Ash, This Bitter Earth, The Infernal Machine, Jeux, Paz de la Jolla – New York

★★★✰✰ Handsome to look at, with its film-noir lighting and flattering black 1940’s style dresses (by Marc Happel), Jeux nevertheless proves to be rather thin…

Alice Renavand in Le Sacre du Printemps.© Julien Benhamou / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – Polyphonia, Alea Sands, Le Sacre du printemps – Paris

Benjamin Millepied, the new director of the Paris Opera Ballet, made a daring choice of programme for the Christmas season at the opulent Palais Garnier opera house: a triple bill of contemporary works…

Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jeux + Polaris, The Blue Distance, Common Ground, New Blood – New York

Jeux, has a distinctly adult atmosphere and a highly cinematic look. Actually, the look might be the most interesting thing about it…

Amy Seiwert’s Imagery – Traveling Alone, Starting Over at the End, Back To – New York

Amy Seiwert, a San Francisco-based choreographer, is gifted. For the last several years, she has held the position of Choreographer in Residence at Smuin Ballet, where she has arguably surpassed her mentor, the troupe’s founding father, Michael Smuin, in choreographic talent…

The Rite of Spring: Running out of the "Joyful Jump".© Kenneth Archer. (Click image for larger version)

Sagraçamba: The Rite in Rio

Millicent Hodson and Kenneth Archer first put their reconstruction of “The Rite of Spring” on Rio de Janeiro Ballet in 1995. This year they went back to put it on again – this is what happened…

Federico Bonelli and Sarah Lamb in Jerome Robbins' Afternoon of a Faun.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Afternoon of a Faun, In the Night, Song of the Earth – London

The final triple bill of the Royal Ballet’s season reverts to its founder’s faith in classical ballet as an expressive language.

Benjamin Ella, Tomas Mock, Kristen McNally, James Hay and Solomon Golding in Hofesh Shechter's Untouchable.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Four Temperaments, Untouchable (Shechter premiere), Song of the Earth – London

It’s a truism that any startlingly new dance-maker without an early elite training will have based his (or her) choreography on their own physique…

Liam Riddick (Richard Alston Dance Company) in Robert Cohan's Sigh.© Camilla Greenwell. (Click image for larger version)

Robert Cohan at 90 – Gala evening at The Place – London

The opening and closing pieces showed how skilfully Cohan responds to dancers whose training and experience are very different from the Graham-based technique on which he drew for many decades.

Mariinsky Ballet in Le Sacre du Printemps.© Natasha Razina. (Click image for larger version

Mariinsky Ballet – Le Sacre du Printemps, Le Spectre de la Rose, The Swan, Paquita Grand Pas – Washington

In all, this was a tremendously entertaining and well-received program; but at the same time it left an unsettling impression that the Russian company is holding on to its eminent past with all its might, relying heavily on well-worn

Lublin Dance Theatre in All stories, which we have not told before with Beata Mysiak and Ryszard Kalinowski.© Jakub Wittchen. (Click image for larger version)

Polish Dance Platform – Lublin 2014

A first for DanceTabs in covering the Polish Dance Platform event – 3 days of contemporary dance and big thinking in Lublin. Lucy Ribchester, who has covered much dance at the Edinburgh festivals, reports on a wide ranging event…

The Lost Rite book cover - drawing by Millicent Hodson.© KMS Press and Millicent Hodson. (Click image for larger version)

The Lost Rite – Millicent Hodson and Kenneth Archer document ‘their’ Rite of Spring in a newly released book

Kenneth Archer and Millicent Hodson have contributed a number of articles to DanceTabs and before that ballet.co.uk. Their last piece, on ‘Jeux’ reaching its centenary in 2013, can be found here and includes…

Mikhail Fokine.© & courtesy of Isabelle Fokine and Fokine Estate Archive. (Click image for larger version)

The Work of Mikhail Fokine – Q&A with Isabelle Fokine

Born in Paris in 1958, Isabelle Fokine is the daughter of Vitale Fokine and granddaughter of choreographer Mikhail Fokine. She is artistic director of the Fokine Estate Archive, which holds the worldwide copyright to his work.

Paul White in the studio preparing Anatomy of an Afternoon.© Paul Hyde. (Click image for larger version)

Paul White – Dancer, Collaborator, Lecturer and Choreographer

5 Questions to Paul White. Last year Australian Paul White danced at the Southbank Centre in Meryl Tankard’s ‘The Oracle’ and won a UK National Dance Award for Outstanding Performance. This week he dances in a new piece at the Southbank – another winner? We catch up with him…

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