"Wendy Whelan" tag
Wendy Whelan and Brian Brooks in Some of a Thousand Words.© Nir Arieli. (Click image for larger version)

Wendy Whelan & Brian Brooks – Some of a Thousand Words – New York

★★★✰✰   Over two years after her retirement from New York City Ballet, Wendy Whelan remains a sight to behold.

Isabella Boylston and Calvin Royal III in Wheeldon's This Bitter Earth.© Erin Baiano. (Click image for larger version)

Vail Dance Festival – ReMix NYC – New York

★★★★✰   After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.

Marianna Krempeniou, Liam Riddick, Oihana Vesga Bujan, Nancy Nerantzi and Elly Braund in Richard Alston's Rejoice in the Lamb.© Chris Nash. (Click image for larger version)

Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York

★★★✰✰   One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.

Jamar Roberts in Rennie Harris' Exodus.© Foteini Christofilopoulou. (Click image for larger version)

Alvin Ailey American Dance Theater – Programmes A and B – London

★★★★✰   Revelations is always a joy, however often one sees it. Ailey’s choreography, influenced by his mentor, Lester Horton, and Martha Graham, is a reminder of how potent that modern dance technique could be.

Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Ash, This Bitter Earth, The Infernal Machine, Jeux, Paz de la Jolla – New York

★★★✰✰ Handsome to look at, with its film-noir lighting and flattering black 1940’s style dresses (by Marc Happel), Jeux nevertheless proves to be rather thin…

Tamisha Guy, Penda N'Diaye and Jeremy Jae Neal in Absent Matter.© Sharon Bradford. (Click image for larger version)

Kyle Abraham / Abraham.In.Motion – The Quiet Dance, Absent Matter, The Gettin’ – New York

If there was an award for the most likely New York dance troupe to be compared to a sportscar, I’d give it to Abraham.In.Motion. The choreography is, like the best supercars, all torque and velocity…

Travis Clausen-Knight, Marie-Agnès Gillot, Louis McMiller in Tree of Codes.© Stephanie Berger. (Click image for larger version)

Wayne McGregor | Random Dance & Paris Opera Ballet – Tree of Codes – New York

With her startling presence, Gillot manages to supply Tree of Codes with the sense of purpose it otherwise lacks.

Joshua Beamish.© David Cooper. (Click image for larger version)

Joshua Beamish and MOVE: the company – Pierced, burrow, Stay, Surface Properties – New York

Dancing alone, Beamish introduces his movement: silky smooth shifts, surprising twitches, lines of energy rolling through the body…

Wendy Whelan and Edward Watson in Danièle Desnoyers' The Song We Share, part of Other Stories.© Foteini Christofilopoulou. (Click image for larger version)

Whelan/Watson – Other Stories – London

The long awaited collaboration between Wendy Whelan and Edward Watson has just been premiered at the Royal Opera House. Jann Parry on an interesting night…

Wendy Whelan and Edward Watson in Arthur Pita's The Ballad of Mack and Ginny, part of Other Stories.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Whelan/Watson in Other Stories

The long awaited collaboration between Wendy Whelan and Edward Watson is photographed by Foteini Christofilopoulou…

Wendy Whelan and Brian Brooks in the studio.© Erin Baiano. (Click image for larger version)

Wendy Whelan – Restless Creature bill – New York

The whole evening has the feeling of an extended experiment. We see Whelan ridding herself of ballerina habits and trying on new clothes.

Diana Vishneva in Carolyn Carlson's Woman in a Room.© Dave Morgan. (Click image for larger version)

Diana Vishneva – On the Edge: Switch, Woman in a Room – London

According to Carlson’s programme note, the lemons represent segments of challenge and confrontation…

Nicol Edmonds and Matthew Ball in Joshua Beamish's Burrow.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Draft Works 2015 – London

This year‘s highlight was an exuberant piece from Marcelino Sambé which provided a lively closer to an otherwise rather downbeat programme.

NYCB in Justin Peck’s ‘Rode,o: Four Dance Episodes.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Pictures at an Exhibition, ‘Rōdē,ō: Four Dance Episodes, Mercurial Maoeucres – New York

‘Rōdē,ō: Four Dance Episodes premiere: It turns out that this combination of male vigor, Copland, and Peck is a felicitous one.

Wendy Whelan and Brian Brooks in First Fall by Brian Brooks.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Wendy Whelan – Restless Creature bill – San Francisco

Ultimately, it mattered less what Whelan and her collaborators were doing, and more that they were doing.

Sara Mearns in Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

New York City Ballet – George Balanchine’s The Nutcracker – New York

Year after year, I see Balanchine’s Nutcracker, and year after year I marvel at its perfection. This year it turns sixty.

Maki Onuki and Corey Landolt in Christopher Wheeldon's in Polyphonia.© Theo Kossenas. (Click image for larger version)

Washington Ballet – Petite Mort, 5 Tangos, Polyphonia – Washington

The Washington Ballet hit all the right marks with its 70th anniversary season opening program at the Sidney Harman Hall in October.

BalletCollective – The Impulse Wants Company, Dear and Blackbirds, All That We See – New York

Troy Schumacher’s BalletCollective company is a work in progress and unusually has a resident writer, Cynthia Zarin. Marina Harss, at New York’s Skirball Center, sees where they are all at…

Hee Seo and Marcelo Gomes in Liam Scarlett's With a Chance of Rain.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala: Rondo Capriccioso, With a Chance of Rain, Thirteen Diversions – New York

Liam Scarlett’s “With a Chance of Rain” premiere – It seemed Marcelo Gomes and Hee Seo might never detach from each other in the final pas de deux…

New York City Ballet in George Balanchine's Chaconne.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Chaconne, Interplay, After the Rain, Everywhere We Go – New York

“…it’s hard not to get the impression that New York City Ballet is on a roll.”

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