"Wendy Whelan" tag
Wendy Whelan, Brian Brooks and Brooklyn Rider in Some of a Thousand Words.© Nir Arieli. (Click image for larger version)

Wendy Whelan, Brian Brooks and Brooklyn Rider – Some of a Thousand Words – San Francisco

★★★✰✰   I very much like Brooks’ work, particularly his approach to rebound, points of contact in partnering and his nuanced use of accumulation…

Wendy Whelan.© David Michalek. (Click image for larger version)

Interview: Wendy Whelan on staging her first ballet – at Pacific Northwest Ballet

Passing it On: Wendy Whelan Stages her first ballet, Alexei Ratmansky’s Pictures at an Exhibition, for Pacific Northwest Ballet.

Sterling Hyltin and Joaquin De Luz in Odessa.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala with Odessa, Ratmansky premiere – New York

★★★✰✰   With only four works, no intermissions and a run time of less than two hours, New York City Ballet’s Spring Gala was short and to the point.

Unity Phelan and Zachary Catazaro in Polyphonia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – HERE/NOW Festival, Wheeldon Quad bill – New York

★★★✰✰   It’s a shame that the company didn’t choose to revive some Wheeldon rarities from its back catalogue…

Tyler Angle and the corps in Namouna, a Grand Divertissement.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Russian Seasons and Namouna, a Grand Divertissement – New York

★★★★✰   I still remember my feelings during the premiere of Alexei Ratmansky’s Russian Seasons at NYCB in 2006. There was a shock of recognition: this was the thing I had been looking for…

Wendy Whelan and Brian Brooks in Some of a Thousand Words.© Nir Arieli. (Click image for larger version)

Wendy Whelan & Brian Brooks – Some of a Thousand Words – New York

★★★✰✰   Over two years after her retirement from New York City Ballet, Wendy Whelan remains a sight to behold.

Isabella Boylston and Calvin Royal III in Wheeldon's This Bitter Earth.© Erin Baiano. (Click image for larger version)

Vail Dance Festival – ReMix NYC – New York

★★★★✰   After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.

Marianna Krempeniou, Liam Riddick, Oihana Vesga Bujan, Nancy Nerantzi and Elly Braund in Richard Alston's Rejoice in the Lamb.© Chris Nash. (Click image for larger version)

Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York

★★★✰✰   One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.

Jamar Roberts in Rennie Harris' Exodus.© Foteini Christofilopoulou. (Click image for larger version)

Alvin Ailey American Dance Theater – Programmes A and B – London

★★★★✰   Revelations is always a joy, however often one sees it. Ailey’s choreography, influenced by his mentor, Lester Horton, and Martha Graham, is a reminder of how potent that modern dance technique could be.

Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Ash, This Bitter Earth, The Infernal Machine, Jeux, Paz de la Jolla – New York

★★★✰✰ Handsome to look at, with its film-noir lighting and flattering black 1940’s style dresses (by Marc Happel), Jeux nevertheless proves to be rather thin…

Tamisha Guy, Penda N'Diaye and Jeremy Jae Neal in Absent Matter.© Sharon Bradford. (Click image for larger version)

Kyle Abraham / Abraham.In.Motion – The Quiet Dance, Absent Matter, The Gettin’ – New York

If there was an award for the most likely New York dance troupe to be compared to a sportscar, I’d give it to Abraham.In.Motion. The choreography is, like the best supercars, all torque and velocity…

Travis Clausen-Knight, Marie-Agnès Gillot, Louis McMiller in Tree of Codes.© Stephanie Berger. (Click image for larger version)

Wayne McGregor | Random Dance & Paris Opera Ballet – Tree of Codes – New York

With her startling presence, Gillot manages to supply Tree of Codes with the sense of purpose it otherwise lacks.

Joshua Beamish.© David Cooper. (Click image for larger version)

Joshua Beamish and MOVE: the company – Pierced, burrow, Stay, Surface Properties – New York

Dancing alone, Beamish introduces his movement: silky smooth shifts, surprising twitches, lines of energy rolling through the body…

Wendy Whelan and Edward Watson in Danièle Desnoyers' The Song We Share, part of Other Stories.© Foteini Christofilopoulou. (Click image for larger version)

Whelan/Watson – Other Stories – London

The long awaited collaboration between Wendy Whelan and Edward Watson has just been premiered at the Royal Opera House. Jann Parry on an interesting night…

Wendy Whelan and Edward Watson in Arthur Pita's The Ballad of Mack and Ginny, part of Other Stories.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Whelan/Watson in Other Stories

The long awaited collaboration between Wendy Whelan and Edward Watson is photographed by Foteini Christofilopoulou…

Wendy Whelan and Brian Brooks in the studio.© Erin Baiano. (Click image for larger version)

Wendy Whelan – Restless Creature bill – New York

The whole evening has the feeling of an extended experiment. We see Whelan ridding herself of ballerina habits and trying on new clothes.

Diana Vishneva in Carolyn Carlson's Woman in a Room.© Dave Morgan. (Click image for larger version)

Diana Vishneva – On the Edge: Switch, Woman in a Room – London

According to Carlson’s programme note, the lemons represent segments of challenge and confrontation…

Nicol Edmonds and Matthew Ball in Joshua Beamish's Burrow.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Draft Works 2015 – London

This year‘s highlight was an exuberant piece from Marcelino Sambé which provided a lively closer to an otherwise rather downbeat programme.

NYCB in Justin Peck’s ‘Rode,o: Four Dance Episodes.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Pictures at an Exhibition, ‘Rōdē,ō: Four Dance Episodes, Mercurial Maoeucres – New York

‘Rōdē,ō: Four Dance Episodes premiere: It turns out that this combination of male vigor, Copland, and Peck is a felicitous one.

Wendy Whelan and Brian Brooks in First Fall by Brian Brooks.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Wendy Whelan – Restless Creature bill – San Francisco

Ultimately, it mattered less what Whelan and her collaborators were doing, and more that they were doing.

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