"William Forsythe" tag
Interviewed - Isabelle Brouwers, Rina Kanehara, Madison Keesler and Guilherme Menezes - 4 of the 6 Emerging Dancer 2017 finalists.© Laurent Liotardo. (Click image for larger version)

English National Ballet’s Emerging Dancer 2017 Competition – 5 Questions to 4 Finalists

English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 25 May and ahead of the that we talk to 4 of the 6 finalists – Isabelle Brouwers, Rina Kanehara, Madison Keesler and Guilherme Menezes…

Zenaida Yanowsky in Symphonic Dances.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Symphonic Dances (premiere), The Vertiginous Thrill of Exactitude, Tarantella, Strapless – London

★★★★✰   Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.

Zenaida Yanowsky and Reece Clarke in Symphonic Dances.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Liam Scarlett’s new Symphonic Dances + Forsythe, Balanchine, Wheeldon

The Royal Ballet perform a mixed bill of four works – William Forsythe’s ‘The Vertiginous Thrill of Exactitude’, George Balanchine’s ‘Taranatella’, Christopher Wheeldon’s ‘Strapless’ and Liam Scarlett’s world premiere of ‘Symphonic Dances’…

Washington Ballet in Forsythe's In the Middle, Somewhat Elevated.© Theo Kossenas Media 4 Artists. (Click image for larger version)

Washington Ballet – Kylián, Peck, Forsythe – Washington

★★★✰✰   Forsythe’s emblematic In the Middle, Somewhat Elevated was created 30 years ago. Still, the ballet retains its explosive spirit and irresistible urgency, as well as its ability to thrill.

English National Ballet in Pina Bausch's The Rite of Spring.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Pina Bausch, William Forsythe, Hans van Manen bill – London

★★★★★   One cannot help but observe that while the programmes of other companies both hit and miss, in terms of their critical appreciation and popular appeal, ENB is continually raising the bar…

Tamara Rojo and Isaac Hernandez in Hans van Manen's Adagio Hammerklavier.© Dave Morgan. (Click image for larger version)

Gallery – English National Ballet in Adagio Hammerklavier & In the Middle, Somewhat Elevated

Gallery by Dave Morgan…

Mara Galeazzi.© and courtesy the Royal Opera House.

Interview – Mara Galeazzi on Woolf Works, her wider career and dancing on…

She found that she came back to perform with the company she left five years ago with a different approach. ‘I know more about why I love to perform…’

Lorena Feijoo in Possokhov's Optimistic Tragedy.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Seven Sonatas, Optimistic Tragedy (premiere), Pas/Parts 2016 – San Francisco

★★✰✰✰   The trouble with Program 2 is its centerpiece, choreographer-in-residence Yuri Possokhov’s new work ‘Optimistic Tragedy’.

Robert Cohan and Vicki Igbokwe - part of 52 Portraits.© Hugo Glendinning. (Click image for larger version)

Jonathan Burrows, Matteo Fargion & Hugo Glendinning – 52 Portraits – London

★★★✰✰   The portraits are probably not a way into dance for someone who wasn’t already interested – and it’s probably better to watch them in small doses. However, they do remind us of something rather lovely…

Matthew Ball and Marianela Nunez in Wayne McGregor's Multiverse.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Wayne McGregor bill: Chroma, Multiverse, Carbon Life – London

★★★✰✰   Multiverse: McGregor and his dramaturg may know what they want to convey about life and the universe(s) but despite the dancers’ efforts, the result is baffling.

Didy Veldman.© Mia-Bo Powney. (Click image for larger version)

5 Questions to Didy Veldman – on forming and touring her new company, Umanoove

Choreographer Didy Veldman has just formed her own company – Umanoove – and is off touring her latest work, called “The Happiness Project”. Time for a brief 5 questions interview we thought…

Gary Harris.© Royal Opera House. (Click image for larger version)

Interview – Gary Harris on life and setting Kenneth MacMillan’s Anastasia for the Royal Ballet

Gary Harris has had one of the most varied ballet careers you can get… dancer, teacher, ballet master, artistic director, designer and notator. Now he’s working with the Royal Ballet to bring back Kenneth MacMillan’s Anastasia – Jann Parry went for a chat.

Francesco Ventriglia.© Stephen A’Court. (Click image for larger version)

Francesco Ventriglia – Artistic Director of the Royal New Zealand Ballet

Nearly 2 years into his directorship at RNZB, Michelle Potter talks to Francesco Ventriglia about his life before joining the company and broad hopes for the company.

David Rodriguez (as Diaghilev) in NIJINSKI.© Regina Brocke. (Click image for larger version)

Gauthier Dance – NIJINSKI – Stuttgart

★★★✰✰   NIJINSKI neatly lassos this altogether using Goecke’s avant garde movement style …to give the Stuttgart audience an abstract impression of Nijinsky’s life and contribution to Diaghilev’s Ballets Russes.

Gilbert Small and Nicole Ward in 16+ a room by Emily Molnar.© Chris Randle. (Click image for larger version)

Ballet BC – 16+ a room, Solo Echo, Bill – New York

★★★✰✰   Have you ever left a performance of contemporary ballet desperate for some color, some light, some human warmth?

Daniel White in Suite Saint-Saens.© Lucas Chilczuk. (Click image for larger version)

Joffrey Ballet Concert Group – An Evening of Dance – New York

★★★✰✰   The Joffrey Ballet Concert Group, a pre-professional troupe of young dancers under the direction of David Robertson, performed a mixed but very split bill on Thursday night, roughly dividing the six-work program into two moods: spring/summer and dark and stormy.

Andrew Bartee, Scott Fowler, Christoph von Riedemann, Alexis Fletcher, Emily Chessa, Kirsten Wicklund and Brandon Alley in Crystal Pite's Solo Echo.© Michael Slobodian. (Click image for larger version)

International Dance Festival Birmingham 2016 – Ballet BC, Shun Ito/Kei Miyata/EEIH, Motionhouse & free events

★★★✰✰   IDFB is great for Birmingham and I hope those in and around the city filled their boots.

Dimity Azoury and Chengwu Guo in Forsythe’s In the Middle, Somewhat Elevated.© Daniel Boud. (Click image for larger version)

Australian Ballet – Forgotten Land, In the Middle, Somewhat Elevated and DGV: Danse a grande vitesse – Sydney

★★★★✰   In music, mood and dynamics the Australian Ballet’s new triple bill, Vitesse, represents three elements, water, fire and air.

Ashley Murphy and Dylan Santos in Nacho Duato's Coming Together.© Rachel Neville. (Click image for larger version)

Dance Theatre of Harlem – Divertimento, When Love, Change, Coming Together – New York

★★✰✰✰   It included several new works, two of them by women, part of a worthy new initiative, “Women Who Move Us.”

Pacific Northwest Ballet in David Dawson's A Million Kisses to my Skin.© Angela Sterling. (Click image for larger version)

Pacific Northwest Ballet – A Million Kisses to my Skin, The Vertiginous Thrill of Exactitude, Emergence – New York

★★★✰✰ Overall, the impression was of a company in top form, at ease in a variety of styles. The dancers have an easy-going, open demeanor that makes even the knottiest works look more appealing.

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