"Yasmine Naghdi" tag
Sayaka Ichikawa and artists of Scottish Ballet and Ballet Black in House of Birds.© Dave Morgan. (Click image for larger version)

Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London

★★★★✰   All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.

Calvin Richardson and Joseph Sissons in Wayne McGregor's Yugen.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Bernstein Centenary: Yugen, The Age of Anxiety, Corybantic Games – London

★★★✰✰   Leonard Bernstein wrote (in 1949): “I have a deep suspicion that every work I write, for whatever medium, is really theatre music in some way.’ Many choreographers have taken up the challenge, though his quasi-metaphysical musings have usually eluded them: dance is more corporeal than music.

Marianela Nunez in Giselle.© Helen Maybanks, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Giselle – London

★★★★★   Peter Wright’s 1985 production for the Royal Ballet has had many interpreters, all subtly or extravagantly different. Nunez is amongst the finest, a perfectionist who seems realistically earthy as a country girl who loves dancing and ethereal as her defiant spirit.

Yasmine Naghdi and Matthew Ball in Giselle.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Galleries – Royal Ballet in Giselle – Naghdi, Ball and Hayward, Campbell casts

Galleries by Dave Morgan of the Yasmine Naghdi, Matthew Ball and Francesca Hayward, Alexander Campbell casts.

Benjamin Ella and Isabella Gasparini in Crystal Pite’s Flight Pattern.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Memorable Performances of 2017 – London

Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet…

Steven McRae and Sarah Lamb in The Nutcracker.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Nutcracker – London

★★★★★   When Peter Wright’s production of The Nutcracker for the Royal Ballet was given its premiere on 20th December 1984, gala guests were treated to free champagne and souvenir booklets. No expense was spared…

© Critics’ Circle National Dance Awards

2017 National Dance Awards – Announcement of Nominations

The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 18th National Dance Awards…

MacMillan Celebrations – Gloria (NB), The Judas Tree (RB), Elite Syncopations (RB+Guests) – London

★★★★✰   Elite Syncopations: Dancers from all five major British ballet companies took part, some doubling up roles in identical outfits so that identifying dancers was confusing. The stand-out solo in both the casts I saw was to the Calliope Rag, Monica Mason’s original role…

Karen Kain + Elena Lobsanva in The Dreamers Ever Leave You.© Karolina Kuras. (Click image for larger version)

‘The Dreamers Ever Leave You’ – Karen Kain on a unique Royal Ballet & National Ballet of Canada collaboration…

Karen Kain, Artistic Director of the National Ballet of Canada, on celebrating Canada’s 150th with a joint work that includes NBoCanada and Royal Ballet dancers in a unique London Docklands event on the 12/13 October… that and lots more

Akane Takada in The Vertiginous Thrill of Exactitude.© Robbie Jack. (Click image for larger version)

Royal Ballet – Opening the New bill – Hull

★★★★✰   The Royal Ballet’s away-day to Hull, this year’s UK Capital of Culture, was dramatic in its scale: 17 pieces presented over three hours…

Alessandra Ferri and Federico Bonelli in Marguerite and Armand.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – 3 casts in The Dream, Symphonic Variations, Marguerite and Armand – London

★★★★✰   In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.

Tristan Dyer, Yuhui Choe, Vadim Muntagirov, Marianela Nunez, James Hay and Yasmine Naghdi in Symphonic Variations.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Dream, Symphonic Variations, Marguerite and Armand

An all Frederick Ashton bill. Gallery by Dave Morgan…

Alessandra Ferri and Francesca Hayward in the I Now, I Then section of Woolf Works.© Tristam Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – London

★★★✰✰   The ballet’s narrative interest depends on the dancer, and both performers are magnificent – different in tone and physicality, though not markedly so.

Olivia Cowley in the Becomings section of Woolf Works.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Woolf Works

Mara Galeazzi cast. Gallery by Dave Morgan…

Natalia Osipova in Anastasia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Anastasia – London

★★★✰✰   The last act redeems the evening. We learn more about the characters in the final 40 minutes than in the two preceding acts.

Francesca Hayward in The Invitation.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet: Promotions and joiners for the 2016/17 season

Four Royal Ballet dancers promoted to Principal from the start of the 2016/17 Season – Alexander Campbell, Francesca Hayward, Ryoichi Hirano and Akane Takada

Gary Avis and Friends Flyer - 2016

The Royal Ballet’s Gary Avis & Friends – Dance for Suffolk

Led by Gary Avis and a Royal Ballet all-star cast, the company will perform an especially created programme of Royal Ballet classics, hosted by BBC Strictly Come Dancing’s Anton du Beke.

Sarah Lamb in Giselle.© Bill Cooper, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Giselle – London

★★★★✰ Lamb’s mad scene is all the more effective by starting as though she’s a broken porcelain doll, uncomprehending. She retreats into her herself in disbelief at Albrecht’s treachery.

Francesca Hayward and James Hay in Rhapsody.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Rhapsody, The Two Pigeons – London

★★★★★ “What a joy to have Rhapsody back in its original setting…”

Sylvie Guillem. © Gilles Tapie. (Click image for larger version)

2015 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

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