"Gorecki" tag
Victoria Hulland, Ricardo Graziano and Ricardo Rhodes in Ashton's Monotones II.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York

★★✰✰✰   After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.

The Royal Ballet in Crystal Pite's Flight Pattern.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Flight Pattern (premiere), After the Rain, The Human Seasons – London

Flight Pattern: ★★★★★, After the Rain: ★★★✰✰, Human Seasons: ★★✰✰✰.   Like Gorecki, Crystal Pite has created a memorable and moving work full of meaning…

Katherine Helen Fisher in Pastime.© John Sisley. (Click image for larger version)

Lucinda Childs Dance – Lucinda Childs: A Portrait – New York

★★★✰✰   The post-modernist Lucinda Childs is experiencing a bit of a comeback here in the US, after years of working abroad.

BalletBoyz in Javier De Frutos' Fiction.© Foteini Christofilopoulou. (Click image for larger version)

BalletBoyz – Life: Rabbit, Fiction – London

★★★★✰   Having missed the opening night of the BalletBoyz tour, at Sadler’s Wells, a few weeks ago, I caught up with it, just three bus stops away from my home…

Bradley Waller and Harry Price in Pontus Lidberg's Rabbit.© Foteini Christofilopoulou. (Click image for larger version)

BalletBoyz – Life: Rabbit, Fiction – London

★★★★✰   Michael Nunn and William Trevitt never fail to surprise: this latest double-bill for their ten-strong all-male dance company is a case in point.

Jermaine Terry and Alicia Graf Mack in Revelations.© Gert Krautbauer. (Click image for larger version)

Alvin Ailey – Polish Pieces, Awassa Astrige/Ostrich, The Pleasure of the Lesson, Revelations – New York

Although juxtaposed with several new and recently revived productions, Alvin Ailey’s Revelations looks just as good now as it did 10, 15, or even 20 years ago, and probably looks just as good as it did at its premiere, way back in 1960.

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