"Frederick Ashton" tag
Joseph Sissens in Charlotte Edmonds' jojo.© Maria Baranova. (Click image for larger version)

Royal Ballet dancers at the Joyce Ballet Festival – Program A, An Evening of Solos and Duets – New York

★★★✰✰   Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.

The Dancing Under The Southern Skies book cover, featuring Leanne Benjamin, in a photo © Jason Bell.© Australian Scholarly Publishing. (Click image for larger version)

Book – Dancing Under The Southern Skies: A History of Ballet in Australia – by Valerie Lawson

Although Valerie Lawson’s context is wide-ranging, she brings individuals into focus with personal details, shining a spotlight onto their roles in Australian dance history. Lavishly illustrated with photographs from Australian archives, her book gives vivid life to long-gone personalities.

Royal Ballet School in David Bintley's Flowers of the Forest.© Tristram Kenton. (Click image for larger version)

Royal Ballet School – Summer Show, ROH Main Stage – London

★★★★✰   The choice of works emphasised ensembles more than individuals. It was interesting to see large numbers of young men dancing together, as well as a more usual female corps de ballet.

The Royal Ballet School in Goyo Montero's Pulse.© Tristram Kenton. (Click image for larger version)

Royal Ballet School – Holland Park bill (mainly Upper School) – London

★★★★✰   The show overall gave us a good slice of what ballet is in 2019, and just how adaptable the students need to be these days – exciting times for them and exciting for us in the audience as well.

Samara Downs and Lachlan Monaghan in Hobson’s Choice.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet – Hobson’s Choice – London

★★★★✰   Big-hearted, whimsical, suffused with equal parts romance and drollness, Hobson’s Choice is a gem of the BRB repertoire – long may it keep being revived.

A picture supplied to illustrte RBS at the Young Talent Festival - Aurora’s Wedding from the 2018 Royal Ballet School Summer Performance.© Tristram Kenton. (Click image for larger version)

Royal Ballet School – ROH, Young Talent Festival, mixed bill – London

★★★★✰   Royal Ballet School at the ROH Young Talent Festival with a mixed bill of over 10, new and old works…

Margot Fonteyn as Ondine, 1958.© Roger Wood, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Margot Fonteyn, A Celebration – London

★★★★✰   The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.

Gary Avis in The Firebird.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London

★★★★✰   Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.

Meaghan Grace Hinkis.© Andrej Uspenski. (Click image for larger version)

5 Questions to Meaghan Grace Hinkis, Royal Ballet Soloist

Meaghan Grace Hinkis, the Royal Ballet soloist, is about to make her debut as Vera in Frederick Ashton’s “A Month in the Country”. 5 quick questions about that and her dancing life…

Sara Mearns as Titania in Balanchine’s A Midsummer Night’s Dream.© Erin Baiano. (Click image for larger version)

New York City Ballet – A Midsummer Night’s Dream – New York

★★★★✰   For Balanchine, Shakespeare’s characters are two-dimensional types, exemplary but wholly unreal. They are shadows in a shadow-play, representing this or that quality…

Carlos Acosta CBE with Dance Section Charirman Graham Watts (left) and Mark Shenton, President of the Critics Circle.© Peter Hogan. (Click image for larger version)

Carlos Acosta splendidly summed up as he collects his Critics’ Circle Services to the Arts award

I was at the recent Critics’ Circle lunch when Carlos Acosta won his latest award and was struck by Graham Watts citation – it seemed to splendidly sum up Carlos, both the man and his illustrious career… and why exactly we all admire him. BM, Ed.

Ivan Putrov in Ashton's Dance of the Blessed Spirits.© Elliott Franks. (Click image for larger version)

Ivan Putrov – Against the Stream – London

★★★★✰   Putov brought together remarkable performers whom we long to see again, and left us wanting more…

Ivan Putrov.© Johan Persson. (Click image for larger version)

Ivan Putrov on his latest night of ballet – Against the Stream

Ivan Putrov’s latest project, Against the Stream, gets its premiere on Sunday 7 April 2019 at the London Coliseum. Jann Parry finds out all about it…

Annette Page in Cinderella.© Roy Round, courtesy the Royal Opera House. (Click image for larger version)

Annette Page: Tribute to a Ballerina

This programme celebrated Annette Page’s career with the Royal Ballet and supported the Motor Neurone Disease Association. She died at the age of 84 of MND, a cruel disease for a former dancer and an articulate, witty woman…

Marcelo Gomes & The Sarasota Ballet in Sir Frederick Ashton's Apparitions.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Apparitions, Stars and Stripes – Sarasota

★★★★✰   As if an Ashton rarity weren’t reason enough to catch this program, there was also the presence of Marcelo Gomes, former much-admired principal dancer from American Ballet Theatre, to recommend it.

Wei Wang in Frankenstein.© Andrej Uspenski, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Frankenstein – London

★★✰✰✰   Could Liam Scarlett’s monstrous Frankenstein be fixed with more, better surgery? Evidently not, in this revival, three years after its creation.

Sara Mearns and Jared Angle in Jerome Robbins' In the Night.© Erin Baiano. (Click image for larger version)

New York City Ballet – Robbins bill: Interplay, In the Night, N.Y. Export: Opus Jazz – New York

★★★✰✰   There was virtually nothing to fault with “In the Night” on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled

The Royal Ballet School in The Cunning Little Vixen.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet School & Royal Ballet – The Cunning Little Vixen, The Two Pigeons – London

★★★★✰ – Royal Ballet School in Liam Scarlett’s new Cunning Little Vixen. ★★✰✰✰ – Royal Ballet’s Yasmine Naghdi debut in Two Pigeons.

Araminta Wraith and Luke Schaufuss in Cinderella.© Rimbaud Patron. (Click image for larger version)

Scottish Ballet – Cinderella – Glasgow

★★★★✰   This is my second review of Scottish Ballet’s Cinderella this winter. Why? Well, it’s a production I like and I wanted to see more dancers in it, silly!

Marianela Nuñez and Ryoichi Hirano in Asphodel Meadows.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Asphodel Meadows, The Two Pigeons – London

★★★★✰   Liam Scarlett’s Asphodel Meadows has made a welcome return to the Opera House stage, reminding us exactly why his prodigious talent was given a main stage debut when the choreographer was just 24.

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