Annette Page: Tribute to a Ballerina
This programme celebrated Annette Page’s career with the Royal Ballet and supported the Motor Neurone Disease Association. She died at the age of 84 of MND, a cruel disease for a former dancer and an articulate, witty woman…
Sarasota Ballet – Apparitions, Stars and Stripes – Sarasota
★★★★✰ As if an Ashton rarity weren’t reason enough to catch this program, there was also the presence of Marcelo Gomes, former much-admired principal dancer from American Ballet Theatre, to recommend it.
Royal Ballet – Frankenstein – London
★★✰✰✰ Could Liam Scarlett’s monstrous Frankenstein be fixed with more, better surgery? Evidently not, in this revival, three years after its creation.
New York City Ballet – Robbins bill: Interplay, In the Night, N.Y. Export: Opus Jazz – New York
★★★✰✰ There was virtually nothing to fault with “In the Night” on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled
Royal Ballet School & Royal Ballet – The Cunning Little Vixen, The Two Pigeons – London
★★★★✰ – Royal Ballet School in Liam Scarlett’s new Cunning Little Vixen. ★★✰✰✰ – Royal Ballet’s Yasmine Naghdi debut in Two Pigeons.
Scottish Ballet – Cinderella – Glasgow
★★★★✰ This is my second review of Scottish Ballet’s Cinderella this winter. Why? Well, it’s a production I like and I wanted to see more dancers in it, silly!
Royal Ballet – Asphodel Meadows, The Two Pigeons – London
★★★★✰ Liam Scarlett’s Asphodel Meadows has made a welcome return to the Opera House stage, reminding us exactly why his prodigious talent was given a main stage debut when the choreographer was just 24.
Royal Ballet – Les Patineurs, Winter Dreams, The Concert – London
★★★★✰ Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.
Birmingham Royal Ballet – Autumn delights: La fille mal gardée & The Nutcracker – London & Birmingham
★★★★✰ I look forward to the changes inevitably coming to BRB, but I can’t believe any new director will turn their back on such repertoire gems as La fille mal gardee and their Peter Wright Nutcracker.
Close up with Darcey Bussell and Ashton’s Sylvia at the Royal Opera House Cinema Festival
To celebrate 10 year of live relays the Royal Opera House is hosting a Cinema Festival of past works in the newly rebuilt Linbury Studio Theatre. Jann Parry was there for the screening of Ashton’s Sylvia (recorded in 2005) and which included Darcey Bussell reminiscing about dancing the lead role…
Royal Ballet – The Unknown Soldier (premiere), Infra, Symphony in C – London
★★★✰✰ If The Unknown Soldier is dispiritingly low-key, Wayne McGregor’s Infra remains assertively bold…
Interview: Mayara Magri, First Soloist, The Royal Ballet
Jann Parry talks to the recently promoted Mayara Magri at an important time – she is about to make her debut as Gamzatti in The Royal Ballet’s production of La Bayadere – her first major and leading role in the company she joined 6 years ago…
Staatsballett Berlin – La Bayadère (premiere of Ratmansky reconstruction) – Berlin
★★★★✰ In the last several years, the choreographer Alexei Ratmansky has developed a sideline to his main choreographic efforts: the reviving of ballets by Marius Petipa in a way that represents the original choreography with as much fidelity as possible…
Co.Lab Dance – Seen by Two, Almost Ritual, The Bright Motion, Sketches – New York
★★★✰✰ What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.
Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York
★★✰✰✰ After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.
Les Etés de la Danse, Paris – Jerome Robbins Homage, Programme 2 – Miami City Ballet, Pacific Northwest Ballet, Perm Opera Ballet
★★★★✰ It’s been a very enjoyable homage to Robbins’s versatility…
English National Ballet – The Sleeping Beauty – London
★★★★✰ It’s a better Sleeping Beauty than the Royal Ballet’s, but it benefits enormously from a stellar performance at its heart, a reminder of how civilised ballet can be.
Royal Danish Ballet – The Queen of Spades – Copenhagen
★★★✰✰ The good news is that Queen of Spades is a good-looking crowd pleaser and the RDB dancers look fantastic in it – I can’t emphasise that enough. Also good that it’s a step up from his last commission, Frankenstein – thank goodness, really.
Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London
★★★★✰ All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.
Royal Ballet – Obsidian Tear, Marguerite and Armand, Elite Syncopations – London
★★★★✰ The ostensible link between the three works in this mixed bill is that they are by the Royal Ballet’s resident choreographers, past and present: Frederick Ashton. Kenneth MacMillan and Wayne McGregor. But none is typical of the choreographers’ work…
