"Frederick Ashton" tag
Yasmine Naghdi and Matthew Ball in The Sleeping Beauty.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Sleeping Beauty – London

★★★★✰   The Royal Ballet’s current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa’s Imperial Russian ballet should be the flagship of her British company.

Foyer de danse: Ginevra Zambon and Kevin Emerton with Ursula Hageli.© Rachel Thomas. (Click image for larger version)

Feature – Ashton Rediscovered Masterclass: Foyer de danse and the Le Papillon solo

Ashton Rediscovered Masterclass: “Foyer de danse”, coached by Ursula Hageli & Christopher Newton, and the “Le Papillon” solo, coached by Wayne Eagling. Jann Parry with a detail report for DanceTabs..

CCN Ballet de Lorraine in For Four Walls.© Foteini Christofilopoulou. (Click image for larger version)

CCN Ballet de Lorraine and Compagnie Amala Dianor – The Future Bursts In bill – London

★★★★✰   The title of the latest triple bill in the Linbury studio theatre is taken from The Observer’s dance critic’s review of the Merce Cunningham Company’s arrival in Britain in 1964.

Sarah Lamb in Raymonda Act III.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Concerto, Enigma Variations, Raymonda Act III – London

★★★★✰   It is all too easy to assume that the first triple bill of the Royal Ballet’s autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies…

Anna Rose O’Sullivan in Concerto.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Concerto / Enigma Variations / Raymonda Act III

Gallery by Foteini Christofilopoulou…

Pam Tanowitz.© Erin Baiano. (Click image for larger version)

Interview: Pam Tanowitz – Choreographer and Director

Pam Tanowitz, well known in New York, just created her first work outside the States – for the Royal Ballet. It’s been a critical success and Jann Parry (who gave the work 5 stars) finds out what makes her tick and why so many directors are seeking Tanowitz out…

Everyone Keeps Me by Pam Tanowitz: Fumi Kaneko, Anna Rose O’Sullivan, Hannah Grennell and Beatriz Stix-Brunell.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Merce Cunningham celebration: Cross Currents, Monotones II, Everyone Keeps Me – London

★★★★★   Quite some achievement by Pam Tanowitz, to have followed treasured works by Cunningham and Ashton with one that pays homage to both, yet stands on its own as her distinctive tapestry of dance.

Cross Currants by Merce Cunningham: Mayara Magri, Matthew Ball and Francesca Hayward.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet Merce Cunningham celebration – works by Cunningham, Ashton and Pam Tanowitz

Featuring works by Merce Cunningham, Frederick Ashton and Pam Tanowitz. Gallery by Foteini Christofilopoulou…

Joseph Sissens in Charlotte Edmonds' jojo.© Maria Baranova. (Click image for larger version)

Royal Ballet dancers at the Joyce Ballet Festival – Program A, An Evening of Solos and Duets – New York

★★★✰✰   Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.

The Dancing Under The Southern Skies book cover, featuring Leanne Benjamin, in a photo © Jason Bell.© Australian Scholarly Publishing. (Click image for larger version)

Book – Dancing Under The Southern Skies: A History of Ballet in Australia – by Valerie Lawson

Although Valerie Lawson’s context is wide-ranging, she brings individuals into focus with personal details, shining a spotlight onto their roles in Australian dance history. Lavishly illustrated with photographs from Australian archives, her book gives vivid life to long-gone personalities.

Royal Ballet School in David Bintley's Flowers of the Forest.© Tristram Kenton. (Click image for larger version)

Royal Ballet School – Summer Show, ROH Main Stage – London

★★★★✰   The choice of works emphasised ensembles more than individuals. It was interesting to see large numbers of young men dancing together, as well as a more usual female corps de ballet.

The Royal Ballet School in Goyo Montero's Pulse.© Tristram Kenton. (Click image for larger version)

Royal Ballet School – Holland Park bill (mainly Upper School) – London

★★★★✰   The show overall gave us a good slice of what ballet is in 2019, and just how adaptable the students need to be these days – exciting times for them and exciting for us in the audience as well.

Samara Downs and Lachlan Monaghan in Hobson’s Choice.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet – Hobson’s Choice – London

★★★★✰   Big-hearted, whimsical, suffused with equal parts romance and drollness, Hobson’s Choice is a gem of the BRB repertoire – long may it keep being revived.

A picture supplied to illustrte RBS at the Young Talent Festival - Aurora’s Wedding from the 2018 Royal Ballet School Summer Performance.© Tristram Kenton. (Click image for larger version)

Royal Ballet School – ROH, Young Talent Festival, mixed bill – London

★★★★✰   Royal Ballet School at the ROH Young Talent Festival with a mixed bill of over 10, new and old works…

Margot Fonteyn as Ondine, 1958.© Roger Wood, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Margot Fonteyn, A Celebration – London

★★★★✰   The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.

Gary Avis in The Firebird.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London

★★★★✰   Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.

Meaghan Grace Hinkis.© Andrej Uspenski. (Click image for larger version)

5 Questions to Meaghan Grace Hinkis, Royal Ballet Soloist

Meaghan Grace Hinkis, the Royal Ballet soloist, is about to make her debut as Vera in Frederick Ashton’s “A Month in the Country”. 5 quick questions about that and her dancing life…

Sara Mearns as Titania in Balanchine’s A Midsummer Night’s Dream.© Erin Baiano. (Click image for larger version)

New York City Ballet – A Midsummer Night’s Dream – New York

★★★★✰   For Balanchine, Shakespeare’s characters are two-dimensional types, exemplary but wholly unreal. They are shadows in a shadow-play, representing this or that quality…

Carlos Acosta CBE with Dance Section Charirman Graham Watts (left) and Mark Shenton, President of the Critics Circle.© Peter Hogan. (Click image for larger version)

Carlos Acosta splendidly summed up as he collects his Critics’ Circle Services to the Arts award

I was at the recent Critics’ Circle lunch when Carlos Acosta won his latest award and was struck by Graham Watts citation – it seemed to splendidly sum up Carlos, both the man and his illustrious career… and why exactly we all admire him. BM, Ed.

Ivan Putrov in Ashton's Dance of the Blessed Spirits.© Elliott Franks. (Click image for larger version)

Ivan Putrov – Against the Stream – London

★★★★✰   Putov brought together remarkable performers whom we long to see again, and left us wanting more…

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