New York City Ballet – Serenade, Mozartiana, Tschaikovsky Piano Concerto No. 2 – New York
★★★✰✰ One of the earliest things I appreciated about Balanchine is that he made me feel okay about liking Tschaikovsky (as NYCB likes to spell it)…
Royal Ballet – Les Patineurs, Winter Dreams, The Concert – London
★★★★✰ Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.
New York City Ballet – The Nucracker – New York
★★★✰✰ Come hell or high water, George Balanchine’s The Nutcracker will return to New York City Ballet, filling the theatre night after night. Balanchine made a ballet built to last, and it has not disappointed.
Company XIV – Nutcracker Rouge – New York
★★★★✰ Austin McCormick’s Company XIV continues to maintain the highest bar in balletic, baroque burlesque.
Royal Ballet – The Nutcracker – London
★★★★✰ Wright’s ending is the best ever, preserving the assurance of the Grand pas de deux that the future must surely be blissful.
Les Ballets Trockadero de Monte Carlo (Trocks) – Les Sylphides bill – London
★★★★✰ The curtain calls for Robert Carter’s “Dying Swan” are nearly as long as the ballet itself and just as funny.
St. Petersburg Ballet Theatre – Swan Lake – London
★★✰✰✰ Although the first night audience was moved to a standing ovation, Swan Lake can and should be so much more than this stylised ritual…
Royal Ballet School – Summer Performance, ROH Main Stage – London
★★★✰✰ A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.
American Ballet Theatre – Swan Lake – New York
★★★★✰ Devon Teuscher has done her time, and the results are breathtaking…
Zurich Ballet – Swan Lake – Zurich
★★★✰✰ But, at least to my eye, the production’s triumph is its final lakeside act. There, the formations of swans, as originally choreographed by Lev Ivanov, become intricate, delicate, lyrical, and intensely moving.
English National Ballet – The Sleeping Beauty – London
★★★★✰ It’s a better Sleeping Beauty than the Royal Ballet’s, but it benefits enormously from a stellar performance at its heart, a reminder of how civilised ballet can be.
New York City Ballet – Coppélia – New York
★★★★✰ Tiler Peck, with her quick feet and sassy musicality, is perfectly suited to the role of Swanhilda. Her choreography has copious amounts of pointework, quick steps, requires adroitness in petit allegro and excellent mime technique – all of which Peck has in abundance.
Royal Ballet – Swan Lake (Scarlett premiere) – London
★★★★★ Liam Scarlett has devised a visual and emotional treat for audiences, fully justifying Kevin O’Hare’s faith in him as a director and choreographer.
Royal Danish Ballet – The Queen of Spades – Copenhagen
★★★✰✰ The good news is that Queen of Spades is a good-looking crowd pleaser and the RDB dancers look fantastic in it – I can’t emphasise that enough. Also good that it’s a step up from his last commission, Frankenstein – thank goodness, really.
The National Ballet of Canada – The Sleeping Beauty – Toronto
★★★★✰ Steeped in the company’s history, this Sleeping Beauty is a real treasure – a lavishly-outfitted and deeply absorbing spectacle which bears the indelible imprint of its creator, the legendary Russian dancer Rudolf Nureyev.
Preview – The National Ballet of Canada & Rudolf Nureyev’s Sleeping Beauty – a special combination then and now.
This is a Beauty like no other – the most spectacular classical production in the National Ballet’s repertory and a true jewel of a ballet.
San Francisco Ballet – Serenade, The Chairman Dances, Rodeo – San Francisco
★★★✰✰ Not all, but many pas de deuxs have a romantic subtext, whether intentional or not. But in Rodeo Peck has crafted a pas de deux celebrating introductions and the process of getting to know another person.
Birmingham Royal Ballet – The Nutcracker – London
★★★✰✰ Peter Wright’s glorious ballet might not shine quite so magically in its Bintley/Albert Hall version but the dancers certainly do…
Suzanne Farrell Ballet – Forever Balanchine: Farewell Performances – Washington
★★★★★ As artistic director of her own troupe, Farrell was able to take her devotion to Balanchine and her aspiration to promote and preserve his legacy to a new level. For nearly 20 years, Washington audiences have enjoyed an annual mini-festival of Balanchine’s works…
Mark Morris Dance Group – The Hard Nut – San Francisco
★★★★★ The house was abuzz on Friday evening for the opening performance of Mark Morris Dance Group’s The Hard Nut. It’s been five years since Cal Performances hosted the production, and clearly fans had been anxiously awaiting its reappearance.
