★★★✰✰ With works from Yuri Possokhov (Senseless Kindness), Sidi Larbi Cherkaoui (Laid in Earth), Stina Quagebeur (Take Five Blues), Russell Maliphant (Echoes) and Arielle Smith (Jolly Folly)
Tag - Tchaikovsky
★★★✰✰ It’s a bit of a bashed-together stream, with a shiny new, COVID-19 era recording of Emeralds, made in January of this year, teamed up with a Rubies from 2016, and Diamonds from 2017...
"I thought it would be interesting to make this Swan Lake very specific for Finland. They are proud of their Nordic heritage and traditions; that whole idea of winter and the purity of nature is very dear to them."
★★★★✰ Program 3 features all-British choreographers: Peter Wright, Peter Darrell, Christopher Wheeldon, Matthew Bourne and Kenneth MacMillan. The exception is a solo by American Dominic Walsh, created for his own contemporary dance company. ...Some of the selections are probably unfamiliar to American audiences, as well as to British ballet fans of a younger vintage.
★★★★★ Scottish Ballet have come up with a delightfully life-affirming present to blow away the Covid blues this Christmas. It's not a film of an existing ballet, as we usually see at this time of year, but a ballet feature film - something made just for the camera and in which the camera is choreographed into the action. The result is a huge success...
★★★★✰ There's no reason to feel short-changed by the Royal Ballet's Covid-compliant Nutcracker. The magic of Tchaikovsky's music and the beauty of the dancing still enchant spectators of all ages.
★★★★✰ Kevin O'Hare, director of the Royal Ballet, came on stage to welcome the return of a paying audience for what turned out to be the opening and closing live performance of the season...
The entire Royal Ballet were back on stage and performing for a live audience last Friday in a gala style show which was/is also streamed. Jann Parry was mightily impressed with the dancing and repertoire (★★★★★) if not so much with the live audience experience in a Covid aware Opera House (★★★✰✰)
Royal Danish Ballet's Tobias Praetorius is an anomaly, a young dancer – he’s only 24 – who is already interested in playing character roles. He is also a choreographer and Marina Harss catches up with him about his latest project - a 'Pixiballet' (aimed at children) based on Hans Christian Andersen's The Princess and the Pea...
The six films in the 40th anniversary celebration provide tantalising glimpses of Amici's considerable back catalogue, which includes short works as well as major productions...
★★★★✰ Osipova inhabits the role of Anna Anderson with gruelling sincerity. She appears deranged from the beginning with close-up camera angles revealing a depth of despair that is tremendously affecting.
★★★★✰ Marianela Nunez and Vadim Muntagirov's account of Swan Lake is spellbinding... if Scarlett's revision of the 1895 scenario makes even less sense than the original.
★★★✰✰ The Washington Ballet new program titled Balanchine + Ashton showcased four works by the two great choreographers, who “forever shaped our art form,” as the company’s artistic director, Julie Kent, put it in her opening remarks.
★★★★✰ It’s comforting to know that at even my advanced age I can still be confounded even by hoary old Swan Lake.
★★★★✰ ...undoubtedly one of the most visually stunning and dramatically meaningful Beauties you will ever find.
★★★★✰ The annual Icons gala provides the chance to see dancers who don't often appear in London...
★★★★✰ How is the company looking? ...the company looks good so far.
★★★★✰ In spite of all the problems with performing a proscenium arch ballet in an arena setting with a purpose-built stage, it is no less magical than any other production and in some ways, it works advantageously.
★★★★✰ The dancing is so enjoyable, the comedy so appealing, that any flaws in the story telling are easily overlooked.
★★★★✰ The Royal Ballet's current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa's Imperial Russian ballet should be the flagship of her British company.