★★✰✰✰ Although the first night audience was moved to a standing ovation, Swan Lake can and should be so much more than this stylised ritual...
Tag - Tchaikovsky
★★★✰✰ A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.
★★★★✰ Devon Teuscher has done her time, and the results are breathtaking...
★★★✰✰ But, at least to my eye, the production’s triumph is its final lakeside act. There, the formations of swans, as originally choreographed by Lev Ivanov, become intricate, delicate, lyrical, and intensely moving.
★★★★✰ It's a better Sleeping Beauty than the Royal Ballet's, but it benefits enormously from a stellar performance at its heart, a reminder of how civilised ballet can be.
★★★★✰ Tiler Peck, with her quick feet and sassy musicality, is perfectly suited to the role of Swanhilda. Her choreography has copious amounts of pointework, quick steps, requires adroitness in petit allegro and excellent mime technique – all of which Peck has in abundance.
★★★★★ Liam Scarlett has devised a visual and emotional treat for audiences, fully justifying Kevin O'Hare's faith in him as a director and choreographer.
★★★✰✰ The good news is that Queen of Spades is a good-looking crowd pleaser and the RDB dancers look fantastic in it - I can't emphasise that enough. Also good that it's a step up from his last commission, Frankenstein - thank goodness, really.
★★★★✰ Steeped in the company’s history, this Sleeping Beauty is a real treasure – a lavishly-outfitted and deeply absorbing spectacle which bears the indelible imprint of its creator, the legendary Russian dancer Rudolf Nureyev.
This is a Beauty like no other – the most spectacular classical production in the National Ballet’s repertory and a true jewel of a ballet.
★★★✰✰ Not all, but many pas de deuxs have a romantic subtext, whether intentional or not. But in Rodeo Peck has crafted a pas de deux celebrating introductions and the process of getting to know another person.
★★★✰✰ Peter Wright's glorious ballet might not shine quite so magically in its Bintley/Albert Hall version but the dancers certainly do...
★★★★★ As artistic director of her own troupe, Farrell was able to take her devotion to Balanchine and her aspiration to promote and preserve his legacy to a new level. For nearly 20 years, Washington audiences have enjoyed an annual mini-festival of Balanchine’s works...
★★★★★ The house was abuzz on Friday evening for the opening performance of Mark Morris Dance Group’s The Hard Nut. It’s been five years since Cal Performances hosted the production, and clearly fans had been anxiously awaiting its reappearance.
★★★★✰ A charming, uplifting ballet that truly sets the scene for Christmas. A large part of the heart-warming effect was Darrell’s decision to populate the stage with children...
★★★★✰ Nutcracker Rouge is a lush, flesh-fueled frenzy of sensuality and spectacle. McCormick’s gift for erotic elegance is mesmerizing. Any raunch manages to be a good dose of the subversive while also being good plain fun.
★★★★★ When Peter Wright’s production of The Nutcracker for the Royal Ballet was given its premiere on 20th December 1984, gala guests were treated to free champagne and souvenir booklets. No expense was spared...
This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a selection of George Balanchine’s choreographic gems...
★★★✰✰ Happy for Zakharova who ultimately curated an interesting night, very happy to see her retinue of Bolshoi dancers and happy to see Donlon provide such final good cheer.
★★✰✰✰ Bintley’s ‘Still Life’ at the Penguin Café saves a dispiriting evening by providing nimble demi-character dancing with a timely message, first delivered nearly 20 years ago.