"Royal Opera House" tag
Francesca Hayward and Gary Avis in Coppélia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Coppélia – London

★★★★✰   The dancing is so enjoyable, the comedy so appealing, that any flaws in the story telling are easily overlooked.

Francesca Hayward in Coppélia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Francesca Hayward and Gary Avis in a scene from the Royal Ballet’s Coppélia

Gallery by Foteini Christofilopoulou…

Ballet du Rhin in Les Beaux Dormants.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Ballet du Rhin in Les Beaux Dormants

Gallery by Foteini Christofilopoulou…

Yasmine Naghdi and Matthew Ball in The Sleeping Beauty.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Sleeping Beauty – London

★★★★✰   The Royal Ballet’s current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa’s Imperial Russian ballet should be the flagship of her British company.

Antoinette Brooks-Daw and Kevin Poeung in Kenneth Tindall’s The Shape of Sound.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – The Kingdom of Back, Mamela…, The Shape of Sound – London

★★★✰✰   The works offer strong contrasts between the traditional story-telling strength of Northern Ballet and more abstract thematic dance.

Foyer de danse: Ginevra Zambon and Kevin Emerton with Ursula Hageli.© Rachel Thomas. (Click image for larger version)

Feature – Ashton Rediscovered Masterclass: Foyer de danse and the Le Papillon solo

Ashton Rediscovered Masterclass: “Foyer de danse”, coached by Ursula Hageli & Christopher Newton, and the “Le Papillon” solo, coached by Wayne Eagling. Jann Parry with a detail report for DanceTabs..

Yasmine Naghdi in The Sleeping Beauty.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Sleeping Beauty

Lead Casting: Yasmine Naghdi and Matthew Ball. Gallery by Foteini Christofilopoulou…

CCN Ballet de Lorraine in For Four Walls.© Foteini Christofilopoulou. (Click image for larger version)

CCN Ballet de Lorraine and Compagnie Amala Dianor – The Future Bursts In bill – London

★★★★✰   The title of the latest triple bill in the Linbury studio theatre is taken from The Observer’s dance critic’s review of the Merce Cunningham Company’s arrival in Britain in 1964.

CCN Ballet de Lorraine in For Four Walls.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – CCN Ballet de Lorraine in For Four Walls (part of Dance Umbrella)

Part of Dance Umbrella 2019 and ‘The Future Bursts In’ bill at the Royal Opera House. Gallery by Foteini Christofilopoulou…

Sarah Lamb in Raymonda Act III.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Concerto, Enigma Variations, Raymonda Act III – London

★★★★✰   It is all too easy to assume that the first triple bill of the Royal Ballet’s autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies…

Anna Rose O’Sullivan in Concerto.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Concerto / Enigma Variations / Raymonda Act III

Gallery by Foteini Christofilopoulou…

Taken on my first day back in Scottish Ballet studios post surgeries.© Araminta Wraith. (Click image for larger version)

Road to Recovery: Instagram vs Reality

Araminta Wraith, Scottish Ballet soloist, is a DanceTabs guest blogger during the companies 50th anniversary season. This is her fourth blog and all about dancers and injuries – it’s a very personal and heartfelt tale…

Everyone Keeps Me by Pam Tanowitz: Fumi Kaneko, Anna Rose O’Sullivan, Hannah Grennell and Beatriz Stix-Brunell.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Merce Cunningham celebration: Cross Currents, Monotones II, Everyone Keeps Me – London

★★★★★   Quite some achievement by Pam Tanowitz, to have followed treasured works by Cunningham and Ashton with one that pays homage to both, yet stands on its own as her distinctive tapestry of dance.

Cross Currants by Merce Cunningham: Mayara Magri, Matthew Ball and Francesca Hayward.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet Merce Cunningham celebration – works by Cunningham, Ashton and Pam Tanowitz

Featuring works by Merce Cunningham, Frederick Ashton and Pam Tanowitz. Gallery by Foteini Christofilopoulou…

Sarah Lamb and Vadim Muntagirov in Manon.© Alice Pennefather, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Manon – London

★★★★✰   Sarah Lamb and Vadim Muntagirov, as Des Grieux, are not new to the roles and their understanding of the characters and the choreography has deepened with experience.

Astana Ballet in The Heritage of the Great Steppe.© Askhat Nurekin. (Click image for larger version)

Astana Ballet – Love Fear Loss, A Fuego Lento, Heritage of the Great Steppe, Salomé – London

★★★✰✰   The extremely good-looking company members are well-trained, versatile dancers…

Two Husbands by Daniela Cardim - Camino Llonch, Alexander Nuttall, Marianne Allen, Aitor Viscarolasaga Lopez, Kevin Bhoyroo, Marta Rivero de Miranda, Dean Rushton.© Deborah Jaffe Photography. (Click image for larger version)

New English Ballet Theatre – New Works – London

★★★✰✰   In the event, the levels of polish and invention were quite remarkable given the circumstances.

Margarita Shrainer and Igor Tsvirko in Don Quixote (rehearsal).© Foteini Christofilopoulou. (Click image for larger version)

Bolshoi Ballet – Don Quixote – London

★★★★✰   The reason the Bolshoi’s Don Quixote is so enjoyable is the gusto with which it is performed. It doesn’t aim to be remotely authentically Spanish or even respectful of the original 1869 version…

Eleonora Sevenard and Artemy Belyakov in Don Quixote (rehearsal).© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Bolshoi Ballet in Don Quixote (dress rehearsal)

Featuring pictures of 2 casts: Margarita Shrainer/Igor Tsvirko & Eleonora Sevenard/Artemy Belyakov. Gallery by Foteini Christofilopoulou…

Daria Khokhlova & Igor Tsvirko in The Bright Stream (rehearsal).© Foteini Christofilopoulou. (Click image for larger version)

Bolshoi Ballet – The Bright Stream – London

★★★★★   A wildly surreal comic turn involves a dog riding a bicycle, both cunningly choreographed. He’s actually a tractor driver in disguise, disrupting sexual assignations.

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