Royal Ballet – Les Patineurs, Winter Dreams, The Concert – London
★★★★✰ Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.
Memorable Performances of 2018 – London
Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.
2018 National Dance Awards – Announcement of Nominations
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 19th National Dance Awards…
Royal Ballet – The Unknown Soldier (premiere), Infra, Symphony in C – London
★★★✰✰ If The Unknown Soldier is dispiritingly low-key, Wayne McGregor’s Infra remains assertively bold…
Interview: Mayara Magri, First Soloist, The Royal Ballet
Jann Parry talks to the recently promoted Mayara Magri at an important time – she is about to make her debut as Gamzatti in The Royal Ballet’s production of La Bayadere – her first major and leading role in the company she joined 6 years ago…
Staatsballett Berlin – La Bayadère (premiere of Ratmansky reconstruction) – Berlin
★★★★✰ In the last several years, the choreographer Alexei Ratmansky has developed a sideline to his main choreographic efforts: the reviving of ballets by Marius Petipa in a way that represents the original choreography with as much fidelity as possible…
Birmingham Royal Ballet – Fire and Fury: The King Dances, Ignite – London
★★★✰✰ David Bintley, who steps down as director of Birmingham Royal Ballet at the end of the 2018/2019 season, describes the current double bill as ‘two ballets fuelled by power and politics’.
Royal Ballet – Mayerling (Bonelli, Morera) – London
★★★★✰ The partnership in Mayerling between Morera and Bonelli is a fine example of how experience can illumine the nuances of a dramatic ballet.
English National Ballet – Manon – Milton Keynes Theatre
★★★★✰ English National Ballet can once more reflect triumphally on another significant success.
Royal Ballet – Mayerling (Hirano, Osipova) – London
★★★★✰ Osipova is lethally orgasmic… Never has MacMilllan’s choreography for the death duet seemed so astounding as in her account of it.
Christopher Hampson, Scottish Ballet’s Director, on celebrating the companies 50th anniversary in 2019 & future plans
Scottish Ballet have just announced plans for their Fiftieth Anniversary in 2019, including three world premieres – we have the full press release and touch-base with CEO/Artistic Director Christopher Hampson about the celebrations and what happens beyond…
Gallery – Royal Ballet in Mayerling
Thiago Soares and Lauren Cuthbertson cast. Gallery by Foteini Christofilopoulou…
World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing
Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
Northern Ballet – The Kingdom of Back, Mamela…, The Shape of Sound – Leeds
★★★★✰ A good night of new work for Leeds coupling a rising star from outside with local and much-loved company talent.
English National Ballet School – Summer Performance – London
★★★✰✰ This summer’s showcase of English National Ballet School’s students was the first under its new director, Carlos Valcarcel… The Wimbledon programme consisted of two creations by him, two by students, and excerpts from The Sleeping Beauty as a conclusion.
Birmingham Royal Ballet – Romeo and Juliet – London
★★★★✰ It was a fine team performance from the company but particular honours go to Momoko Hirata’s Juliet who let us know what she was thinking and feeling at every moment.
English National Ballet – The Sleeping Beauty – London
★★★★✰ It’s a better Sleeping Beauty than the Royal Ballet’s, but it benefits enormously from a stellar performance at its heart, a reminder of how civilised ballet can be.
Rambert – Life is a Dream – London
★★★✰✰ Brandstrup keeps so many options open that the narrative thread of Life is a Dream is hard to pin down, even if you have read the programme notes and mugged up the 1635 play of the same name.
English National Ballet’s Emerging Dancer 2018 Competition – 5 Questions to 6 Finalists
English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 11 June and ahead of the that we talk to the finalists – Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles…
Interview: Melissa Hamilton, First Soloist, The Royal Ballet
“I knew that I had to seize my only chance to have a ballet career. Masha Mukhamedov agreed to teach me privately six days a week for ten months…”
