★★★✰✰ It’s a bit of a bashed-together stream, with a shiny new, COVID-19 era recording of Emeralds, made in January of this year, teamed up with a Rubies from 2016, and Diamonds from 2017...
Tag - San Francisco
Heather Desaulniers dips into the San Francisco Dance Film Festival and reviews three programmes: Merely Marvelous: The Dancing Genius of Gwen Verdon (★★★★✰), Dance Goes On (★★★✰✰) and Uprooted – The Journey of Jazz Dance (★★★★★)
As lockdown eases ballet is getting out of streaming from living rooms and into the big wide world - Jann Parry looks at six happenings/films involving dancers from Dance Theatre of Harlem, New York City Ballet, San Francisco Ballet, Alonzo King LINES Ballet & The Royal Ballet
★★★★✰ Rather than succumb to a COVID-19 hiatus, RAWdance pivoted to a dance-on-camera format for the CONCEPT Series’ 28th edition, and presented seven new short films created by various artists over the past few months...
★★★★✰ Indigo is one of those dances that doesn’t seem totally abstract, yet doesn’t follow a linear path either. It’s more about concept and emotions. Layers and extremes. Just like the colour indigo itself.
★★★★✰ the phrase 'piano piano' translates as “slowly, slowly, gradually, gently, carefully; quietly; take your time; don’t rush – you’ll figure it out.”
★★★✰✰ There were parts I adored and elements that didn’t resonate as much.
★★★★✰ Paul Taylor Dance Company shone in the two older works on the program, Esplanade and Company B.
★★★★✰ San Francisco Ballet’s Program 2 was dubbed Classical Re(Vision) – a remembering of and reconnection with choreography in SFB’s existing repertory catalogue.
★★★★✰ 'Spellbound' delivered in every regard – opulent grandeur, terrific people watching and above all, marvelous dance.
★★★★✰ the Mariinsky’s production was a welcome ravishment of vibrant costumes, shimmering jewels, romantic storytelling and sheer entertainment...
★★★★★ AXIS, a bold and innovative leader in physically integrated dance, just presented their latest triple bill including two important premieres...
Arthur Pita's latest work is called "Alice in Californiland" for the Bay Area AXIS Dance Company - to be premiered later this week, on Friday 25 October, Claudia Bauer caught up with him to find out what its all about - a thought provoking collision of Lewis Carroll and homelessness...
★★★★✰ A double-bill of compelling contemporary movement, the centerpiece of the performance was Azoth, a new collaboration between Artistic Director Alonzo King, tenor saxophonist Charles Lloyd and composer/pianist Jason Moran.
★★★★✰ Mozart Dances goes far beyond a basic choreographic rendering of the score, instead inviting an active dialogue between disciplines.
★★★★✰ Friday the 13th was auspicious for San Francisco dance: Margaret Jenkins Dance Company premiered Trace Figures, a site-specific performance immersion that could be done by no other company or permutation of artists.
★★★★✰ SF choreographers Maurya Kerr, Dazaun Soleyn and Slender-White, and the visiting duo of Joy Davis (Boston) and Eric Mullis (Charlotte, North Carolina), presented new works of 10–20 minutes in length.
★★★✰✰ ...the most apt descriptor for the entire program was joyful.
★★★★✰ The SKETCH series, from Amy Seiwert’s Imagery, is one of my favorite summer dance events in San Francisco. The company dancers are always terrific, both technically and artistically.
★★★★✰ Yes, the narrative has its inherent challenges, but the choreography, performances and design all riveted with drama, intensity and humour.