Birmingham Royal Ballet – Fire and Fury: The King Dances, Ignite – London
★★★✰✰ David Bintley, who steps down as director of Birmingham Royal Ballet at the end of the 2018/2019 season, describes the current double bill as ‘two ballets fuelled by power and politics’.
Didy Veldman, Choreographer and Umanoove Director
Didy Veldman’s Umanoove are about to tour her latest work – The Knot – an examination of the social and personal significance of marriage in contemporary Western society. Diane Parkes has a word about the work and what makes Veldman tick
World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing
Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
Royal Ballet School – Summer Performance, ROH Main Stage – London
★★★✰✰ A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.
Birmingham Royal Ballet – Polarity & Proximity: Kin., Embrace, In The Upper Room – London
★★★✰✰ Williamson’s commission – the first of an ambitious Ballet Now programme for new works – was themed on issues of gender and alienation, with Brandon Lawrence being a man struggling for identity…
Gallery – Birmingham Royal Ballet in Embrace and Kin
BRB in George Williamson’s new “Embrace” and Alexander Whitley’s 2014 hit “Kin”. Gallery by Dave Morgan…
Gallery – Birmingham Royal Ballet in Romeo and Juliet
With Nao Sakuma and Yasuo Atsuji in the lead roles. Gallery by Dave Morgan…
Birmingham Royal Ballet – Romeo and Juliet – London
★★★★✰ It was a fine team performance from the company but particular honours go to Momoko Hirata’s Juliet who let us know what she was thinking and feeling at every moment.
English National Ballet – The Sleeping Beauty – London
★★★★✰ It’s a better Sleeping Beauty than the Royal Ballet’s, but it benefits enormously from a stellar performance at its heart, a reminder of how civilised ballet can be.
English National Ballet – Song of the Earth, La Sylphide – London
★★★★✰ The pairing cannily indulges our need for vivid material on these bleak mid-winter nights while also steering us down from the high of the Christmas circuit, with its sugary Nutcrackers and other family-friendly fare.
Birmingham Royal Ballet – The Nutcracker – London
★★★✰✰ Peter Wright’s glorious ballet might not shine quite so magically in its Bintley/Albert Hall version but the dancers certainly do…
Memorable Performances of 2017 – London
Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet…
Feature – Frederick Ashton’s choreography for Le Rossignol – a masterclass with Sir Anthony Dowell
The Metropolitan Opera in New York staged “Le Rossignol” in December 1981 as part of a programme commemorating the hundredth anniversary of Stravinsky’s birth… the producer was John Dexter. He told Ashton, back in London, that he could choreograph two dancers as the Nightingale and the Fisherman on stage, while the roles would be sung by opera singers in the orchestra pit…
Royal Ballet – The Nutcracker – London
★★★★★ When Peter Wright’s production of The Nutcracker for the Royal Ballet was given its premiere on 20th December 1984, gala guests were treated to free champagne and souvenir booklets. No expense was spared…
2017 National Dance Awards – Announcement of Nominations
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 18th National Dance Awards…
Birmingham Royal Ballet – Arcadia, Le Baiser de la fée, ‘Still Life’ at the Penguin Café – London
★★✰✰✰ Bintley’s ‘Still Life’ at the Penguin Café saves a dispiriting evening by providing nimble demi-character dancing with a timely message, first delivered nearly 20 years ago.
Birmingham Royal Ballet – Aladdin – London
★★★✰✰ Aladdin never fully finds its feet, but there’s a lot to like about the show, from the cheery group numbers to the striking visuals.
5 Questions to George Williamson – freelance choreographer and recipient of the first BRB Ballet Now commission
Ballet Now is an initiative between Birmingham Royal Ballet and Sadler’s Wells to develop the (classical) choreographers, composers and designers of the future. It’s a 5-year programme with 2 commissions each year, made possible by the Oak Foundation, matched BRB funding and driven by a Creative Consortium.
