There was a rush of emotion at seeing these extraordinary dancers doing the thing they do best. Their energy, precision, and drive, the way they change the space around them, is inspiring...
Tag - Bach
As lockdown eases ballet is getting out of streaming from living rooms and into the big wide world - Jann Parry looks at six happenings/films involving dancers from Dance Theatre of Harlem, New York City Ballet, San Francisco Ballet, Alonzo King LINES Ballet & The Royal Ballet
★★★✰✰ The dance is spare and pedestrian, as is De Keersmaeker’s way, and lasts two hours, without intermission. And yet it’s not really a challenge to experience it all in one sitting.
★★★★✰ San Francisco Ballet’s Program 2 was dubbed Classical Re(Vision) – a remembering of and reconnection with choreography in SFB’s existing repertory catalogue.
★★★★✰ The four ballets make for a slightly over-long evening (both Episodes and Rodeo are substantial works). But it’s a small price to pay for seeing these rarities back onstage.
★★★✰✰ Much of the exuberance and vibrancy in Pepperland is supplied by Morris’s ingenious and utterly entertaining choreography...
★★★★✰ The dozen dancers brought a fierce energy to the stage, performing four works of astonishing speed and athleticism.
★★★✰✰ Once again, Osipova gave it her all – and Osipova’s all is quite something to behold.
★★★★★ AXIS, a bold and innovative leader in physically integrated dance, just presented their latest triple bill including two important premieres...
★★★★✰ A bravo to Rosie Kay, who does it yet again, delivering thought provoking dance in a very smartly designed package. (but do read the programme!)
★★★★✰ In her 'all at once', Tanowitz seems to have taken Taylor's 'Junction' as her starting point. Like that work, it is a paean to awkwardness...
★★★★✰ One can only wish the Paul Taylor Company well in this period of change. The dancers, new and old, perform with a warmth and openness that is rare.
★★★★✰ the overall impression was of the wholly American spirit of the company – peppy, vivacious, determined and running at full-tilt.
★★★★✰ By swelling the numbers of her small touring company, Yolande Yorke-Edgell was able to mount a revival of Kenneth MacMillan's Playground and a 10-strong ensemble for Robert Cohan's Communion. The programme also included new works by Sophia Stoller and Yorke-Edgell herself.
★★✰✰✰ The show at Wilton's Music Hall, produced and directed by former ballerina Viviana Durante, was originally billed as The Seven Deadly Sins by Kurt Weill and Bertolt Brecht...
★★★★✰ What unfolds over the two hours is an extraordinary conversation between musician and dancers.
★★★★✰ Putov brought together remarkable performers whom we long to see again, and left us wanting more...
★★★✰✰ So, is Pure Dance a success? It depends on what you’re looking for. Osipova is as exciting, and as powerful, a dancer as ever. Among the commissions, only Valse Triste and Flutter are worthy of further exploration...
★★★★✰ Alston's choreography is formal in that it has structure, style and steps, instead of resorting to running in circles. Its partnering etiquette is courteous rather than abusive.
★★★✰✰ The piece is strenuous, filled with running and partnering that, at first, verges on violent, and eventually turns rapturous, but never beautiful – De Keersmaeker never cedes to the lure of beauty...