"Bach" tag
Ivan Putrov in Ashton's Dance of the Blessed Spirits.© Elliott Franks. (Click image for larger version)

Ivan Putrov – Against the Stream – London

★★★★✰   Putov brought together remarkable performers whom we long to see again, and left us wanting more…

Natalia Osipova and David Hallberg in Ratmansky’s Valse Triste.© Johan Persson. (Click image for larger version)

Natalia Osipova – Pure Dance bill – New York

★★★✰✰   So, is Pure Dance a success? It depends on what you’re looking for. Osipova is as exciting, and as powerful, a dancer as ever. Among the commissions, only Valse Triste and Flutter are worthy of further exploration…

Joshua Hariette and Monique Jonas in Brahms Hungarian.© Chris Nash. (Click image for larger version)

Richard Alston Dance Company – Detour, Quartermark, Proverb, Brahms Hungarian – London

★★★★✰ Alston’s choreography is formal in that it has structure, style and steps, instead of resorting to running in circles. Its partnering etiquette is courteous rather than abusive.

Igor Shyshko and Cynthia Loemij in Verklärte nacht.© Maria Baranova. (Click image for larger version)

Anne Teresa De Keersmaeker / Rosas – Verklärte nacht – New York

★★★✰✰   The piece is strenuous, filled with running and partnering that, at first, verges on violent, and eventually turns rapturous, but never beautiful – De Keersmaeker never cedes to the lure of beauty…

Alessandra Ferri and Herman Cornejo.© Nicolay Krusser. (Click image for larger version)

Alessandra Ferri, Herman Cornejo and Bruce Levingston – TRIO ConcertDance – London

★★★★✰   A harmonious blending of music and dance, it proved seventy-five minutes of non-stop bliss!

Sara Mearns in Dances of Isadora Duncan.© Stephanie Berger. (Click image for larger version)

Fall for Dance 2018, Program 1 – Boston Ballet, Sara Mearns, Caleb Teicher & Co, Cie Hervé Koubi – New York

★★★★✰   On the second night the program was offered, Mearns was stunning, but the remaining three pieces, by three different companies were, to varying degrees, engaging, although hers was a tough act to follow.

Rosas in Anne Teresa De Keersmaeker's The Six Brandenburg Concertos.© Stephanie Berger. (Click image for larger version)

Anne Teresa De Keersmaeker / Rosas – The Six Brandenburg Concertos – New York

★★★★✰   At moments, I was ecstatically aware of the beauty of the body in motion.

Natalia Osipova in in the studio preparing for Pure Dance.© Alastair Muir. (Click image for larger version)

Natalia Osipova – Pure Dance – London

★★★✰✰   No trade description problems, here. This was exactly what it said on the tin: Natalia Osipova performing pure dance, enhanced only by recorded music and lighting designs varying from the merest of subtle tints to an explosion of floodlights…

Students of the Upper School in Aurora’s Wedding.© Tristram Kenton / Royal Ballet School. (Click image for larger version)

Royal Ballet School – Summer Performance, ROH Main Stage – London

★★★✰✰   A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.

Victoria Jaiani and Temur Suluashvili in Glass Pieces.© Cheryl Mann. (Click image for larger version)

Les Etés de la Danse, Paris – Homage to Jerome Robbins, Programme 1 – New York City Ballet, Joffrey Ballet

★★★★✰   The programme, performed by two very different American ballet companies, displayed Robbins’s versatility while revealing the similarities in his approach to music.

Aidan Gibson and Casey Ouzounis in Neue Suite (Berio 1-2-3).© Foteini Christofilopoulou. (Click image for larger version)

Semperoper Ballett – In the Middle, Somewhat Elevated, Neue Suite, Enemy in the Figure – London

★★★✰✰   Semperoper’s dancers distort the classical ballet line more than the Paris Opera Ballet’s (or ENB’s) and don’t bother much with fifth positions or precise épaulement for Forsythe’s endless tendus. They seem contemporary dancers rather than étoiles being outrageous.

Paris Opera Ballet in The Seasons’ Canon.© Agathe Poupeney / OnP. (Click image for larger version)

Paris Opera Ballet – Thierrée /​ Shechter /​ Pérez /​ Pite – Paris

★★★★✰   Crystal Pite’s work stands out as the crowd-pleaser. With huge cheers and applause, we rise to our feet for the dancers.

Francesca Hayward and Matthew Ball (The Royal Ballet) in Bach Forms, choreography by Wayne McGregor.© Ravi Deepres. (Click image for larger version)

Dance@TheGrange – Curated by Wayne McGregor & Edward Watson – Grange Festival, Hampshire

★★★★✰   McGregor’s company dancers (in Bach Forms) brought a surging energy, buoying up jewel-like moments from the Royal Ballet stars…

New York City Ballet in Warren Carlyle’s Something to Dance About.© Erin Baiano. (Click image for larger version)

New York City Ballet – All Robbins No. 2 and Tribute to Robbins bills – New York

★★★★✰   The centenary celebration bills are more than enough to give a sense of Robbins’ breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.

Ask la Cour in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Agon, The Four Temperaments – New York

★★✰✰✰   Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere…

Maria Kochetkova in Pita's Björk Ballet.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Unbound Festival Program D: works by Edwaard Liang, Dwight Rhoden, Arthur Pita – San Francisco

★★★★★   A hundred monkeys might eventually type out Hamlet, but only a herd of unicorns on Ecstasy could come anywhere near Arthur Pita’s Björk Ballet.

San Francisco Ballet in Annabelle Lopez Ochoa's Guernica.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Unbound Festival Program C: works by Stanton Welch, Trey McIntyre, Annabelle Lopez Ochoa – San Francisco

★★★★✰   Program C’s offerings spanned the choreographic spectrum, from pure movement to narrative threads to inventive theatricality. Every work on the bill impressed with its freshness and ingenuity.

Laura Halzack and Michael Trusnovec in Mercuric Tidings.© Paul B. Goode. (Click image for larger version)

Paul Taylor American Modern Dance – David H. Koch season – New York

★★★★✰   Even in stillness, Taylor dancers hold immense power in their bodies, the energy potential within them more nuclear than solar.

Tamara Rojo and Ivan Vasiliev in Le Jeune Homme et la Mort.© Foteini Christofilopoulou. (Click image for larger version)

English National Ballet – Le Jeune Homme et la Mort, La Sylphide – London

★★★★✰   One great privilege of Rojo being both director and dancer must be the opportunity to choose her own partners and this year’s returning guest is Ivan Vasiliev…

Erica Felsch & the men of the company in Michael Smuin's Santa Baby, from The Christmas Ballet.© Keith Sutter. (Click image for larger version)

Smuin Contemporary American Ballet – The Christmas Ballet – San Francisco

★★★✰✰   I’ve seen The Christmas Ballet five times over the years and it has always been and continues to be a lovely, celebratory afternoon or evening at the theatre. That said, I still struggle with the format.

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