Ivan Putrov – Against the Stream – London
★★★★✰ Putov brought together remarkable performers whom we long to see again, and left us wanting more…
Natalia Osipova – Pure Dance bill – New York
★★★✰✰ So, is Pure Dance a success? It depends on what you’re looking for. Osipova is as exciting, and as powerful, a dancer as ever. Among the commissions, only Valse Triste and Flutter are worthy of further exploration…
Richard Alston Dance Company – Detour, Quartermark, Proverb, Brahms Hungarian – London
★★★★✰ Alston’s choreography is formal in that it has structure, style and steps, instead of resorting to running in circles. Its partnering etiquette is courteous rather than abusive.
Anne Teresa De Keersmaeker / Rosas – Verklärte nacht – New York
★★★✰✰ The piece is strenuous, filled with running and partnering that, at first, verges on violent, and eventually turns rapturous, but never beautiful – De Keersmaeker never cedes to the lure of beauty…
Alessandra Ferri, Herman Cornejo and Bruce Levingston – TRIO ConcertDance – London
★★★★✰ A harmonious blending of music and dance, it proved seventy-five minutes of non-stop bliss!
Fall for Dance 2018, Program 1 – Boston Ballet, Sara Mearns, Caleb Teicher & Co, Cie Hervé Koubi – New York
★★★★✰ On the second night the program was offered, Mearns was stunning, but the remaining three pieces, by three different companies were, to varying degrees, engaging, although hers was a tough act to follow.
Anne Teresa De Keersmaeker / Rosas – The Six Brandenburg Concertos – New York
★★★★✰ At moments, I was ecstatically aware of the beauty of the body in motion.
Natalia Osipova – Pure Dance – London
★★★✰✰ No trade description problems, here. This was exactly what it said on the tin: Natalia Osipova performing pure dance, enhanced only by recorded music and lighting designs varying from the merest of subtle tints to an explosion of floodlights…
Royal Ballet School – Summer Performance, ROH Main Stage – London
★★★✰✰ A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.
Les Etés de la Danse, Paris – Homage to Jerome Robbins, Programme 1 – New York City Ballet, Joffrey Ballet
★★★★✰ The programme, performed by two very different American ballet companies, displayed Robbins’s versatility while revealing the similarities in his approach to music.
Semperoper Ballett – In the Middle, Somewhat Elevated, Neue Suite, Enemy in the Figure – London
★★★✰✰ Semperoper’s dancers distort the classical ballet line more than the Paris Opera Ballet’s (or ENB’s) and don’t bother much with fifth positions or precise épaulement for Forsythe’s endless tendus. They seem contemporary dancers rather than étoiles being outrageous.
Paris Opera Ballet – Thierrée / Shechter / Pérez / Pite – Paris
★★★★✰ Crystal Pite’s work stands out as the crowd-pleaser. With huge cheers and applause, we rise to our feet for the dancers.
Dance@TheGrange – Curated by Wayne McGregor & Edward Watson – Grange Festival, Hampshire
★★★★✰ McGregor’s company dancers (in Bach Forms) brought a surging energy, buoying up jewel-like moments from the Royal Ballet stars…
New York City Ballet – All Robbins No. 2 and Tribute to Robbins bills – New York
★★★★✰ The centenary celebration bills are more than enough to give a sense of Robbins’ breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.
New York City Ballet – Concerto Barocco, Agon, The Four Temperaments – New York
★★✰✰✰ Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere…
San Francisco Ballet – Unbound Festival Program D: works by Edwaard Liang, Dwight Rhoden, Arthur Pita – San Francisco
★★★★★ A hundred monkeys might eventually type out Hamlet, but only a herd of unicorns on Ecstasy could come anywhere near Arthur Pita’s Björk Ballet.
San Francisco Ballet – Unbound Festival Program C: works by Stanton Welch, Trey McIntyre, Annabelle Lopez Ochoa – San Francisco
★★★★✰ Program C’s offerings spanned the choreographic spectrum, from pure movement to narrative threads to inventive theatricality. Every work on the bill impressed with its freshness and ingenuity.
Paul Taylor American Modern Dance – David H. Koch season – New York
★★★★✰ Even in stillness, Taylor dancers hold immense power in their bodies, the energy potential within them more nuclear than solar.
English National Ballet – Le Jeune Homme et la Mort, La Sylphide – London
★★★★✰ One great privilege of Rojo being both director and dancer must be the opportunity to choose her own partners and this year’s returning guest is Ivan Vasiliev…
Smuin Contemporary American Ballet – The Christmas Ballet – San Francisco
★★★✰✰ I’ve seen The Christmas Ballet five times over the years and it has always been and continues to be a lovely, celebratory afternoon or evening at the theatre. That said, I still struggle with the format.
