"Wayne McGregor" tag
Mayara Magri makes her debut as Gamzatti in La Bayadere on 14th November 2018.© and courtesy The Royal Ballet. (Click image for larger version)

Interview: Mayara Magri, First Soloist, The Royal Ballet

Jann Parry talks to the recently promoted Mayara Magri at an important time – she is about to make her debut as Gamzatti in The Royal Ballet’s production of La Bayadere – her first major and leading role in the company she joined 6 years ago…

Le Patin Libre in Threshold.© Romain Guilbaul. (Click image for larger version)

Le Patin Libre – Threshold – London

★★★★✰   If there is a major difference between Le Patin Libre of 2014 and now, then surely it lies in this merger of these skaters’ extreme skills with the same elite capability in their artistic collaborators.

Carlos Acosta.© Johan Persson. (Click image for larger version)

Carlos Acosta – Dancer, Directer, Choreographer: ‘I am a man on a mission – I always have been’

“That’s what it’s always been about for me – the necessity to connect with an audience and express myself.”

Robert Carter in The Dying Swan.© Emma Kauldhar. (Click image for larger version)

Les Ballets Trockadero de Monte Carlo (Trocks) – Les Sylphides bill – London

★★★★✰   The curtain calls for Robert Carter’s “Dying Swan” are nearly as long as the ballet itself and just as funny.

Aidan Gibson and Casey Ouzounis in Neue Suite (Berio 1-2-3).© Foteini Christofilopoulou. (Click image for larger version)

Semperoper Ballett – In the Middle, Somewhat Elevated, Neue Suite, Enemy in the Figure – London

★★★✰✰   Semperoper’s dancers distort the classical ballet line more than the Paris Opera Ballet’s (or ENB’s) and don’t bother much with fifth positions or precise épaulement for Forsythe’s endless tendus. They seem contemporary dancers rather than étoiles being outrageous.

Francesca Hayward and Matthew Ball (The Royal Ballet) in Bach Forms, choreography by Wayne McGregor.© Ravi Deepres. (Click image for larger version)

Dance@TheGrange – Curated by Wayne McGregor & Edward Watson – Grange Festival, Hampshire

★★★★✰   McGregor’s company dancers (in Bach Forms) brought a surging energy, buoying up jewel-like moments from the Royal Ballet stars…

Misty Copeland, Alessandra Ferri and Herman Cornejo in Afterite.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – 3 Bills: Giselle, Gala, Firebird/Afterite – New York

★★★★✰   After a week of Giselle, during which Natalia Osipova and David Hallberg had their much-awaited re-match, the company began its season in earnest on May 21, with a spring gala that included two new works and excerpts from a third…

Melissa Hamilton.© Andrej Uspenski. (Click image for larger version)

Interview: Melissa Hamilton, First Soloist, The Royal Ballet

“I knew that I had to seize my only chance to have a ballet career. Masha Mukhamedov agreed to teach me privately six days a week for ten months…”

Calvin Richardson and Matthew Ball in Obsidian Tear. © Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Obsidian Tear, Marguerite and Armand, Elite Syncopations – London

★★★★✰   The ostensible link between the three works in this mixed bill is that they are by the Royal Ballet’s resident choreographers, past and present: Frederick Ashton. Kenneth MacMillan and Wayne McGregor. But none is typical of the choreographers’ work…

English National Ballet in Forsythe's Playlist (Track 1, 2).© Dave Morgan. (Click image for larger version)

English National Ballet – Voices of America bill – works by Forsythe, Robbins & Barton – London

★★★★✰   Altogether, a cunningly judged programme that shows off the company at its most engaging…

Sarah Lamb, Ryoichi Hirano in Elite Syncopations.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Obsidian Tear, Marguerite and Armand, Elite Syncopations

A triple bill of works by Wayne McGregor, Frederick Ashton and Kenneth MacMillan. Gallery by Dave Morgan…

Wende and Dutch National Ballet in Last Resistance.© Hans Gerritsen. (Click image for larger version)

Dutch National Ballet – Dutch Doubles: Impermanence, Two and Only, Déjà vu, Last Resistance – Amsterdam

★★★★✰   Dutch National Ballet’s Dutch Doubles quad bill features 3 new works by Annabelle Lopez Ochoa, Ernst Meisner and Wubkje Kuindersma plus a classic piece, new to the company, from the legend that is Hans van Manen.

Calvin Richardson and Joseph Sissons in Wayne McGregor's Yugen.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Bernstein Centenary: Yugen, The Age of Anxiety, Corybantic Games – London

★★★✰✰   Leonard Bernstein wrote (in 1949): “I have a deep suspicion that every work I write, for whatever medium, is really theatre music in some way.’ Many choreographers have taken up the challenge, though his quasi-metaphysical musings have usually eluded them: dance is more corporeal than music.

David Donnelly, Charlotte Tonkinson, David Yudes, Isabella Gasparini, Kevin Emerton and Camille Bracher in Christopher Wheeldon's Corybantic Games.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Bernstein Centenary triple bill incl new McGregor & Wheeldon

The Bernstein Centenary bill includes new works by Christopher Wheeldon (Corybantic Games) and Wayne McGregor (Yugen). Liam Scarlett’s The Age of Anxiety completes the bill. Gallery by Dave Morgan…

Company Wayne McGregor in Autobiography.© Richard Davies. (Click image for larger version)

Company Wayne McGregor – Autobiography – San Francisco

★★★✰✰   There were some standout moments but generally I found that the vignettes didn’t seem all that different from one to the next….

Sergei DiaghilevThe defining image for the "In Diaghilev’s Circle: The Phenomenon of Les Saisons Russes in the Context of European Culture" conference. ©/courtesy International Festival of Arts "Diaghilev. P.S."

Dipping in to the 8th International Festival of Arts ‘Diaghilev. P.S.’ in St. Petersburg

The aim of the annual festival is to celebrate Russian influence in international culture, thanks to Diaghilev’s productions in the first two decades of the 20th century… St Petersburg also wants to boost its reputation as ‘a great forum of the arts’, introducing contemporary creations from different nations to Russian audiences.

Benjamin Ella and Isabella Gasparini in Crystal Pite’s Flight Pattern.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Memorable Performances of 2017 – London

Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet…

Chalvar Monteiro in Jamar Roberts' Members Don't Get Weary.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – 2 premieres: Victoria & Members Don’t Get Weary + many more – New York

★★★★✰   Roberts’ “Members Don’t Get Weary” is very much a mature work with a strong emotional charge and esthetic signature.

Avatara Ayuso.© Daniel Minguez. (Click image for larger version)

5 Questions for Avatâra Ayuso, Dancer, Choreographer and Director

Graham Watts catches up with the well connected Avatâra Ayuso who has just been appointed Associate Artist at Shobana Jeyasingh Dance…

Rocio Molina in Fallen from Heaven (Caida del Cielo).© Foteini Christofilopoulou. (Click image for larger version)

Rocio Molina – Fallen from Heaven (Caída del Cielo) – London

★★★★★   The words “90 minutes, no interval” generally fill me with dread.

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