Author: Susanna Sloat

Susanna Sloat is a writer and editor in New York City who has written about many kinds of dance, recently mostly for Ballet Review. She is the editor of “Making Caribbean Dance: Continuity and Creativity in Island Cultures” (2010) and “Caribbean Dance from Abakuá to Zouk: How Movement Shapes Identity” (2002), both available from University Press of Florida.

Under are the articles written for DanceTabs.
Lauren Lovette and Joseph Gordon in George Balanchine’s Stravinsky Violin Concerto.© Erin Baiano. (Click image for larger version)

New York City Ballet – Stravinsky & Balanchine bill – New York

★★★★✰   New York City Ballet is off to a fine start when it opens the winter season with a very well-danced all Balanchine, all Stravinsky program.

Vuyani Dance Theatre in Cion: Requiem of Ravel’s Boléro.© John Hogg. (Click image for larger version)

Gregory Maqoma – Cion: Requiem of Ravel’s Boléro – New York, Joyce Theater

★★★★✰   The dance style is a fusion of many elements of South African dance, other African and African diaspora influences, and modern and postmodern dance. It can be both liquid and percussive and has a complexity that is hard to take apart.

Gabrielle Revlock's Nuptial Blitz.© Dave Ratzlow. (Click image for larger version)

Gabrielle Revlock – SEX TAPE, Nuptial Blitz – New York

★★★✰✰   Revlock “is a dance-maker whose work often depicts complicated but relatable interpersonal relationships using a vocabulary that embraces the pedestrian, abstracted by degrees.”

Edisa Weeks in 3 RITES: Liberty.© Leo Jimenez for 651 ARTS. (Click image for larger version)

DELIRIOUS Dances / Edisa Weeks – 3 RITES: Liberty – New York

★★★★✰   DELIRIOUS Dances / Edisa Weeks’ “3 RITES: Liberty” is a solo that graphically shows why the Declaration of Independence did not, & does not, mean “liberty” for many African Americans…

Faye Driscoll in Thank You For Coming: Space.© Maria Baranova. (Click image for larger version)

Faye Driscoll – Thank You For Coming: Space – New York

★★★✰✰   A sense of very controlled chaos accumulates. I’m sometimes reminded of the videos and installations of the artist Bruce Nauman. Her actions and interactions, including snatches of willfully, wonderfully contorted dancing…

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