"New York" tag
Night of 100 Solos at the Brooklyn Academy of Music.© Stephanie Berger. (Click image for larger version)

Merce Cunningham Trust – Night of 100 Solos, Centennial Event – New York

★★★★✰   What impresses overall is the clarity of the technique; the precision and control it requires. And the way it enlarges the dancers, distilling their strengths, stretching them to the limit.

Natalia Osipova and David Hallberg in Ratmansky’s Valse Triste.© Johan Persson. (Click image for larger version)

Natalia Osipova – Pure Dance bill – New York

★★★✰✰   So, is Pure Dance a success? It depends on what you’re looking for. Osipova is as exciting, and as powerful, a dancer as ever. Among the commissions, only Valse Triste and Flutter are worthy of further exploration…

Warren Craft in Harlequin and Pantalone© Stephanie Berger. (Click image for larger version)

Dorrance Dance – Jungle Blues, Basses Loaded bill – New York

★★★✰✰   Dorrance is a darling of festivals, presenters and audiences, and has recently crossed over into the realm of ballet. But how much crossover and reinvention is too much?

Cathy Marston.© Foteini Christofilopoulou. (Click image for larger version)

Cathy Marston on her new work for Northern Ballet, Victoria, the creative process and more…

Marston has been working at Northern Ballet creating Victoria for the company (premiere this month) and we wanted to find out more, also catch up on other commissions and discuss just how she works creatively and manages to juggle it all so effortlessly…

New York City Ballet in Liebeslieder Walzer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Prodigal Son, Liebeslieder Walzer – New York

★★★✰✰   Liebeslieder Walzer is one of the most precious of all Balanchine’s ballets; within its fifty-minute span it seems to contain a world of emotion, both profound and infinitely civilized.

Farruquito.© Sachyn Mital. (Click image for larger version)

Farruquito – Farruquito flamenco bill – New York

★★★★✰   What’s most compelling about the show, really, is its sense of freedom, combined with a strong family-feeling.

Sara Mearns and Jared Angle in Jerome Robbins' In the Night.© Erin Baiano. (Click image for larger version)

New York City Ballet – Robbins bill: Interplay, In the Night, N.Y. Export: Opus Jazz – New York

★★★✰✰   There was virtually nothing to fault with “In the Night” on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled

Camille A. Brown in ink.© Christopher Duggan. (Click image for larger version)

Camille A. Brown & Dancers – ink – New York

★★★★✰   The choreographer Camille A. Brown has a rare talent – the ability to make you understand a situation or state of mind through dance.

Tiler Peck in Justin Peck’s Principia.© Erin Baiano. (Click image for larger version)

New York City Ballet – Herman Schmerman, Principia (new Peck), The Runaway – New York

★★★✰✰   Major draws were the new Justin Peck and a revival of William Forsythe’s 1992 commission Herman Schmerman, not seen in full since the 90s…

Ashley Bouder and Joseph Gordon in Tschaikovsky Piano Concerto No. 2.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Mozartiana, Tschaikovsky Piano Concerto No. 2 – New York

★★★✰✰   One of the earliest things I appreciated about Balanchine is that he made me feel okay about liking Tschaikovsky (as NYCB likes to spell it)…

Igor Shyshko and Cynthia Loemij in Verklärte nacht.© Maria Baranova. (Click image for larger version)

Anne Teresa De Keersmaeker / Rosas – Verklärte nacht – New York

★★★✰✰   The piece is strenuous, filled with running and partnering that, at first, verges on violent, and eventually turns rapturous, but never beautiful – De Keersmaeker never cedes to the lure of beauty…

Gonzalo Garcia in Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.

Tiler Peck, Indiana Woodward, Brittany Pollack and Taylor Stanley in George Balanchine's Apollo.© Erin Baiano. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   There has been a generational shift at New York City Ballet, that much was clear last night in a program of Stravinsky ballets that included two major débuts and several smaller ones…

Anne Souder and Xin Ying in Martha Graham’s Hérodiade.© Melissa Sherwood. (Click image for larger version)

Martha Graham Dance Company – Graham Deconstructed: El Penitente, Hérodiade – New York

★★★✰✰   Both El Penitente and Hérodiade are from the 40’s, a period when Graham was transitioning from exploration of American and Native-American themes to a more mythical mode.

Tenzin Niles and Ines Gout in George Balanchine’s The Nutcracker.© Erin Baiano. (Click image for larger version)

New York City Ballet – The Nucracker – New York

★★★✰✰   Come hell or high water, George Balanchine’s The Nutcracker will return to New York City Ballet, filling the theatre night after night. Balanchine made a ballet built to last, and it has not disappointed.

Company XIV in Nutcracker Rouge.© Mark Shelby Perry. (Click image for larger version)

Company XIV – Nutcracker Rouge – New York

★★★★✰   Austin McCormick’s Company XIV continues to maintain the highest bar in balletic, baroque burlesque.

AAADT in Rennie Harris' Lazarus.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Lazarus, Revelations – New York

Alvin Ailey American Dance Theater Lazarus, Revelations ★★★★✰ New York, City Center 30 November 2018 www.alvinailey.org www.nycitycenter.org Forward to Ailey In March of 1958, Alvin Ailey presented his first evening of dance, at…

Miami City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

City Center Balanchine Festival – Miami City Ballet, Mariinsky Ballet, Royal Ballet, New York City Ballet

★★★✰✰   It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.

Joaquin de Luz in Watermill.© Rebecca Greenfield. (Click image for larger version)

Jerome Robbins / Luca Veggetti – Watermill – New York

★★★✰✰   I was happy to discover that, yes, in fact, something about this more intimate, immersive setting did alter the work’s energy and rhythm, its overall feel.

ABT in Jessica Lang's Garden Blue.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Fall Gala + Symphonie Concertante & Garden Blue 3bills – New York

★★★✰✰   The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.

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