"Marianela Nunez" tag
Marianela Nuñez and Carlos Acosta in La Fille mal gardée.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – La Fille mal gardée – streamed archive recording of 2005 performance

★★★★★   If you want an antidote to any miserable lockdown mood, La Fille mal gardée cannot fail to lift your spirits and allow you to marvel at some really first-rate dancing.

Marianela Núñez.© and courtesy the Royal Opera House. (Click image for larger version)

Marianela Núñez on one of her fav ballets, La Fille mal gardée, and life under lockdown

Marianela Núñez talks about one of her favourite ballets, “La Fille mal gardée”, and life under lockdown, which for Marianela has been in Argentina. “La Fille mal gardee”, one of the most loved works in the Royal Ballet repertoire, streams this Friday, 12 June, from 19:00 BST

Natalia Osipova in Anastasia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Anastasia – streamed archive recording of 2016 performance

★★★★✰   Osipova inhabits the role of Anna Anderson with gruelling sincerity. She appears deranged from the beginning with close-up camera angles revealing a depth of despair that is tremendously affecting.

Marianela Nunez and Vadim Muntagirov in Swan Lake.© Bill Cooper, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Swan Lake – London

★★★★✰   Marianela Nunez and Vadim Muntagirov’s account of Swan Lake is spellbinding… if Scarlett’s revision of the 1895 scenario makes even less sense than the original.

Lauren Cuthbertson and Marcelino Sambé in The Cellist.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

The Royal Ballet – The Cellist (premiere), Dances at a Gathering – London

★★★✰✰   In The Cellist, Cathy Marston has taken on a challenging subject for her first commission for the Royal Opera House stage: the real-life story of a much-loved musician Jacqueline Du Pré…

Natalia Osipova in Onegin.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Onegin – London

★★★★✰   The ballet works as a conflicted love story centred on the heroine, Tatiana. When Natalia Osipova dances the role, she brings home how Russian the character is.

Francesca Hayward and Gary Avis in Coppélia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Coppélia – London

★★★★✰   The dancing is so enjoyable, the comedy so appealing, that any flaws in the story telling are easily overlooked.

Margot Fonteyn as Ondine, 1958.© Roger Wood, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Margot Fonteyn, A Celebration – London

★★★★✰   The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.

Itziar Mendizabal in The Firebird.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Firebird, A Month in the Country, Symphony in C

Gallery by Foteini Christofilopoulou…

Gary Avis in The Firebird.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London

★★★★✰   Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.

Annette Page in Cinderella.© Roy Round, courtesy the Royal Opera House. (Click image for larger version)

Annette Page: Tribute to a Ballerina

This programme celebrated Annette Page’s career with the Royal Ballet and supported the Motor Neurone Disease Association. She died at the age of 84 of MND, a cruel disease for a former dancer and an articulate, witty woman…

Russell Maliphant (winner of the Best Independent Company award) & Dana Fouras (a Best Female Dancer nominee).© Foteini Christofilopoulou. (Click image for larger version)

Gallery – UK National Dance Awards 2018

Gallery by Foteini Christofilopoulou…

Marianela Nuñez in Don Quixote.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Don Quixote – London

★★★★★   With Marianela Nunez and Vadim Muntagirov… Theirs was a performance that caught up everyone in the sheer pleasure and excitement of spectacular dancing.

Marianela Nuñez and Vadim Muntagirov in Don Quixote.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet’s Marianela Nuñez & Vadim Muntagirov in Don Quixote

Gallery by Foteini Christofilopoulou…

Marianela Nuñez and Ryoichi Hirano in Asphodel Meadows.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Asphodel Meadows, The Two Pigeons – London

★★★★✰   Liam Scarlett’s Asphodel Meadows has made a welcome return to the Opera House stage, reminding us exactly why his prodigious talent was given a main stage debut when the choreographer was just 24.

Lauren Cuthbertson and Vadim Muntagirov in The Two Pigeons.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Asphodel Meadows and The Two Pigeons

Gallery by Foteini Christofilopoulou…

Fumi Kaneko and William Bracewell in Les Patineurs.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Les Patineurs, Winter Dreams, The Concert – London

★★★★✰   Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.

Thomas Bieszka in In the Middle, Somewhat Elevated.© Foteini Christofilopoulou. (Click image for larger version)

Memorable Performances of 2018 – London

Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.

The Royal Ballet in The Nutcracker.© Tristram Kenton, © 2015 Royal Opera House. (Click image for larger version)

Royal Ballet – The Nutcracker – London

★★★★✰   Wright’s ending is the best ever, preserving the assurance of the Grand pas de deux that the future must surely be blissful.

© Critics’ Circle National Dance Awards

2018 National Dance Awards – Announcement of Nominations

The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 19th National Dance Awards…

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