Natalia Osipova – Pure Dance bill – London
★★★✰✰ Once again, Osipova gave it her all – and Osipova’s all is quite something to behold.
Jonathan Goddard and Lily McLeish – While You Are Here – London
★★✰✰✰ While You Are Here is disappointing despite using a cohort of the best contemporary dancers in the country, working with theatre director Lily McLeish and featuring fine design and lighting.
Bolshoi Ballet – Don Quixote – London
★★★★✰ The reason the Bolshoi’s Don Quixote is so enjoyable is the gusto with which it is performed. It doesn’t aim to be remotely authentically Spanish or even respectful of the original 1869 version…
Arthur Pita, Natalia Osipova and Jonathan Goddard – The Mother – London
★★★★✰ The Mother takes already dark source material (a Hans Christian Andersen tale) and plunges even deeper into the nightmare scenario it proposes, giving everything a convincing Russian twist along the way.
Royal Ballet – Margot Fonteyn, A Celebration – London
★★★★✰ The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.
Natalia Osipova Film – A Force of Nature Natalia
★★★★★ This is a superbly made film… It draws a portrait of a supreme artist, a woman with exceptional humility, all sensitively handled with warmth and humour.
Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London
★★★★✰ Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.
Royal Ballet – Within the Golden Hour, Medusa, Flight Pattern – London
★★★✰✰ A very mixed bill… Sidi Larbi Cherkaoui’s Medusa (★★✰✰✰), Christopher Wheeldon’s Within the Golden Hour (★★★★✰) and Crystal Pite’s Flight Pattern (★★★★✰)
Gallery – Royal Ballet in Medusa, Within the Golden Hour, Flight Pattern
Works by Sidi Larbi Cherkaoui, Christopher Wheeldon and Crystal Pite. Gallery by Foteini Christofilopoulou…
Natalia Osipova – Pure Dance bill – New York
★★★✰✰ So, is Pure Dance a success? It depends on what you’re looking for. Osipova is as exciting, and as powerful, a dancer as ever. Among the commissions, only Valse Triste and Flutter are worthy of further exploration…
Memorable Performances of 2018 – London
Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.
Interview: Mayara Magri, First Soloist, The Royal Ballet
Jann Parry talks to the recently promoted Mayara Magri at an important time – she is about to make her debut as Gamzatti in The Royal Ballet’s production of La Bayadere – her first major and leading role in the company she joined 6 years ago…
Royal Ballet – La Bayadère – London
★★★★✰ In the past, the Royal Ballet’s version, last performed five years ago, has sometimes seemed insubstantial. Not so this time, with a luxury cast in full dramatic mode: Vadim Muntagirov, Marianela Nuñez, Natalia Osipova and Gary Avis…
Gallery – Royal Ballet in La Bayadère
Gallery by Foteini Christofilopoulou of the Muntagirov, Osipova and Nuñez cast.
Royal Ballet – Mayerling (Bonelli, Morera) – London
★★★★✰ The partnership in Mayerling between Morera and Bonelli is a fine example of how experience can illumine the nuances of a dramatic ballet.
Royal Ballet – Mayerling (Hirano, Osipova) – London
★★★★✰ Osipova is lethally orgasmic… Never has MacMilllan’s choreography for the death duet seemed so astounding as in her account of it.
World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing
Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
Natalia Osipova – Pure Dance – London
★★★✰✰ No trade description problems, here. This was exactly what it said on the tin: Natalia Osipova performing pure dance, enhanced only by recorded music and lighting designs varying from the merest of subtle tints to an explosion of floodlights…
Natalia Osipova – ISADORA: A Tribute to Isadora Duncan in Two Acts (world premiere) – Costa Mesa
★★★✰✰ Half-narrative and semi-abstract, ISADORA hop-skips through the dancer’s life; it’s described in the program notes as a “freely interpreted biography,” and it cherry-picks around unsavory elements…
American Ballet Theatre – Giselle – New York
★★★★✰ Roberto Bolle, who played his usual striking Albrecht, responded to Seo with nuance and subtlety. The same goes for how Seo revealed Giselle’s madness…
