"American Ballet Theatre" tag
Isabella Boylston and James Whiteside in The Seasons.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala with The Seasons premiere + Ratmansky Trio bill – New York

★★★★✰   It’s impossible not to be impressed by the range of these works, from introspective and conversational (Symposium) to brilliantly classical (The Seasons) to dramatic (Dnieper).

Sarah Lane and Carlos Gonzalez in Harlequinade.© Doug Gifford. (Click image for larger version)

American Ballet Theatre – Harlequinade – New York

★★★★★   To my eye, this Harlequinade may be the most well-rounded of Ratmansky’s historically-minded stagings of Petipa.

Carlos Acosta CBE with Dance Section Charirman Graham Watts (left) and Mark Shenton, President of the Critics Circle.© Peter Hogan. (Click image for larger version)

Carlos Acosta splendidly summed up as he collects his Critics’ Circle Services to the Arts award

I was at the recent Critics’ Circle lunch when Carlos Acosta won his latest award and was struck by Graham Watts citation – it seemed to splendidly sum up Carlos, both the man and his illustrious career… and why exactly we all admire him. BM, Ed.

Wona Park and Angelo Greco in Ratmansky's Concerto #1.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Shostakovich Trilogy – San Francisco

★★★✰✰   The choreography in Shostakovich Trilogy, which was co-commissioned by SFB and ABT and premiered in 2014, is as frustratingly capricious as the music.

Ivan Putrov in Ashton's Dance of the Blessed Spirits.© Elliott Franks. (Click image for larger version)

Ivan Putrov – Against the Stream – London

★★★★✰   Putov brought together remarkable performers whom we long to see again, and left us wanting more…

Russian Ballet Icons Gala 2019 Gala group photo.© Jack Devant. (Click image for larger version)

Russian Ballet Icons Gala 2019 – London

★★★✰✰   The annual Ballet Icons gala, now in its 14th year, aims to promote Russian culture while providing a Sunday evening’s entertainment for Russians in London and ballet-lovers…

Natalia Osipova and David Hallberg in Ratmansky’s Valse Triste.© Johan Persson. (Click image for larger version)

Natalia Osipova – Pure Dance bill – New York

★★★✰✰   So, is Pure Dance a success? It depends on what you’re looking for. Osipova is as exciting, and as powerful, a dancer as ever. Among the commissions, only Valse Triste and Flutter are worthy of further exploration…

Abigail Prudames (Victoria) and Pippa Moore (older Princess Beatrice) in Victoria.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – Victoria (Marston premiere) – Leeds

★★★✰✰   Where the ballet takes off is when there are only two or three major characters on stage and then Marston clearly shows intentions and emotions and the dancing becomes rich and telling, clever and gorgeous.

Marcelo Gomes & The Sarasota Ballet in Sir Frederick Ashton's Apparitions.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Apparitions, Stars and Stripes – Sarasota

★★★★✰   As if an Ashton rarity weren’t reason enough to catch this program, there was also the presence of Marcelo Gomes, former much-admired principal dancer from American Ballet Theatre, to recommend it.

Cathy Marston.© Foteini Christofilopoulou. (Click image for larger version)

Cathy Marston on her new work for Northern Ballet, Victoria, the creative process and more…

Marston has been working at Northern Ballet creating Victoria for the company (premiere this month) and we wanted to find out more, also catch up on other commissions and discuss just how she works creatively and manages to juggle it all so effortlessly…

Washington Ballet in the The Sleeping Beauty.© XMB Photography. (Click image for larger version)

Washington Ballet – The Sleeping Beauty – Washington

★★★★✰   When Kent took the helm of Washington Ballet …one of her goals was to raise the standard of classical technique and shape the company into a world-class ballet institution. Judging by this production, she is on the right track.

Alessandra Ferri and Herman Cornejo.© Nicolay Krusser. (Click image for larger version)

Alessandra Ferri, Herman Cornejo and Bruce Levingston – TRIO ConcertDance – London

★★★★✰   A harmonious blending of music and dance, it proved seventy-five minutes of non-stop bliss!

Darcey Bussell and Roberto Bolle in Sylvia on Opus Arte video from Amazon.© Opus Arte. (Click image for larger version)

Close up with Darcey Bussell and Ashton’s Sylvia at the Royal Opera House Cinema Festival

To celebrate 10 year of live relays the Royal Opera House is hosting a Cinema Festival of past works in the newly rebuilt Linbury Studio Theatre. Jann Parry was there for the screening of Ashton’s Sylvia (recorded in 2005) and which included Darcey Bussell reminiscing about dancing the lead role…

Polina Semionova in La Bayadère.© Yan Revazov. (Click image for larger version)

Staatsballett Berlin – La Bayadère (premiere of Ratmansky reconstruction) – Berlin

★★★★✰   In the last several years, the choreographer Alexei Ratmansky has developed a sideline to his main choreographic efforts: the reviving of ballets by Marius Petipa in a way that represents the original choreography with as much fidelity as possible…

Miami City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

City Center Balanchine Festival – Miami City Ballet, Mariinsky Ballet, Royal Ballet, New York City Ballet

★★★✰✰   It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.

ABT in Jessica Lang's Garden Blue.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Fall Gala + Symphonie Concertante & Garden Blue 3bills – New York

★★★✰✰   The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.

Natalia Osipova in in the studio preparing for Pure Dance.© Alastair Muir. (Click image for larger version)

Natalia Osipova – Pure Dance – London

★★★✰✰   No trade description problems, here. This was exactly what it said on the tin: Natalia Osipova performing pure dance, enhanced only by recorded music and lighting designs varying from the merest of subtle tints to an explosion of floodlights…

Lauren Post and José Sebastian in Zhongjing Fang's Seen by Two.© Rod Brayman. (Click image for larger version)

Co.Lab Dance – Seen by Two, Almost Ritual, The Bright Motion, Sketches – New York

★★★✰✰   What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.

Victoria Hulland, Ricardo Graziano and Ricardo Rhodes in Ashton's Monotones II.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York

★★✰✰✰   After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.

Isabella Boylston and Jeffrey Cirio in La Bayadère.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – La Bayadère – Los Angeles

★★✰✰✰   …watching La Bayadère can feel like observing an artifact stuck in another era, and indicates the need for a conversation about what a contemporary, forward-thinking repertoire should look like.

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