"American Ballet Theatre" tag
Yasmine Naghdi and Matthew Ball in The Sleeping Beauty.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Sleeping Beauty – London

★★★★✰   The Royal Ballet’s current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa’s Imperial Russian ballet should be the flagship of her British company.

Washington Ballet in Annabelle Lopez Ochoa's Delusional Beauty.© xmb Photography, courtesy The Washington Ballet. (Click image for larger version)

Washington Ballet – NEXTsteps: Reverence, Delusional Beauty, Racecar – Washington

★★★✰✰   The Washington Ballet opened its season with a program of new works created specifically for the company. All three ballets …had a strong visual appeal and plenty of winning ideas…

Cassandra Trenary and Cory Stearns in A Time There Was.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – New Romantics: New American Romance, Garden Blue, A Time There Was – New York

★★★✰✰   The emphasis here was on new. This was a night to check in on the creative efforts of two emerging voices on the ballet scene – Gemma Bond and James Whiteside.

Calvin Royal III in Apollo. © The George Balanchine Trust.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Balanchine, Bennett & The Beach Boys bill – New York

★★★★✰   In programs like this one, ABT really looks like an American company, steeped in American popular music and the relaxed attitude of popular dance. It’s a mode that suits the company well.

Pam Tanowitz.© Erin Baiano. (Click image for larger version)

Interview: Pam Tanowitz – Choreographer and Director

Pam Tanowitz, well known in New York, just created her first work outside the States – for the Royal Ballet. It’s been a critical success and Jann Parry (who gave the work 5 stars) finds out what makes her tick and why so many directors are seeking Tanowitz out…

Catherine Hurlin and Aran Bell in Let Me Sing Forevermore.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Fall Gala and The Masters bills – New York

★★★★✰   The fewer the speeches, the better the gala – this universal truth seems to have bypassed the organizers at American Ballet Theatre…

Joseph Gordon and David Hallberg in Maurice Béjart's Song of a Wayfarer.© Maria Baranova. (Click image for larger version)

RB, ABT, NYCB & NYTB dancers at the Joyce Ballet Festival – Prog C, curated by Jean-Marc Puissant – New York

★★★★✰   Starwise, Bejart’s Wayfarer bumps this program from two stars to four.

Lauren Cuthbertson and Marelino Sambé in Juliano Nuñes’ Two Sides Of.© Maria Baranova. (Click image for larger version)

RB, NBoC & ABT dancers at the Joyce Ballet Festival – Prog B, curated by Lauren Cuthbertson – New York

★★✰✰✰   I hadn’t seen much of the well-regarded Cuthbertson, so I was looking forward to this chance to get to know her (she appeared in four of five pieces), as well as the not-always-dubious introduction to new works by new choreographers…

Sorella Englund in La Sylphide, from a 2015 visit to London.© Dave Morgan. (Click image for larger version)

Ulrik Birkkjaer and Royal Danish Ballet dancers – Bournonville Legacy bill – New York

★★★★✰   You can tell the Danes are in town by the fact that the Joyce Theater has been packed night after night this week.

Isabella Boylston in The Sleeping Beauty.© John Grigaitis. (Click image for larger version)

American Ballet Theatre – The Sleeping Beauty – New York

★★★★✰   This production proposes that Sleeping Beauty is not really the story of a love quest – as it’s often depicted – but rather a fable about order and disorder, harmony and disharmony, the balance between good and evil.

Misty Copeland and Cory Stearns in Manon.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Manon – New York

★★★★★   As someone who cries easily, it’s a wonder that Manon remains a favorite ballet of mine… Misty Copeland and Cory Stearns were passionate and persuasive in their respective roles as Manon and Des Grieux.

Devon Teuscher in Le Corsaire.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Le Corsaire – New York

★★★★✰   Days after the performance, I cannot get James Whiteside’s Ali out of my head. Devon Teuscher’s Medora is charming and warm, pulling off triple fouettées turns and her Italian fouettées with aplomb…

Devon Teuscher and James Whiteside in Jane Eyre.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Jane Eyre – New York

★★✰✰✰   For all Marston’s qualifications, I found her Jane Eyre to be a dreary affair, theatrically dutiful and choreographically thin.

Northern Ballet 50th Anniversary flyer with Antoinette Brooks-Daw, Rachael Gillespie and Pippa Moore.© Guy Farrow. (Click image for larger version)

Northern Ballet’s 50th Anniversary Programme for 2020

Northern Ballet has just announced details of its 50th Anniversary Season for next year. The plans include a big Gala and new full evening works by Kenneth Tindall (Geisha) & Drew McOnie ‏(Merlin). Here are the full headlines and dates on one page…

Meaghan Grace Hinkis.© Andrej Uspenski. (Click image for larger version)

5 Questions to Meaghan Grace Hinkis, Royal Ballet Soloist

Meaghan Grace Hinkis, the Royal Ballet soloist, is about to make her debut as Vera in Frederick Ashton’s “A Month in the Country”. 5 quick questions about that and her dancing life…

American Ballet Theatre in In the Upper Room.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Tharp Trio: Brahms-Haydn, Deuce Coupe, Upper Room – New York

★★★★✰   Thirty years after its creation, In the Upper Room is still the ultimate Twyla Tharp piece, an expression of American dynamism and New York style.

Isabella Boylston and James Whiteside in The Seasons.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala with The Seasons premiere + Ratmansky Trio bill – New York

★★★★✰   It’s impossible not to be impressed by the range of these works, from introspective and conversational (Symposium) to brilliantly classical (The Seasons) to dramatic (Dnieper).

Sarah Lane and Carlos Gonzalez in Harlequinade.© Doug Gifford. (Click image for larger version)

American Ballet Theatre – Harlequinade – New York

★★★★★   To my eye, this Harlequinade may be the most well-rounded of Ratmansky’s historically-minded stagings of Petipa.

Carlos Acosta CBE with Dance Section Charirman Graham Watts (left) and Mark Shenton, President of the Critics Circle.© Peter Hogan. (Click image for larger version)

Carlos Acosta splendidly summed up as he collects his Critics’ Circle Services to the Arts award

I was at the recent Critics’ Circle lunch when Carlos Acosta won his latest award and was struck by Graham Watts citation – it seemed to splendidly sum up Carlos, both the man and his illustrious career… and why exactly we all admire him. BM, Ed.

Wona Park and Angelo Greco in Ratmansky's Concerto #1.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Shostakovich Trilogy – San Francisco

★★★✰✰   The choreography in Shostakovich Trilogy, which was co-commissioned by SFB and ABT and premiered in 2014, is as frustratingly capricious as the music.

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