"New York City Ballet" tag
Sara Mearns and Jared Angle in Jerome Robbins' In the Night.© Erin Baiano. (Click image for larger version)

New York City Ballet – Robbins bill: Interplay, In the Night, N.Y. Export: Opus Jazz – New York

★★★✰✰   There was virtually nothing to fault with “In the Night” on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled

Tiler Peck in Justin Peck’s Principia.© Erin Baiano. (Click image for larger version)

New York City Ballet – Herman Schmerman, Principia (new Peck), The Runaway – New York

★★★✰✰   Major draws were the new Justin Peck and a revival of William Forsythe’s 1992 commission Herman Schmerman, not seen in full since the 90s…

Ashley Bouder and Joseph Gordon in Tschaikovsky Piano Concerto No. 2.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Mozartiana, Tschaikovsky Piano Concerto No. 2 – New York

★★★✰✰   One of the earliest things I appreciated about Balanchine is that he made me feel okay about liking Tschaikovsky (as NYCB likes to spell it)…

Gonzalo Garcia in Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.

Tiler Peck, Indiana Woodward, Brittany Pollack and Taylor Stanley in George Balanchine's Apollo.© Erin Baiano. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   There has been a generational shift at New York City Ballet, that much was clear last night in a program of Stravinsky ballets that included two major débuts and several smaller ones…

Rosas in Anne Teresa De Keersmaeker’s The Six Brandenburg Concertos.© Stephanie Berger. (Click image for larger version)

Some Memorable Performances of 2018 – New York

Other years have been more exciting, I think, but this one has had its share of remarkable performances, including a few thrilling ones. Here, in no particular order, are the ones that really stood out, for one reason or another.

Tenzin Niles and Ines Gout in George Balanchine’s The Nutcracker.© Erin Baiano. (Click image for larger version)

New York City Ballet – The Nucracker – New York

★★★✰✰   Come hell or high water, George Balanchine’s The Nutcracker will return to New York City Ballet, filling the theatre night after night. Balanchine made a ballet built to last, and it has not disappointed.

Miami City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

City Center Balanchine Festival – Miami City Ballet, Mariinsky Ballet, Royal Ballet, New York City Ballet

★★★✰✰   It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.

Joaquin de Luz in Watermill.© Rebecca Greenfield. (Click image for larger version)

Jerome Robbins / Luca Veggetti – Watermill – New York

★★★✰✰   I was happy to discover that, yes, in fact, something about this more intimate, immersive setting did alter the work’s energy and rhythm, its overall feel.

ABT in Jessica Lang's Garden Blue.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Fall Gala + Symphonie Concertante & Garden Blue 3bills – New York

★★★✰✰   The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.

Taylor Stanley in Kyle Abraham’s The Runaway, in costumes by Giles Deacon.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala: The Exchange, Judah, The Runaway – New York

★★★✰✰   No evening of new works is perfect; the excitement lies in the hope that at some point some magic will happen. And in that solo for Taylor Stanley by Kyle Abraham, we got a glimpse of that magic.

New York City Ballet in Symphony in C.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels & All Balanchine 4bill – New York

★★★★✰ The company seemed to be dancing with a special ferocity, as if to prove its worth and convince the world that this enterprise is, indeed, worth preserving and saving.

Lauren Post and José Sebastian in Zhongjing Fang's Seen by Two.© Rod Brayman. (Click image for larger version)

Co.Lab Dance – Seen by Two, Almost Ritual, The Bright Motion, Sketches – New York

★★★✰✰   What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.

Pacific Northwest Ballet in Opus19/The Dreamer.© Angela Sterling. (Click image for larger version)

Les Etés de la Danse, Paris – Jerome Robbins Homage, Programme 2 – Miami City Ballet, Pacific Northwest Ballet, Perm Opera Ballet

★★★★✰   It’s been a very enjoyable homage to Robbins’s versatility…

Choreographer Lauren Lovette working with Ashley Bouder on Red Spotted Purple.© Gibney/Ashley Bouder - from Instagram original.

Ashley Bouder Project – Red Spotted Purple, Duet, Alas, Symbiotic Twin, In Pursuit Of – New York

★★★✰✰   Bouder’s pick-up ensemble of eight, which she refers to as an arts collaborative, reflects her ideals. It is racially diverse; the choreographers include both men and women. Not all the choreographers are white. This should be par for the course, but it’s not.

Victoria Jaiani and Temur Suluashvili in Glass Pieces.© Cheryl Mann. (Click image for larger version)

Les Etés de la Danse, Paris – Homage to Jerome Robbins, Programme 1 – New York City Ballet, Joffrey Ballet

★★★★✰   The programme, performed by two very different American ballet companies, displayed Robbins’s versatility while revealing the similarities in his approach to music.

Isabella Boylston and James Whiteside in Harlequinade.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Harlequinade (premiere) – New York

★★★★✰   Harlequinade is pure entertainment, a work of art whose entire raison d’être rests on its charm and stylishness. If you require that your art contain deeper meanings, read no further…

Tiler Peck in Coppélia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Coppélia – New York

★★★★✰   Tiler Peck, with her quick feet and sassy musicality, is perfectly suited to the role of Swanhilda. Her choreography has copious amounts of pointework, quick steps, requires adroitness in petit allegro and excellent mime technique – all of which Peck has in abundance.

Hee Seo in Giselle.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle – New York

★★★★✰   Roberto Bolle, who played his usual striking Albrecht, responded to Seo with nuance and subtlety. The same goes for how Seo revealed Giselle’s madness…

New York City Ballet in The Concert.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Robbins No. 4 bill – New York

★★★★✰   It was a good night for Afternoon of a Faun, in particular. Chase Finlay, débuting in the role of the young dancer sensually lolling about a ballet studio, brought back the eroticism this ballet often lacks.

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