Marina Harss is a free-lance dance writer and translator in New York. Her dance writing has appeared in the New Yorker, The Nation, Playbill, The Faster Times, DanceView, The Forward, Pointe, and Ballet Review. Her translations, which include Irène Némirovsky’s “The Mirador,” Dino Buzzati’s “Poem Strip,” and Pasolini’s “Stories from the City of God” have been published by FSG, Other Press, and New York Review Books. You can check her updates on Twitter at: @MarinaHarss
Under are the articles written for DanceTabs. Reviews on Balletco
Ulrik Birkkjaer and Royal Danish Ballet dancers – Bournonville Legacy bill – New York
★★★★✰ You can tell the Danes are in town by the fact that the Joyce Theater has been packed night after night this week.
Mark Morris Dance Group – Sport, Empire Garden, V – New York
★★★★✰ Mark Morris Dance Group are currently at the Lincoln Center’s Mostly Mozart Festival performing a triple bill coupling a new work, “Sport”, to the much admired “Empire Garden” and “V”.
American Ballet Theatre – The Sleeping Beauty – New York
★★★★✰ This production proposes that Sleeping Beauty is not really the story of a love quest – as it’s often depicted – but rather a fable about order and disorder, harmony and disharmony, the balance between good and evil.
Paul Taylor Dance Company – Junction, all at once, Promethean Fire – New York
★★★★✰ In her ‘all at once’, Tanowitz seems to have taken Taylor’s ‘Junction’ as her starting point. Like that work, it is a paean to awkwardness…
Paul Taylor Dance Company – Brandenburgs, Rewilding, Cascade – New York
★★★★✰ One can only wish the Paul Taylor Company well in this period of change. The dancers, new and old, perform with a warmth and openness that is rare.
American Ballet Theatre – Jane Eyre – New York
★★✰✰✰ For all Marston’s qualifications, I found her Jane Eyre to be a dreary affair, theatrically dutiful and choreographically thin.
American Ballet Theatre – Tharp Trio: Brahms-Haydn, Deuce Coupe, Upper Room – New York
★★★★✰ Thirty years after its creation, In the Upper Room is still the ultimate Twyla Tharp piece, an expression of American dynamism and New York style.
New York City Ballet – A Midsummer Night’s Dream – New York
★★★★✰ For Balanchine, Shakespeare’s characters are two-dimensional types, exemplary but wholly unreal. They are shadows in a shadow-play, representing this or that quality…
American Ballet Theatre – Gala with The Seasons premiere + Ratmansky Trio bill – New York
★★★★✰ It’s impossible not to be impressed by the range of these works, from introspective and conversational (Symposium) to brilliantly classical (The Seasons) to dramatic (Dnieper).
American Ballet Theatre – Harlequinade – New York
★★★★★ To my eye, this Harlequinade may be the most well-rounded of Ratmansky’s historically-minded stagings of Petipa.
New York City Ballet – All Balanchine quad bill including Scotch Symphony – New York
★★★★✰ There’s a reason why New York City Ballet doesn’t do George Balanchine’s Scotch Symphony very often. It’s a strangely disjointed ballet…
New York City Ballet – Spring Gala: Bright, Bartók Ballet, Tchaikovsky Suite No. 3 – New York
★★★✰✰ In Bartók Ballet, which coexists but does not comment on the music, the dancers explore a huge range of steps and quotations…
Kalanidhi Dance and Sujata Mohapatra – Dancing the Gods Festival – New York
★★★★✰ We’re lucky in New York to get as much classical Indian dance as we do. Several festivals return year after year, including, in the spring, Dancing the Gods, curated by the dancer and scholar Rajika Puri…
New York City Ballet – Pictures at an Exhibition, Oltremare, Rodeo: Four Dance Episodes – New York
★★★★✰ There is a palpable sense of hope among the dancers; again and again, they rise to the occasion. The opening-night program reflected this resilience and gave reason for hope.
Merce Cunningham Trust – Night of 100 Solos, Centennial Event – New York
★★★★✰ What impresses overall is the clarity of the technique; the precision and control it requires. And the way it enlarges the dancers, distilling their strengths, stretching them to the limit.
Natalia Osipova – Pure Dance bill – New York
★★★✰✰ So, is Pure Dance a success? It depends on what you’re looking for. Osipova is as exciting, and as powerful, a dancer as ever. Among the commissions, only Valse Triste and Flutter are worthy of further exploration…
Dorrance Dance – Jungle Blues, Basses Loaded bill – New York
★★★✰✰ Dorrance is a darling of festivals, presenters and audiences, and has recently crossed over into the realm of ballet. But how much crossover and reinvention is too much?
Sarasota Ballet – Apparitions, Stars and Stripes – Sarasota
★★★★✰ As if an Ashton rarity weren’t reason enough to catch this program, there was also the presence of Marcelo Gomes, former much-admired principal dancer from American Ballet Theatre, to recommend it.
5 Questions to Pepperland designer Elizabeth Kurtzman about collaborating with Mark Morris
With Pepperland about to tour the UK for 6 weeks we talk to designer Elizabeth Kurtzman about her striking costumes and what it’s like working with Mark Morris…
New York City Ballet – Prodigal Son, Liebeslieder Walzer – New York
★★★✰✰ Liebeslieder Walzer is one of the most precious of all Balanchine’s ballets; within its fifty-minute span it seems to contain a world of emotion, both profound and infinitely civilized.
