Marina Harss is a free-lance dance writer and translator in New York. Her dance writing has appeared in the New Yorker, The Nation, Playbill, The Faster Times, DanceView, The Forward, Pointe, and Ballet Review. Her translations, which include Irène Némirovsky’s “The Mirador,” Dino Buzzati’s “Poem Strip,” and Pasolini’s “Stories from the City of God” have been published by FSG, Other Press, and New York Review Books. You can check her updates on Twitter at: @MarinaHarss
Under are the articles written for DanceTabs. Reviews on Balletco
Sarasota Ballet – Apparitions, Stars and Stripes – Sarasota
★★★★✰ As if an Ashton rarity weren’t reason enough to catch this program, there was also the presence of Marcelo Gomes, former much-admired principal dancer from American Ballet Theatre, to recommend it.
5 Questions to Pepperland designer Elizabeth Kurtzman about collaborating with Mark Morris
With Pepperland about to tour the UK for 6 weeks we talk to designer Elizabeth Kurtzman about her striking costumes and what it’s like working with Mark Morris…
New York City Ballet – Prodigal Son, Liebeslieder Walzer – New York
★★★✰✰ Liebeslieder Walzer is one of the most precious of all Balanchine’s ballets; within its fifty-minute span it seems to contain a world of emotion, both profound and infinitely civilized.
Farruquito – Farruquito flamenco bill – New York
★★★★✰ What’s most compelling about the show, really, is its sense of freedom, combined with a strong family-feeling.
Camille A. Brown & Dancers – ink – New York
★★★★✰ The choreographer Camille A. Brown has a rare talent – the ability to make you understand a situation or state of mind through dance.
Interview: Thinking About Petipa – A Conversation with Alexei Ratmansky
Marina Harss talks to a legend about another legend and the greatest classical choreographer of them all – Marius Petipa. Full of interesting insights…
Anne Teresa De Keersmaeker / Rosas – Verklärte nacht – New York
★★★✰✰ The piece is strenuous, filled with running and partnering that, at first, verges on violent, and eventually turns rapturous, but never beautiful – De Keersmaeker never cedes to the lure of beauty…
New York City Ballet – Apollo, Orpheus, Agon – New York
★★★★✰ Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.
New York City Ballet – Apollo, Orpheus, Agon – New York
★★★★✰ There has been a generational shift at New York City Ballet, that much was clear last night in a program of Stravinsky ballets that included two major débuts and several smaller ones…
Martha Graham Dance Company – Graham Deconstructed: El Penitente, Hérodiade – New York
★★★✰✰ Both El Penitente and Hérodiade are from the 40’s, a period when Graham was transitioning from exploration of American and Native-American themes to a more mythical mode.
Some Memorable Performances of 2018 – New York
Other years have been more exciting, I think, but this one has had its share of remarkable performances, including a few thrilling ones. Here, in no particular order, are the ones that really stood out, for one reason or another.
New York City Ballet – The Nucracker – New York
★★★✰✰ Come hell or high water, George Balanchine’s The Nutcracker will return to New York City Ballet, filling the theatre night after night. Balanchine made a ballet built to last, and it has not disappointed.
Alvin Ailey American Dance Theater – Lazarus, Revelations – New York
Alvin Ailey American Dance Theater Lazarus, Revelations ★★★★✰ New York, City Center 30 November 2018 www.alvinailey.org www.nycitycenter.org Forward to Ailey In March of 1958, Alvin Ailey presented his first evening of dance, at…
Staatsballett Berlin – La Bayadère (premiere of Ratmansky reconstruction) – Berlin
★★★★✰ In the last several years, the choreographer Alexei Ratmansky has developed a sideline to his main choreographic efforts: the reviving of ballets by Marius Petipa in a way that represents the original choreography with as much fidelity as possible…
City Center Balanchine Festival – Miami City Ballet, Mariinsky Ballet, Royal Ballet, New York City Ballet
★★★✰✰ It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.
Jerome Robbins / Luca Veggetti – Watermill – New York
★★★✰✰ I was happy to discover that, yes, in fact, something about this more intimate, immersive setting did alter the work’s energy and rhythm, its overall feel.
American Ballet Theatre – Fall Gala + Symphonie Concertante & Garden Blue 3bills – New York
★★★✰✰ The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.
Tere O’Connor Dance – Long Run – New York
★★★✰✰ Long Run is maniacally well constructed, intently and precisely performed, vigorous, and smart, and yet almost completely resistant to interpretation.
Anne Teresa De Keersmaeker / Rosas – The Six Brandenburg Concertos – New York
★★★★✰ At moments, I was ecstatically aware of the beauty of the body in motion.
New York City Ballet – Fall Gala: The Exchange, Judah, The Runaway – New York
★★★✰✰ No evening of new works is perfect; the excitement lies in the hope that at some point some magic will happen. And in that solo for Taylor Stanley by Kyle Abraham, we got a glimpse of that magic.
