"San Francisco Ballet" tag
Russian Ballet Icons Gala 2019 Gala group photo.© Jack Devant. (Click image for larger version)

Russian Ballet Icons Gala 2019 – London

★★★✰✰   The annual Ballet Icons gala, now in its 14th year, aims to promote Russian culture while providing a Sunday evening’s entertainment for Russians in London and ballet-lovers…

Lauren Strongin and Joseph Walsh in Scarlett's Die Toteninsel.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Die Toteninsel (premiere), Rodeo: Four Dance Episodes, Björk Ballet – San Francisco

★★★✰✰   Liam Scarlett has great taste in dancers. For the 29 March world premiere of Die Toteninsel, his fourth commission for San Francisco Ballet, the British choreographer chose the lyrical and athletic principal Joseph Walsh and soloist Lauren Strongin…

Aaron Robison and Joseph Walsh in Possokhov's "...two united in a single soul...".© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Your Flesh Shall Be a Great Poem, Bound To, “…two united in a single soul…” – San Francisco

★★★✰✰   Program 5, titled Lyric Voices, welcomed back Trey McIntyre’s Your Flesh Shall Be a Great Poem and Christopher Wheeldon’s Bound To and the new work came from Yuri Possokhov…

Wona Park in Tomasson's The Sleeping Beauty.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – The Sleeping Beauty – San Francisco

★★★✰✰   The performance was thrilling …because it marked the Aurora debut of soloist Wona Park, whose Kitri debut in the season-opening Don Quixote got loads of buzz. At just 19, she dances with an ease beyond her years…

Abigail Prudames (Victoria) and Pippa Moore (older Princess Beatrice) in Victoria.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – Victoria (Marston premiere) – Leeds

★★★✰✰   Where the ballet takes off is when there are only two or three major characters on stage and then Marston clearly shows intentions and emotions and the dancing becomes rich and telling, clever and gorgeous.

Wei Wang in Frankenstein.© Andrej Uspenski, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Frankenstein – London

★★✰✰✰   Could Liam Scarlett’s monstrous Frankenstein be fixed with more, better surgery? Evidently not, in this revival, three years after its creation.

Cathy Marston.© Foteini Christofilopoulou. (Click image for larger version)

Cathy Marston on her new work for Northern Ballet, Victoria, the creative process and more…

Marston has been working at Northern Ballet creating Victoria for the company (premiere this month) and we wanted to find out more, also catch up on other commissions and discuss just how she works creatively and manages to juggle it all so effortlessly…

San Francisco Ballet in Marston's Snowblind.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – The Fifth Season, Snowblind, Etudes – San Francisco

★★★✰✰   I was thrilled to see Snowblind returning. It was by far my favorite offering of last year’s Unbound Festival because it captivates on every level: potent storytelling, emotive choreography, fitting design tropes and deep character development.

San Francisco Ballet in Millepied's Appassionata.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Divertimento No. 15, Appassionata, Hurry Up, We’re Dreaming – San Francisco

★★★★✰   A triple bill joining George Balanchine’s Divertimento No. 15, the San Francisco Ballet premiere of Benjamin Millepied’s Appassionata and Justin Peck’s Hurry Up, We’re Dreaming.

Gonzalo Garcia in Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.

San Francisco Ballet in Tomasson's Nutcracker.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Nutcracker – San Francisco

★★★★✰   I’m a Nutcracker fan. And I’m a fan of San Francisco Ballet’s current production, choreographed in 2004 by Artistic Director and Principal Choreographer Helgi Tomasson…

Miami City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

City Center Balanchine Festival – Miami City Ballet, Mariinsky Ballet, Royal Ballet, New York City Ballet

★★★✰✰   It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.

World Ballet Live - 2 October 2018.

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing

Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Victoria Hulland, Ricardo Graziano and Ricardo Rhodes in Ashton's Monotones II.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York

★★✰✰✰   After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.

Pacific Northwest Ballet in Opus19/The Dreamer.© Angela Sterling. (Click image for larger version)

Les Etés de la Danse, Paris – Jerome Robbins Homage, Programme 2 – Miami City Ballet, Pacific Northwest Ballet, Perm Opera Ballet

★★★★✰   It’s been a very enjoyable homage to Robbins’s versatility…

Aidan DeYoung and Kelsey McFalls in Gabrielle Lamb's Lacunae.© David DeSilva. (Click image for larger version)

Amy Seiwert’s Imagery – SKETCH 8: Origin Stories – San Francisco

★★★✰✰   Whether walking through space, cycling through a gestural sequence or dancing a technically demanding phrase the dancers were a real joy to watch. The choreography on the other hand, was more of a mixed bag.

Francesca Hayward and Matthew Ball (The Royal Ballet) in Bach Forms, choreography by Wayne McGregor.© Ravi Deepres. (Click image for larger version)

Dance@TheGrange – Curated by Wayne McGregor & Edward Watson – Grange Festival, Hampshire

★★★★✰   McGregor’s company dancers (in Bach Forms) brought a surging energy, buoying up jewel-like moments from the Royal Ballet stars…

Garrett Anderson, right, with full ensemble in James Sofranko's Homing.© Alexander Reneff-Olson. (Click image for larger version)

SFDanceworks – Season Three: Snap, Homing, The Old Child, Jardí Tancat – San Francisco

★★★★✰   SFDanceworks is going places. Formed in 2014 by longtime San Francisco Ballet soloist James Sofranko, the relatively new company already finds itself in a season of expansion.

T.M. Rives and Alexander Ekman.© T.M. Rives & courtesy San Francisco Dance Film Festival. (Click image for larger version)

Interview – Alexander Ekman & T.M. Rives on dance and film

“I think you’ve just got to dare to go there. It’s hard, it’s scary, but creation is always kind of scary in one way or the other. So I think you’ve just gotta have guts and go for it anyway.” Alexander Ekman.

Annabelle Lopez Ochoa rehearsing Guernica.© Erik Tomasson. (Click image for larger version)

Interview – Annabelle Lopez Ochoa on creating Guernica for SF Ballet’s Unbound Festival

“I don’t know if we can make the world a better place, but we can definitely have the audience think about it.”

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