Features
Bobbi Jene Smith in Mari.© Andrew Ogilvy. (Click image for larger version)

Mari – a film by Georgia Parris, Bobbi Jene Smith and Maxine Doyle

★★★✰✰   Mari sets out to examine the complex relationship between different generations of a family and uses contemporary dance in a sort of parallel world to express an emotional history.

Jelly at the ready for TREMBLE.© Rimbaud Patron. (Click image for larger version)

Scene on Screen: Life behind the lens at Scottish Ballet

Araminta Wraith, Scottish Ballet soloist, is a DanceTabs guest blogger during the companies 50th anniversary season. This second blog is titled “Scene on Screen: Life behind the lens at Scottish Ballet”

Natalia Osipova in the film Force of Nature Natalia.© Justine Waddell, Asterisk Films. (Click image for larger version)

Natalia Osipova Film – A Force of Nature Natalia

★★★★★   This is a superbly made film… It draws a portrait of a supreme artist, a woman with exceptional humility, all sensitively handled with warmth and humour.

Carlos Acosta CBE with Dance Section Charirman Graham Watts (left) and Mark Shenton, President of the Critics Circle.© Peter Hogan. (Click image for larger version)

Carlos Acosta splendidly summed up as he collects his Critics’ Circle Services to the Arts award

I was at the recent Critics’ Circle lunch when Carlos Acosta won his latest award and was struck by Graham Watts citation – it seemed to splendidly sum up Carlos, both the man and his illustrious career… and why exactly we all admire him. BM, Ed.

Feeling the sass on opening night in Glasgow.© Rimbaud Patron. (Click image for larger version)

Blue lips, blue shoes, and toi toi toi’s

A huge welcome to Araminta Wraith, Scottish Ballet soloist and DanceTabs guest blogger during this, the companies 50th anniversary season.

Annette Page in Cinderella.© Roy Round, courtesy the Royal Opera House. (Click image for larger version)

Annette Page: Tribute to a Ballerina

This programme celebrated Annette Page’s career with the Royal Ballet and supported the Motor Neurone Disease Association. She died at the age of 84 of MND, a cruel disease for a former dancer and an articulate, witty woman…

Christopher Wheeldon and the BalletBoyz in the studio working on Us.© George Piper. (Click image for larger version)

Pictures Feature – BalletBoyz latest double bill, Them/Us, in the studio & on tour

The BalletBoyz latest double bill features new work by Christopher Wheeldon and a piece devised by the company dancers themselves. We have pictures from the studio and, hot off the press, some final production shots…

Rosas in Anne Teresa De Keersmaeker’s The Six Brandenburg Concertos.© Stephanie Berger. (Click image for larger version)

Some Memorable Performances of 2018 – New York

Other years have been more exciting, I think, but this one has had its share of remarkable performances, including a few thrilling ones. Here, in no particular order, are the ones that really stood out, for one reason or another.

Thomas Bieszka in In the Middle, Somewhat Elevated.© Foteini Christofilopoulou. (Click image for larger version)

Memorable Performances of 2018 – London

Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.

Darcey Bussell and Roberto Bolle in Sylvia on Opus Arte video from Amazon.© Opus Arte. (Click image for larger version)

Close up with Darcey Bussell and Ashton’s Sylvia at the Royal Opera House Cinema Festival

To celebrate 10 year of live relays the Royal Opera House is hosting a Cinema Festival of past works in the newly rebuilt Linbury Studio Theatre. Jann Parry was there for the screening of Ashton’s Sylvia (recorded in 2005) and which included Darcey Bussell reminiscing about dancing the lead role…

Julian Warner and Oliver Zahn in Situation With Doppelganger: Essay Performance.© Nicole Wytyczak. (Click image for larger version)

Hauptaktion at London’s Collisions Festival 2018 – Examing cultural appropriation and Minstrel shows

Thoughtful report about thoughtful work that probes and presents how the dance of yesterday and today borrows and distorts the culture of others. Makes you think!

World Ballet Live - 2 October 2018.

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing

Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Ariel Fung of the House of Krip.© Fotocad. (Click image for larger version)

Voguing at the Southbank’s Ulimited festival – “Vogue: The Unlimited House of Krip”

Part lecture and panel discussion, part documentary screening and part performance “Vogue: The Unlimited House of Krip” was a good introduction to voguing culture, presented as part of the Southbank’s Unlimited festival and built around the deaf and disabled dancers that form the House of Krip.

Daniel McCormick, Emerging Dancer Competition winner, performing Le Corsaire.© Laurent Liotardo. (Click image for larger version)

2018 English National Ballet Emerging Dancer Competition – performance and results

For the first time, English National Ballet’s competition for its junior members was held in the capacious London Coliseum, where the company has been performing The Sleeping Beauty…

"An Evening with Namron" stage backdrop.© Graham Watts. (Click image for larger version)

An Evening with Namron – From Asphalt to Maple Wood

For around 80 minutes, Namron entertained his audience, largely comprising past and present luminaries of London contemporary dance, with stories and reminiscences, often breaking into movement, before finishing with a brief question & answer session…

Dancers from Evgeny Panfilov Ballet Theatre with Vladimir Vasiliev at the end of the contemporary second half of the gala.© Nikita Chuntomov. (Click image for larger version)

Ekaterina Maximova Arabesque Ballet Competition Gala in Honour of Marius Petipa and Lev Tolstoy – Perm

The occasion was the 15th anniversary of the Ekaterina Maximova Arabesque Ballet Competition named, since 2012, after the late and much-loved Bolshoi ballerina, and organised by her husband, Vladimir Vasiliev…

Seeta Patel - Not Today’s Yesterday.© Stephen Berkeley White. (Click image for larger version)

Seeta Patel Blog: Narrative work spoon feeds the audience and is just bad work that shouldn’t be programmed…

A venue programmer tells Seeta that “Narrative work spoon feeds the audience and is just bad work that shouldn’t be programmed.” Unsurprisingly it prompts a bunch of thoughts. And do add yours as a response…

Ahmaud Culver, Jasmine Hearn and Anna Witenberg in live performance as part of the Nick Mauss: Transmissions exhibition.© Paula Court. (Click image for larger version)

Interconnections: Thoughts on “Nick Mauss: Transmissions” at the Whitney in New York

Whiteny PR about the exhibition: “Artist Nick Mauss (b. 1980) presents Transmissions, a multidisciplinary work exploring the relationship between modernist ballet and the avant-garde visual arts in New York from the 1930s through ’50s.”

Living Room Circus's The Penguin & I.© Miriam Strong. (Click image for larger version)

New Writers on New Dance at Place Resolution 2018 (part 2)

Part 2 features reviews by Emma Boxall, Coral Montejano Cantoral, Emma Iskowitz and Francesca Marotto…

National Ballet of Canada in Rudolf Nureyev's The Sleeping Beauty.© Aleksandar Antonijevic. (Click image for larger version)

Preview – The National Ballet of Canada & Rudolf Nureyev’s Sleeping Beauty – a special combination then and now.

This is a Beauty like no other – the most spectacular classical production in the National Ballet’s repertory and a true jewel of a ballet.

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