"Sadler’s Wells" tag
Nicole Sabella in Layla and Majnun.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Mark Morris Dance Group / Silkroad Ensemble: Layla and Majnun

Photographed by Foteini Christofilopoulou…

Aishwarya Raut and Conor Kerrigan in E2 7SD by Rafael Bonachela.© Foteini Christofilopoulou. (Click image for larger version)

Rambert2 + Rambert – Grey Matter, E2 7SD, Killer Pig, Ghost Dances – London

★★★★✰   Rambert’s latest programme is a night of hellos and goodbyes, marking the debut of the company’s new standalone junior faction, Rambert2, as well the final performance of a repertory favourite, Christopher Bruce’s Ghost Dances.

#JeSuis by Aakash Odedra Company.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Aakash Odedra Company in #JeSuis

Photographed at Sadler’s Wells by Foteini Christofilopoulou…

Matthias Sperling, Now That We Know.© Artwork - Victoria Ford. Image - Wellcome Trust Images. (Click image for larger version)

Matthias Sperling – Now That We Know – London

★★✰✰✰   Matthias Sperling’s Now That We Know explores a long-running preoccupation of dancemakers and academics alike: how performance invokes and reflects the mind-body connection.

Meshach Henry, Imogen Alvares, Conor Kerrigan, Antonello Sangirardi and Darlyn Perez in Killer Pig by Sharon Eyal & Gai Behar.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Rambert2 in E2 7SD, Killer Pig, Grey Matter

Works by Benoit Swan Pouffer, Rafael Bonachela and Sharon Eyal/Gai Behar, photographed by Foteini Christofilopoulou…

Delia Mathews and artists of Birmingham Royal Ballet in Ignite.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Fire and Fury: The King Dances, Ignite – London

★★★✰✰   David Bintley, who steps down as director of Birmingham Royal Ballet at the end of the 2018/2019 season, describes the current double bill as ‘two ballets fuelled by power and politics’.

Jasmin Vardimon's Medusa.© Simon Clark, graphic design Raanan Gabriel. (Click image for larger version)

Jasmin Vardimon Company – Medusa – London

★★★✰✰   Jasmin Vardimon’s latest work uses mythology to make a powerful point about gender issues in the present day with an overt relevance to the #MeToo movement.

Dimitris Papaioannou's The Great Tamer.© Julian Mommert. (Click image for larger version)

Dimitris Papaioannou – The Great Tamer – London

★★★★✰   What a deeply strange – and strangely affecting – piece of work The Great Tamer is. You’d struggle to call it dance; Dimitris Papaioannou is intensely interested in bodies and how to move them, but this manifested itself in something quite different from sequences of steps.

m/y by Julie Cunningham.© Foteini Christofilopoulou. (Click image for larger version)

Julie Cunningham, Botis Seva and Alesandra Seutin – Reckonings bill – London

★★★✰✰   Reckonings celebrates the 20th anniversary of the reopening of Sadler’s Wells after its rebuild. Rather than commemorate previous successes, it presents three new works commissioned from emerging UK choreographers as a deliberate statement of belief in the future.

BLKDOG by Botis Seva.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Reckonings bill with works by Julie Cunningham, Alesandra Seutin and Botis Seva

Gallery by Foteini Christofilopoulou…

Rauf Yasitin Epilogue.© Foteini Christofilopoulou. (Click image for larger version)

William Forsythe – A Quiet Evening of Dance – London

★★★★✰   Forsythe is surprising himself and his audience with new discoveries of what bodies and ballets can do.

Parvaneh Scharafali and Rauf Yasit in Seventeen/Twenty One.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – William Forsythe: A Quiet Evening of Dance

Gallery by Foteini Christofilopoulou…

World Ballet Live - 2 October 2018.

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing

Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Carlos Acosta.© Johan Persson. (Click image for larger version)

Carlos Acosta – Dancer, Directer, Choreographer: ‘I am a man on a mission – I always have been’

“That’s what it’s always been about for me – the necessity to connect with an audience and express myself.”

Tamara Rojo and James Streeter in Dust by Akram Khan.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Lest We Forget bill – London

★★★★★   “I cannot recall being so moved at a dance performance for a very long time, if ever.”

Natalia Osipova in in the studio preparing for Pure Dance.© Alastair Muir. (Click image for larger version)

Natalia Osipova – Pure Dance – London

★★★✰✰   No trade description problems, here. This was exactly what it said on the tin: Natalia Osipova performing pure dance, enhanced only by recorded music and lighting designs varying from the merest of subtle tints to an explosion of floodlights…

Pierre Rigal's Compagnie Dernière Minute in Scandale.© Pierre Grosbois. (Click image for larger version)

Pierre Rigal – Scandale – London

★★★✰✰   Rarely seen in London apart from performances at Breakin’ Convention, French choreographer Pierre Rigal brings something different to the hip-hop dance theatre scene with Scandale.

Luna Manzanares Nardo in Carmen La Cubana.© Foteini Christofilopoulou. (Click image for larger version)

Carmen La Cubana – London

★★★★✰   Far from being just one more interpretation of the ubiquitous Carmen, this Cuban version is a unique retelling of the popular narrative, superbly performed.

Albita Rodriguez in Carmen La Cubana.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Carmen La Cubana

Gallery by Foteini Christofilopoulou…

Nederlands Dans Theater in The Statement.© Foteini Christofilopoulou. (Click image for larger version)

Nederlands Dans Theater – Shoot the Moon, Woke up Blind, The Statement, Stop-Motion – London

★★★★✰   World-class dancers… it’s the dancers’ polish and power that raises all they do up another level.

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