"Sadler’s Wells" tag
San Francisco Ballet in Anima Animus by David Dawson.© Foteini Christofilopoulou. (Click image for larger version)

San Francisco Ballet – Your Flesh Shall Be a Great Poem, Bound To, Anima Animus – London

★★★★✰   It’s been a treat to see so much new work made specifically for a company. The dancers are free, unburdened by the weight of history and expectation, with no comparisons to be made to famous past performers or interpretations. It’s all theirs.

Benjamin Freemantle in Your Flesh Shall Be a Great Poem by Trey McIntyre.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – San Francisco Ballet in Your Flesh Shall Be a Great Poem and Anima Animus

Works by Trey McIntyre and David Dawson. Gallery by Foteini Christofilopoulou…

Alina Cojocaru in Cinderella.© Ian Gavan. (Click image for larger version)

English National Ballet – Cinderella – London

★★★★✰   A spectacular show, full of colour, humour and romance…

Sasha De Sola and Angelo Greco in Scarlett's Hummingbird.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Bespoke, Hummingbird and Hurry Up, We’re Dreaming – London

★★★★✰   the overall impression was of the wholly American spirit of the company – peppy, vivacious, determined and running at full-tilt.

Carmela Mayo in Björk Ballet by Arthur Pita.© Foteini Christofilopoulou. (Click image for larger version)

San Francisco Ballet – The Infinite Ocean, Snowblind, Björk Ballet – London

★★★★✰   Ballet companies across the globe are in a new age of commissioning …but none can match the pioneering zeal of this, the oldest American ballet company.

Sofiane Sylve, Tiit Helimets in The Infinite Ocean by Edwaard Liang.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – San Francisco Ballet in The Infinite Ocean, Snowblind and Björk Ballet

Works by Edwaard Liang, Cathy Marston and Arthur Pita. Gallery by Foteini Christofilopoulou…

Mathilde Froustey, Ulrik Birkkjaer, Yuan Yuan Tan and Sasha De Sola in Chamber Symphony.© Foteini Christofilopoulou. (Click image for larger version)

San Francisco Ballet – Alexei Ratmansky’s Shostakovich Trilogy – London

★★★★✰   A gleaming triptych of imaginative and remarkably demanding choreography. The production is textured in every aspect, plumbing deep wells of emotion and revelling in a multiplicity of tones, tempers and movement styles.

San Francisco Ballet in Piano Concerto #1.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – San Francisco Ballet in Alexei Ratmansky’s Shostakovich Trilogy

Alexei Ratmansky’s Shostakovich Trilogy comprises Symphony #9, Chamber Symphony and Piano Concerto #1. Gallery by Foteini Christofilopoulou…

TAO Dance Theater in 9.© Fan Xi. (Click image for larger version)

TAO Dance Theater – 4 & 9 – London

★★★★✰   There is something verging on the mystical about Tao Ye’s rigorously minimalist dance creations. The Beijing-based choreographer’s Numerical Series has stripped back dance to an almost forensic study…

Rambert in Marion Motin's Rouge.© Johan Persson. (Click image for larger version)

Rambert – PreSentient, Rouge, In Your Rooms – London

★★★✰✰   The bill is a bold statement of intent – but a little underwhelming in reality.

Yang Liping's Rite of Spring.© Li Yijan. (Click image for larger version)

Yang Liping – Rite of Spring – London

★★★✰✰   As with most retellings, Liping’s centres on a young woman destined to dance herself to death. However, the dancemaker has invoked Buddhist principles, including the concept of reincarnation…

Natalia Osipova in Medusa by Sidi Larbi Cherkaoui.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Within the Golden Hour, Medusa, Flight Pattern – London

★★★✰✰   A very mixed bill… Sidi Larbi Cherkaoui’s Medusa (★★✰✰✰), Christopher Wheeldon’s Within the Golden Hour (★★★★✰) and Crystal Pite’s Flight Pattern (★★★★✰)

Kiera Martin, curator of the Where Ye From Wild Card event.© Pari Naderi. (Click image for larger version)

Kiera Martin – Sadler’s Wells Wild Card series: Where Ye From – London

★★★✰✰   It was one of those evenings without an obvious beginning or end…

Carlos Acosta CBE with Dance Section Charirman Graham Watts (left) and Mark Shenton, President of the Critics Circle.© Peter Hogan. (Click image for larger version)

Carlos Acosta splendidly summed up as he collects his Critics’ Circle Services to the Arts award

I was at the recent Critics’ Circle lunch when Carlos Acosta won his latest award and was struck by Graham Watts citation – it seemed to splendidly sum up Carlos, both the man and his illustrious career… and why exactly we all admire him. BM, Ed.

Julia Conway - Emerging Dancer Award winner.© ASH. (Click image for larger version)

English National Ballet – Emerging Dancer Competition 2019 – London

★★★✰✰   The 2019 winner is London-born Julia Conway and her success was well deserved.

Elly Braund in Inala.© Johan Persson. (Click image for larger version)

Sisters Grimm – Inala – London

★★★★✰   This third iteration of Inala under the Sadler’s Wells umbrella seems refreshingly new and the abundance of goodwill promised by the Zulu title was all-pervasive.

Ruth Brill.© courtesy Birmingham Royal Ballet. (Click image for larger version)

5 Questions to choreographer Ruth Brill, about to unveil ‘Peter & The Wolf’ for Birmingham Royal Ballet

We quickly catch up with choreographer Ruth Brill about her latest work for BRB, how she creates and what else she is up to… she’s a busy bee!

Israel Galvan in La Fiesta.© Aliaksandra Kanonchenka. (Click image for larger version)

Israel Galván – La Fiesta – London

★★★★✰   Much like his previous show, FLA.CO.MEN, with which it shares quite a few elements, this was 90 minutes of never knowing quite what was going to happen next…

Clod Ensemble in On The High Road.© Hugo Glendinning. (Click image for larger version)

Clod Ensemble – On The High Road – London

★★★✰✰   This is the stuff of which nightmares are made. A frightful storm from which sundry strangers take refuge to spend the night in an isolated place provides the essence of On The High Road…

Jean-Guihen Queyras and Marie Goudot in Mitten wir im Leben sind / Bach6Cellosuiten.© Foteini Christofilopoulou. (Click image for larger version)

De Keersmaeker, Queyras & Rosas – Mitten wir im Leben sind / Bach6Cellosuiten – London

★★★★✰   What unfolds over the two hours is an extraordinary conversation between musician and dancers.

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