Author: Siobhan Murphy

Siobhan Murphy is a freelance writer, reviewer and editor, based in London. Between 2005 and 2014 she was London Metro's arts editor. She also contributes to LondonDance and tweets sporadically at @blacktigerlily.

Under are the articles written for DanceTabs.
Olga Pericet.© Paco Villalta. (Click image for larger version)

Olga Pericet – The Thorn That Wanted to Be a Flower, or The Flower That Dreamed of Being a Dancer – London

★★★★★   The Cordoban star Olga Pericet’s poetically titled show revealed, wonderfully, a personality too big for flamenco to hold.

Sara Baras.© Santana de Yepes. (Click image for larger version)

Ballet Flamenco Sara Baras – Sombras – London

★★★★★   Baras’s improvisations were not outpourings of emotion, but concentrated bursts of pure skill, passionately channelled.

Samara Downs and Lachlan Monaghan in Hobson’s Choice.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet – Hobson’s Choice – London

★★★★✰   Big-hearted, whimsical, suffused with equal parts romance and drollness, Hobson’s Choice is a gem of the BRB repertoire – long may it keep being revived.

Natalie Alleston in Jeanguy Saintus' The Rite of Spring.© Tristram Kenton. (Click image for larger version)

Phoenix Dance Theatre – Left Unseen and The Rite of Spring – London

★★✰✰✰   Phoenix Dance Theatre’s The Rite of Spring came with tantalising credentials: the company’s first collaboration with Opera North, and a UK debut for the Haitian choreographer Jeanguy Saintus…

A picture supplied to illustrte RBS at the Young Talent Festival - Aurora’s Wedding from the 2018 Royal Ballet School Summer Performance.© Tristram Kenton. (Click image for larger version)

Royal Ballet School – ROH, Young Talent Festival, mixed bill – London

★★★★✰   Royal Ballet School at the ROH Young Talent Festival with a mixed bill of over 10, new and old works…

Céline Gittens and Brandon Lawrence in Sense of Time.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet – [Un]leashed: Lyric Pieces, Sense of Time, Peter and the Wolf – London

★★★✰✰   Overall, invigorating; a demonstration of the company’s healthy enthusiasm for innovation and playing with the form…

Norwegian National Ballet 2 in Some See Stages.© Erik Berg. (Click image for larger version)

Norwegian National Ballet 2 – ROH, Young Talent Festival, Quint Bill – London

★★★✰✰   Norwegian National Ballet 2 at the ROH Young Talent Festival with 5 works – Departures, Valse-Fantaisie, Pas de Sept from A Folk Tale, Some See Stages, Left from Write

Natalia Osipova in The Mother.© Kenny Mathieson. (Click image for larger version)

Arthur Pita, Natalia Osipova and Jonathan Goddard – The Mother – London

★★★★✰   The Mother takes already dark source material (a Hans Christian Andersen tale) and plunges even deeper into the nightmare scenario it proposes, giving everything a convincing Russian twist along the way.

Sasha De Sola and Angelo Greco in Scarlett's Hummingbird.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Bespoke, Hummingbird and Hurry Up, We’re Dreaming – London

★★★★✰   the overall impression was of the wholly American spirit of the company – peppy, vivacious, determined and running at full-tilt.

TAO Dance Theater in 9.© Fan Xi. (Click image for larger version)

TAO Dance Theater – 4 & 9 – London

★★★★✰   There is something verging on the mystical about Tao Ye’s rigorously minimalist dance creations. The Beijing-based choreographer’s Numerical Series has stripped back dance to an almost forensic study…

Rambert in Marion Motin's Rouge.© Johan Persson. (Click image for larger version)

Rambert – PreSentient, Rouge, In Your Rooms – London

★★★✰✰   The bill is a bold statement of intent – but a little underwhelming in reality.

Deborah-Colker's Dog Without Feathers.© Pete Woodhead. (Click image for larger version)

Deborah Colker Dance Company – Dog Without Feathers – London

★★★✰✰   It’s hard to tear your eyes away from the filmed sequences – which means the live dance element rather loses out.

Israel Galvan in La Fiesta.© Aliaksandra Kanonchenka. (Click image for larger version)

Israel Galván – La Fiesta – London

★★★★✰   Much like his previous show, FLA.CO.MEN, with which it shares quite a few elements, this was 90 minutes of never knowing quite what was going to happen next…

Damien Jalet & Kohei Nawa's Vessel.© Yoshikazu Inoue. (Click image for larger version)

Damien Jalet & Kohei Nawa – Vessel – London

★★★★✰   The tableaux recall Francis Bacon paintings – and Goya in his darkest moments.

Ben Duke and Solene Weinachter in Juliet & Romeo.© Tristram Kenton. (Click image for larger version)

Lost Dog – Juliet & Romeo – London

★★★★✰   What if the star cross’d lovers hadn’t died, but had run away, got married, had a child, reached middle age and hit a relationship crisis?

The Thread: Russell Maliphant and Vangelis.© Nikiforos. (Click image for larger version)

Russell Maliphant and Vangelis – The Thread – London

★★★✰✰   Sometimes a meeting of diverse dance styles can illuminate both – at other times, it’s not clear what benefit either has gained from the encounter.

BalletBoyz in Christopher Wheeldon’s Us.© George Piper. (Click image for larger version)

BalletBoyz – Them/Us – London

★★★★✰   There’s lots to savour in this burst of creative expression from the present crop of Boyz.

Ultima Vez in Mockumentary of a Contemporary Saviour.© Danny Willems. (Click image for larger version)

Ultima Vez – Mockumentary of a Contemporary Saviour – London

★★✰✰✰   Ultima Vez’s latest show, a devised piece of dance-theatre that tries to explore the nature of faith and religion, …ends up about as awkward and unwieldy as its title.

Emma Barrowman in Bon Voyage, Bob...© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Bon Voyage, Bob… – London

★★✰✰✰   It’s three hours long, not including the interval. But a tanztheater classic this is not…

Uchenna Dance in Hansel & Gretel.© Foteini Christofilopoulou. (Click image for larger version)

Uchenna Dance – Hansel & Gretel – London

★★★✰✰   Vicki Igbokwe’s bold dance retelling of the classic fairytale Hansel and Gretel has a sense of playfulness at its heart, and something of a political message for adults to chew on too.

DanceTabs © 2019 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.