Sadler’s Wells Sampled, 2019 – London
★★★✰✰ Once a year Sadler’s Wells puts on Sampled, a pick and mix of the types of dance you might see at the venue. The front stalls seats are taken out, and standing in that area is only a fiver, with cheap tickets in general.
Gallery – Sadler’s Wells Sampled 2019
Foteini Christofilopoulou photographs Sadler’s Wells Sampled – featuring Uchenna Dance, Mavin Khoo, Semperoper Ballett, Rambert2, Patricia Guerrero and BirdGang.
New York City Ballet – Herman Schmerman, Principia (new Peck), The Runaway – New York
★★★✰✰ Major draws were the new Justin Peck and a revival of William Forsythe’s 1992 commission Herman Schmerman, not seen in full since the 90s…
Hubbard Street Dance Chicago – Jardí Tancat, N.N.N.N., Lickety-Split, Grace Engine – San Francisco
★★★★✰ I only wish Hubbard Street’s Berkeley run could have been longer than three performances, and based on the audience’s cheers and applause, I don’t think I was alone.
Memorable Performances of 2018 – London
Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.
2018 National Dance Awards – Announcement of Nominations
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 19th National Dance Awards…
5 Questions to Dane Hurst about his creative life and dancing in Didy Veldman’s The Knot…
I’m really enjoying being different things throughout the year. Sometimes a dancer, then choreographer and teacher and most recently I had a go at acting again in a feature film by Clara Van Gool…
William Forsythe – A Quiet Evening of Dance – London
★★★★✰ Forsythe is surprising himself and his audience with new discoveries of what bodies and ballets can do.
Les Ballets Trockadero de Monte Carlo (Trocks) – Les Sylphides bill – London
★★★★✰ The curtain calls for Robert Carter’s “Dying Swan” are nearly as long as the ballet itself and just as funny.
Semperoper Ballett – In the Middle, Somewhat Elevated, Neue Suite, Enemy in the Figure – London
★★★✰✰ Semperoper’s dancers distort the classical ballet line more than the Paris Opera Ballet’s (or ENB’s) and don’t bother much with fifth positions or precise épaulement for Forsythe’s endless tendus. They seem contemporary dancers rather than étoiles being outrageous.
English National Ballet’s Emerging Dancer 2018 Competition – 5 Questions to 6 Finalists
English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 11 June and ahead of the that we talk to the finalists – Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles…
Interview: Melissa Hamilton, First Soloist, The Royal Ballet
“I knew that I had to seize my only chance to have a ballet career. Masha Mukhamedov agreed to teach me privately six days a week for ten months…”
English National Ballet – Voices of America bill – works by Forsythe, Robbins & Barton – London
★★★★✰ Altogether, a cunningly judged programme that shows off the company at its most engaging…
Gallery – English National Ballet in Voices of America bill – works by Forsythe, Robbins & Barton
Works by William Forsythe, Jerome Robbins and Aszure Barton. Gallery by Dave Morgan…
Interview – Emily Molnar, Ballet British Columbia’s artistic director, on their work and UK tour
Next month (March 2018) Ballet British Columbia, or Ballet BC as they are commonly known, tour the UK. Diane Parkes talks to artistic director Emily Molnar about the company and the works they are touring which includes a piece by the ultra-hot Crystal Pite…
5 Questions to George Williamson – freelance choreographer and recipient of the first BRB Ballet Now commission
Ballet Now is an initiative between Birmingham Royal Ballet and Sadler’s Wells to develop the (classical) choreographers, composers and designers of the future. It’s a 5-year programme with 2 commissions each year, made possible by the Oak Foundation, matched BRB funding and driven by a Creative Consortium.
American Ballet Theatre – Souvenir d’un Lieu Cher, I Feel the Earth Move, Daphnis and Chloe – New York
★★★✰✰ The choreographer and L.A. Dance Project director Benjamin Millepied is a mover and a shaker, a clever curator, a man of taste, a force in the dance world. But is he good choreographer?
5 Questions for Avatâra Ayuso, Dancer, Choreographer and Director
Graham Watts catches up with the well connected Avatâra Ayuso who has just been appointed Associate Artist at Shobana Jeyasingh Dance…
Company Wayne McGregor – Autobiography – London
★★★✰✰ Each performance of Wayne McGregor’s Autobiography will be different, since its composition is to be determined by an algorithm based on his genetic code. …whatever a reviewer describes will never be the same again.
