Including works by Antonio Branco and Riccardo T. / Xavier Singer-Kingsmith / Luke De Kock, Sarah Golding, Teresa Phuti Mojela and Yukito Masui / Katie Beard, Naomi Turner and Liv Lockwood / Ana Paz / Andy Field and Beckie Darlington...
Tag - The Place
★★★✰✰ Five years on, it’s amusing to see what strange new resonances there are in Luca Silvestrini’s song-and-dance drama about our conflicted relationship with food.
★★★★✰ In a touching and inspiring weekend of audio works, panel discussions, films, a Zoom workshop and live performance, dance artists respond to how we care for each other. The Place’s mini-digital festival is a timely reconsideration of care following the year we’ve just had. Has the pandemic made us more caring or less?
★★★★✰ Never has the time felt so ripe for queer work to be celebrated and how fitting that Rubby Sucky Forge is the first performance to be presented live at The Place since lockdown.
★★★★✰ Lost Dog’s short film, streamed for free by The Place Online was made at the beginning of lockdown and is a eulogy to live performance before the pandemic but also a rumination on life without human contact.
The six films in the 40th anniversary celebration provide tantalising glimpses of Amici's considerable back catalogue, which includes short works as well as major productions...
★★★✰✰ Featuring works by Jonzi D, Theo Inart, Becky Namgauds and the due of Ffion Campbell-Davies and tyroneisaacstuart.
![2Faced Dance Company's promotional image for the EVERYTHING [But the Girl] triple bill.© Chris Nash. (Click image for larger version)](https://dancetabs.com/wp-content/uploads/2020/04/cn-everything-3bill-promo-image_360.jpg)
★★★✰✰ This triple bill marks 2Faced Dance Company’s 20th anniversary. EVERYTHING [but the girl], presents two new pieces alongside a reworked number from 2011...
★★★✰✰ This inventive dance theatre summarises Oscar Wilde’s one-act play, which relates the Biblical story of Salomé and her unrequited feelings for Jokanaan...
★★★★✰ 8th March at Sadler's Wells was the last time we were able to see Richard Alston's work performed by his own company of dancers. Jann Parry with a full and perceptive review of Alston's latest work and last company show.
★★★★✰ Family ties were explored in two markedly different ways in this hip hop dance double bill.
★★★★✰ Joan Clevillé’s direction deserves much praise. A solo show for more than an hour on such an esoteric subject is a difficult framework to sustain and Clevillé’s structure is expertly paced with quick transitions and surprising interludes.
Lynette Halewood with some reflections on London dance performances over the last year - the good and the less good...
★★★★✰ Silvestrini has fashioned a striking theatrical experience in perfect harmony with this timeless story, capped by a triumphal performance in the title role.
★★★★✰ Richard Alston's title for his company's last tour before it closes in 2020 is Final Edition. The autumn run ended with four performances at The Place, in a programme aptly called Alston At Home.
★★★★✰ This is a thoughtful and nuanced depiction of how complex and fraught identity can be in Britain today, put across with meaty, muscular force by two charismatic performers.
Tom Dale Company Step Sonic, Resonance of Air, Escape, Surge ★★★✰✰ London, The Place 14 November 2019 tomdale.org.uk www.theplace.org.uk This two-part programme of work in progress further enhances Tom Dale’s reputation as a cutting-edge choreographer, busily shaping his own innovative dance aesthetic. The opening piece, from which the programme derives its title, was a long exploration of the...
★★✰✰✰ Blind Trip was longer than it deserved to be and mixed too many ideas to be compact and coherent, while Letlalo left me wanting more of the performance on stage but less of the filming going on beside me.
★★★★★ Cool, intelligent, thought-provoking, BEAT excels because of its fantastic creative team and its absolute superstar dancer, Margherita Elliot.
★★★✰✰ Sung Im Her’s Nutcrusher is a dance work which adds a valuable contribution to the #metoo movement with its gritty aesthetics and undoing of the sexually coded body.