"Balanchine" tag
Adrian Danchig-Waring and Emilie Gerrity in Cunningham’s Summerspace.© Erin Baiano. (Click image for larger version)

New York City Ballet – Serenade, Summerspace, Tchaikovsky Piano Concerto No. 2 – New York

★★★★✰   On the penultimate day of the fall season, I managed to catch a performance of New York City Ballet’s revival of Merce Cunningham’s Summerspace. The 1958 piece, which had its City Ballet premiere in 1966, was last performed here in 2000.

Adrian Danchig-Waring and Unity Phelan in Robbins’ Dances at a Gathering.© Erin Baiano. (Click image for larger version)

New York City Ballet – Dances at a Gathering, Everywhere We Go – New York

★★★✰✰   Robbins’ response to Chopin (in Dances at a Gathering) is also extraordinary: sensitive, simple, vulnerable, direct, un-fussy.

Georgina Pazcoguin and Company in Lauren Lovette’s The Shaded Line.© Erin Baiano. (Click image for larger version)

New York City Ballet – Fall Fashion Gala with The Shaded Line, Lineage, Symphony in C – New York

★★★✰✰   Kudos to Lovette for really going out on a limb… The Shaded Line feels truly her own, and it’s clear that she has much to say about her chosen profession…

Sara Mearns and Daniel Ulbricht in George Balanchine’s Variations Pour Une Porte et Un Soupir.© Erin Baiano. (Click image for larger version)

New York City Ballet – Balanchine + Wheeldon bill & Jewels – New York

★★★★✰   It makes a noticeable difference when Litton, music director of the company, is in the pit; the orchestra has presence and sings, providing a convincing counterpart for the dancing.

Lauren Cuthbertson and Marelino Sambé in Juliano Nuñes’ Two Sides Of.© Maria Baranova. (Click image for larger version)

RB, NBoC & ABT dancers at the Joyce Ballet Festival – Prog B, curated by Lauren Cuthbertson – New York

★★✰✰✰   I hadn’t seen much of the well-regarded Cuthbertson, so I was looking forward to this chance to get to know her (she appeared in four of five pieces), as well as the not-always-dubious introduction to new works by new choreographers…

Norwegian National Ballet 2 in Some See Stages.© Erik Berg. (Click image for larger version)

Norwegian National Ballet 2 – ROH, Young Talent Festival, Quint Bill – London

★★★✰✰   Norwegian National Ballet 2 at the ROH Young Talent Festival with 5 works – Departures, Valse-Fantaisie, Pas de Sept from A Folk Tale, Some See Stages, Left from Write

Michael Trusnovec, Heather McGinley and Maria Ambrose in Rewilding.© Whitney Browne. (Click image for larger version)

Paul Taylor Dance Company – Brandenburgs, Rewilding, Cascade – New York

★★★★✰   One can only wish the Paul Taylor Company well in this period of change. The dancers, new and old, perform with a warmth and openness that is rare.

Mathilde Froustey, Ulrik Birkkjaer, Yuan Yuan Tan and Sasha De Sola in Chamber Symphony.© Foteini Christofilopoulou. (Click image for larger version)

San Francisco Ballet – Alexei Ratmansky’s Shostakovich Trilogy – London

★★★★✰   A gleaming triptych of imaginative and remarkably demanding choreography. The production is textured in every aspect, plumbing deep wells of emotion and revelling in a multiplicity of tones, tempers and movement styles.

Sterling Hyltin and Gonzalo Garcia in Jerome Robbins’ Opus 19/The Dreamer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Balanchine, Robbins & Reisen quad bill – Washington

★★★✰✰   Opus 19 feels at once nostalgic, mysterious and dreamy…

Ivan Putrov.© Johan Persson. (Click image for larger version)

Ivan Putrov on his latest night of ballet – Against the Stream

Ivan Putrov’s latest project, Against the Stream, gets its premiere on Sunday 7 April 2019 at the London Coliseum. Jann Parry finds out all about it…

Sara Mearns and Jared Angle in Jerome Robbins' In the Night.© Erin Baiano. (Click image for larger version)

New York City Ballet – Robbins bill: Interplay, In the Night, N.Y. Export: Opus Jazz – New York

★★★✰✰   There was virtually nothing to fault with “In the Night” on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled

Rambert2: Salome Pressac in Killer Pig.© Foteini Christofilopoulou. (Click image for larger version)

Sadler’s Wells Sampled, 2019 – London

★★★✰✰   Once a year Sadler’s Wells puts on Sampled, a pick and mix of the types of dance you might see at the venue. The front stalls seats are taken out, and standing in that area is only a fiver, with cheap tickets in general.

Tiler Peck in Justin Peck’s Principia.© Erin Baiano. (Click image for larger version)

New York City Ballet – Herman Schmerman, Principia (new Peck), The Runaway – New York

★★★✰✰   Major draws were the new Justin Peck and a revival of William Forsythe’s 1992 commission Herman Schmerman, not seen in full since the 90s…

Yasmine Naghdi and Matthew Ball in The Unknown Soldier.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Unknown Soldier (premiere), Infra, Symphony in C – London

★★★✰✰   If The Unknown Soldier is dispiritingly low-key, Wayne McGregor’s Infra remains assertively bold…

Yasmine Naghdi in The Unknown Soldier.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Unknown Soldier, Infra, Symphony in C

Featuring Alastair Marriott’s new “The Unknown Soldier”, Wayne McGregor’s “Infra” and Balanchine’s “Symphony in C”. Gallery by Foteini Christofilopoulou…

Polina Semionova in La Bayadère.© Yan Revazov. (Click image for larger version)

Staatsballett Berlin – La Bayadère (premiere of Ratmansky reconstruction) – Berlin

★★★★✰   In the last several years, the choreographer Alexei Ratmansky has developed a sideline to his main choreographic efforts: the reviving of ballets by Marius Petipa in a way that represents the original choreography with as much fidelity as possible…

Miami City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

City Center Balanchine Festival – Miami City Ballet, Mariinsky Ballet, Royal Ballet, New York City Ballet

★★★✰✰   It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.

New York City Ballet in Symphony in C.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels & All Balanchine 4bill – New York

★★★★✰ The company seemed to be dancing with a special ferocity, as if to prove its worth and convince the world that this enterprise is, indeed, worth preserving and saving.

Robert Carter in The Dying Swan.© Emma Kauldhar. (Click image for larger version)

Les Ballets Trockadero de Monte Carlo (Trocks) – Les Sylphides bill – London

★★★★✰   The curtain calls for Robert Carter’s “Dying Swan” are nearly as long as the ballet itself and just as funny.

Victoria Hulland, Ricardo Graziano and Ricardo Rhodes in Ashton's Monotones II.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York

★★✰✰✰   After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.

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