★★★★★ ...a satisfying film in which dance is treated as a work of art, like a painting or a sculpture that moves. New York City Ballet’s virtual spring gala is the most successful version of this approach I’ve seen.
Tag - Balanchine
The Jacob’s Pillow website contains an important and incredibly diverse dance archive under the banner "Dance Interactive" - Susanna Sloat introduces an important resource and calls out many video gems...
★★★★✰ The latest offering from New York City Ballet, by Kyle Abraham, is a particularly handsome, intelligent, and well-filmed example of the (made and streamed under Covid) genre.
★★★★★ This collaboration between choreographer William Forsythe and New York City Ballet dancer Tiler Peck is the best-conceived dance film streamed during current Covid-19 constraints.
★★★★✰ After nearly a year away from dancing for live audiences Australian Ballet are back with a gala - Summertime at the Ballet - and at an unusual location, the Margaret Court Arena in Melbourne.
★★★★✰ San Francisco Ballet has elected to bring a recently filmed version of the ballet to its audiences as the first program of 2021. And what a lovely way to kick off the digital season!
★★★★★ Thank you, Royal Ballet, for giving so much pleasure in trying times.
★★★★✰ Kevin O'Hare, director of the Royal Ballet, came on stage to welcome the return of a paying audience for what turned out to be the opening and closing live performance of the season...
★★★✰✰ Program II of the Fall for Dance festival features premieres by Dormeshia and Kyle Abraham, plus excerpts of works by Balanchine and Lar Lubovitch...
The entire Royal Ballet were back on stage and performing for a live audience last Friday in a gala style show which was/is also streamed. Jann Parry was mightily impressed with the dancing and repertoire (★★★★★) if not so much with the live audience experience in a Covid aware Opera House (★★★✰✰)
Carlos Acosta chats to Graham Watts about how things are going after his first few months at the artistic helm of Birmingham Royal Ballet & the impact that Covid-19 has had on his plans...
★★★★✰ The recording reveals how unusual the choreography is, as it was in 1965... Dancers in pointe shoes have to adapt to flexed feet, flat-footed parallel positions, torsos bent forward, elbows and wrists held at angles.
★★★★✰ The four ballets make for a slightly over-long evening (both Episodes and Rodeo are substantial works). But it’s a small price to pay for seeing these rarities back onstage.
★★★★✰ The annual Icons gala provides the chance to see dancers who don't often appear in London...
★★★★✰ How is the company looking? ...the company looks good so far.
★★★★✰ New York City Ballet is off to a fine start when it opens the winter season with a very well-danced all Balanchine, all Stravinsky program.
★★★★✰ For those of us that have been involved with the company, no matter how small a part, it is clear that the ‘happy family’ that is English National Ballet, reveres and appreciates all who have been part of its 70 year existence.
★★★★✰ 'Spellbound' delivered in every regard – opulent grandeur, terrific people watching and above all, marvelous dance.
★★★✰✰ Stunning images of Bolshoi ballerina Svetlana Zakahrova dressed as Coco Chanel whetted the appetite for the London Premiere of her latest how, Modanse.
★★★★✰ As a special one-off, Michael Trusnovec, now a guest artist, danced the solo from George Balanchine’s spiky and ascetic Episodes which he made for Paul Taylor in 1959.