Paul Taylor American Modern Dance – Gala including new Kyle Abraham – New York
★★★★✰ As a special one-off, Michael Trusnovec, now a guest artist, danced the solo from George Balanchine’s spiky and ascetic Episodes which he made for Paul Taylor in 1959.
American Ballet Theatre – Fall Gala and The Masters bills – New York
★★★★✰ The fewer the speeches, the better the gala – this universal truth seems to have bypassed the organizers at American Ballet Theatre…
New York City Ballet – Balanchine + Wheeldon bill & Jewels – New York
★★★★✰ It makes a noticeable difference when Litton, music director of the company, is in the pit; the orchestra has presence and sings, providing a convincing counterpart for the dancing.
Ulrik Birkkjaer and Royal Danish Ballet dancers – Bournonville Legacy bill – New York
★★★★✰ You can tell the Danes are in town by the fact that the Joyce Theater has been packed night after night this week.
Bolshoi Ballet – Jewels: Emeralds, Rubies, Diamonds – Brisbane
★★★★★ As you would expect Diamonds was the highlight of the three part Jewels.
Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London
★★★★✰ Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.
New York City Ballet – A Midsummer Night’s Dream – New York
★★★★✰ For Balanchine, Shakespeare’s characters are two-dimensional types, exemplary but wholly unreal. They are shadows in a shadow-play, representing this or that quality…
Viviana Durante Company – THREE/8.38/SEVEN – London
★★✰✰✰ The show at Wilton’s Music Hall, produced and directed by former ballerina Viviana Durante, was originally billed as The Seven Deadly Sins by Kurt Weill and Bertolt Brecht…
New York City Ballet – All Balanchine quad bill including Scotch Symphony – New York
★★★★✰ There’s a reason why New York City Ballet doesn’t do George Balanchine’s Scotch Symphony very often. It’s a strangely disjointed ballet…
New York City Ballet – Spring Gala: Bright, Bartók Ballet, Tchaikovsky Suite No. 3 – New York
★★★✰✰ In Bartók Ballet, which coexists but does not comment on the music, the dancers explore a huge range of steps and quotations…
Ivan Putrov – Against the Stream – London
★★★★✰ Putov brought together remarkable performers whom we long to see again, and left us wanting more…
Northern Ballet – Victoria (Marston premiere) – Leeds
★★★✰✰ Where the ballet takes off is when there are only two or three major characters on stage and then Marston clearly shows intentions and emotions and the dancing becomes rich and telling, clever and gorgeous.
Sarasota Ballet – Apparitions, Stars and Stripes – Sarasota
★★★★✰ As if an Ashton rarity weren’t reason enough to catch this program, there was also the presence of Marcelo Gomes, former much-admired principal dancer from American Ballet Theatre, to recommend it.
New York City Ballet – Prodigal Son, Liebeslieder Walzer – New York
★★★✰✰ Liebeslieder Walzer is one of the most precious of all Balanchine’s ballets; within its fifty-minute span it seems to contain a world of emotion, both profound and infinitely civilized.
San Francisco Ballet – Divertimento No. 15, Appassionata, Hurry Up, We’re Dreaming – San Francisco
★★★★✰ A triple bill joining George Balanchine’s Divertimento No. 15, the San Francisco Ballet premiere of Benjamin Millepied’s Appassionata and Justin Peck’s Hurry Up, We’re Dreaming.
New York City Ballet – Apollo, Orpheus, Agon – New York
★★★★✰ There has been a generational shift at New York City Ballet, that much was clear last night in a program of Stravinsky ballets that included two major débuts and several smaller ones…
Some Memorable Performances of 2018 – New York
Other years have been more exciting, I think, but this one has had its share of remarkable performances, including a few thrilling ones. Here, in no particular order, are the ones that really stood out, for one reason or another.
New York City Ballet – The Nucracker – New York
★★★✰✰ Come hell or high water, George Balanchine’s The Nutcracker will return to New York City Ballet, filling the theatre night after night. Balanchine made a ballet built to last, and it has not disappointed.
Interview: Mayara Magri, First Soloist, The Royal Ballet
Jann Parry talks to the recently promoted Mayara Magri at an important time – she is about to make her debut as Gamzatti in The Royal Ballet’s production of La Bayadere – her first major and leading role in the company she joined 6 years ago…
Staatsballett Berlin – La Bayadère (premiere of Ratmansky reconstruction) – Berlin
★★★★✰ In the last several years, the choreographer Alexei Ratmansky has developed a sideline to his main choreographic efforts: the reviving of ballets by Marius Petipa in a way that represents the original choreography with as much fidelity as possible…
