"London" tag
Natalia Osipova in The Mother.© Kenny Mathieson. (Click image for larger version)

Arthur Pita, Natalia Osipova and Jonathan Goddard – The Mother – London

★★★★✰   The Mother takes already dark source material (a Hans Christian Andersen tale) and plunges even deeper into the nightmare scenario it proposes, giving everything a convincing Russian twist along the way.

Dancers Maria Bruguet González, Esme Calcutt, Tuva Svendsen and Isabella Zych-Watson in Ashley Page's Meadowdown.© Alex Fine. (Click image for larger version)

Images Ballet Company – Interplay, Mirrors, On Lineage, Meadowdown – London

★★★✰✰   Images has done an excellent job of commissioning appropriate, innovative choreographers, allowing the company to exceed their expectations…

Naulaq LeDrew and Avatara Ayuso in No Woman's Land.© Adam Dreeseen. (Click image for larger version)

AVA Dance Company – ORIGINS Festival: No Woman’s Land – London

★★★★✰   Ava Dance Company’s essay on the tribulations of the Inuit people from the northern-most reaches of Canada is appropriately a mix of dance theatre and spoken text…

Junior Ballett Zürich in Wounded.© Gregory Batardon. (Click image for larger version)

Junior Ballett Zürich – Young Talent Festival: Echo of Elements, Wounded, Submerge – London

★★★✰✰   The twelve dancers are a mix of nationalities, attractive, lively and energetic, fortunately possessing the stamina required to get through a demanding programme.

Ben Duke and Solene Weinachter in Juliet & Romeo.© Jane Hobson. (Click image for larger version)

Lost Dog – Juliet & Romeo – London

★★★★✰   Juliet and Romeo is a clever work on many different levels.

Bobbi Jene Smith in Mari.© Andrew Ogilvy. (Click image for larger version)

Mari – a film by Georgia Parris, Bobbi Jene Smith and Maxine Doyle

★★★✰✰   Mari sets out to examine the complex relationship between different generations of a family and uses contemporary dance in a sort of parallel world to express an emotional history.

Company of Elders at the 2019 Elixir Extracts Festival.© Ellie Kurttz. (Click image for larger version)

Company of Elders – Dare I Speak, Natural 2019 – London

★★★★✰   Over the years that I’ve seen them, this extraordinary company of quirky individuals have become more adventurous about what they perform and flexible in how they perform…

Sayaka Ichikawa, Mthuthuzeli November, Isabela Coracy and Cira Robison in Cathy Marston’s The Suit.© Bill Cooper. (Click image for larger version)

Ballet Black – The Suit, Ingoma – London

★★★★✰   Merging these two works onto the same bill created a powerful double-header of impressive and arresting dance theatre.

Margot Fonteyn as Ondine, 1958.© Roger Wood, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Margot Fonteyn, A Celebration – London

★★★★✰   The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.

Itziar Mendizabal in The Firebird.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Firebird, A Month in the Country, Symphony in C

Gallery by Foteini Christofilopoulou…

San Francisco Ballet in Anima Animus by David Dawson.© Foteini Christofilopoulou. (Click image for larger version)

San Francisco Ballet – Your Flesh Shall Be a Great Poem, Bound To, Anima Animus – London

★★★★✰   It’s been a treat to see so much new work made specifically for a company. The dancers are free, unburdened by the weight of history and expectation, with no comparisons to be made to famous past performers or interpretations. It’s all theirs.

Benjamin Freemantle in Your Flesh Shall Be a Great Poem by Trey McIntyre.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – San Francisco Ballet in Your Flesh Shall Be a Great Poem and Anima Animus

Works by Trey McIntyre and David Dawson. Gallery by Foteini Christofilopoulou…

Alina Cojocaru in Cinderella.© Ian Gavan. (Click image for larger version)

English National Ballet – Cinderella – London

★★★★✰   A spectacular show, full of colour, humour and romance…

Francesca Hayward in Ondine.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet’s Margot Fonteyn: A Celebration

The Royal Ballet pays tribute to its Prima Ballerina Assoluta, Margot Fonteyn, with a special celebratory performance to mark the centenary of her birth. Gallery by Foteini Christofilopoulou…

Sasha De Sola and Angelo Greco in Scarlett's Hummingbird.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Bespoke, Hummingbird and Hurry Up, We’re Dreaming – London

★★★★✰   the overall impression was of the wholly American spirit of the company – peppy, vivacious, determined and running at full-tilt.

Gary Avis in The Firebird.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London

★★★★✰   Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.

Carmela Mayo in Björk Ballet by Arthur Pita.© Foteini Christofilopoulou. (Click image for larger version)

San Francisco Ballet – The Infinite Ocean, Snowblind, Björk Ballet – London

★★★★✰   Ballet companies across the globe are in a new age of commissioning …but none can match the pioneering zeal of this, the oldest American ballet company.

Antonia Naouele and Ahmed Soura in Kalakuta Republik.© Doune Photo. (Click image for larger version)

Faso Danse Théâtre – Kalakuta Republik – London

★★★✰✰   Without help, which was certainly not forthcoming in the programme, most of the action was a mystery in relation to Kuti and the Kalakuta Republik.

Sofiane Sylve, Tiit Helimets in The Infinite Ocean by Edwaard Liang.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – San Francisco Ballet in The Infinite Ocean, Snowblind and Björk Ballet

Works by Edwaard Liang, Cathy Marston and Arthur Pita. Gallery by Foteini Christofilopoulou…

Mathilde Froustey, Ulrik Birkkjaer, Yuan Yuan Tan and Sasha De Sola in Chamber Symphony.© Foteini Christofilopoulou. (Click image for larger version)

San Francisco Ballet – Alexei Ratmansky’s Shostakovich Trilogy – London

★★★★✰   A gleaming triptych of imaginative and remarkably demanding choreography. The production is textured in every aspect, plumbing deep wells of emotion and revelling in a multiplicity of tones, tempers and movement styles.

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